Artist Spotlight @ Alberta Craft Council with Connie Cooper

As time goes on, I find that it is important to slow down, to
simplify and keep to what is important to me. As my life is reflected in
what I make, the pieces are simple, with less surface decoration and
more attention to form, texture, colour and material interaction in
firing.

A trip to Iceland, where the landscape is igneous,
textural and pristine, has renewed my interest in geology and landscape.
Mined from the earth and transformed by fire and heat, clay and glaze
minerals were the first materials synthesized by man. Drawn in part by
this interest to work with clay, my intent is to reference and reflect
this inspiration
. – Connie Cooper (Calgary)

The 7th Triennial Canadian Clay Symposium ~ R:evolution – tradition – technology

Saturday, March 18th, 2017
Shadbolt Centre for the Arts, Burnaby, BC

Where do you sit on the technological continuum in your ceramic
practice? Are you forging ahead, finding new and exciting ways to use
modern digital technologies in the creation or marketing of your work…
or hunkering down and finding ways to continue to explore your making in
traditional ways?
R:evolution – tradition – technology is a one
day ceramics symposium exploring the ways contemporary ceramic artists
interact with and employ new digital technologies; as a tool for making
work, in their artistic enquiry, or as a means to connect with peers and
their market. Attendees will also have the opportunity to investigate
the relevance and role of traditional methods in contemporary society.

The Canadian Clay Symposium will feature ten national and international
artists who have been invited to share their expertise with ceramic
arts students and professionals. Through numerous simultaneous
presentations of images, lectures, demonstrations, critiques, panel
discussions and a topical keynote address, the topics of presentation
cover theoretical topics, as well as practical techniques in areas such
as sculpture, hand-building, wheel-throwing, glaze and firing technology
and clay bodies.

Over the next months we will share through
this newsletter some information about each of the ten Symposium
presenters as well as report about other events and workshops that will
run in conjunction with the Symposium.

Currently Aaron Nelson is
the Associate Director at Medalta, a museum, residency, research and
education centre in Medicine Hat Alberta. In addition to his work as an
arts administrator, consultant and technical educator, Aaron also
maintains an active studio practice. Currently Aaron’s studio research
focuses on the intersection of digital technology and traditional
ceramic practice. He has lectured on this topic throughout Canada and
his research has been supported by the Canada Council for the Arts, The
Alberta Foundation of the Arts, and the National Research Council.

In his “Connectivity” project, Aaron’s handmade traditional tea cups,
platters, vases and porcelain chandeliers are connected, sometimes by
way of their decorative gold luster, with electrical and electronic
circuitry, telephones, iPods, generators, light bulbs and audio
speakers. The gilded decoration works as a simple circuit board – the
surfaces of the ceramics become energized with flowing electrons as they
transmit electrical current and data. Visitors are invited to ‘turn on’
and interact with the pieces physically or through their electronic
devices.

Learn more about Aaron and his work at these links:
www.aaronnelson.ca
• “The Big Idea” video http://www.aaronnelson.ca/video
• Colour changing chandelier video link: https://www.youtube.com/watch?v=dl9eHBEG-1M

Gwendolyn Yoppolo uses words, ceramic objects, and food to stretch
boundaries and transform perception. She creates sensuous kitchen- and
table-wares that use the physical experience of hunger and satiation to
allude to larger issues of human desire and relationship. Her visionary
designs challenge us to rethink the ways we nourish ourselves and others
within contemporary food culture. “The pieces I make are questions, and
they remain open-ended until fulfilled through use.”
Gwendolyn
earned an MFA in Ceramics from Penn State University, has been a
resident artist at the Penland School of Crafts, the Anderson Ranch Arts
Center, and the Archie Bray Foundation. Gwendolyn has taught at Ohio
University, The Ohio State University, and Juniata College, as well as
at art centers such as Arrowmont School of Crafts and Anderson Ranch
Arts Center. A passionate educator and thinker as well as a maker, her
writing can be found in Studio Potter, Pottery Making Illustrated, and
Passion and Pedagogy.

Learn more about Gwendolyn and her work at www.gwendolynyoppolo.com
Learn More!

For full symposium information, please visit http://www.canadianclaysymposium.com
• All participants must be pre-registered.
• Registration is now open. Early Bird Registration is $125 for Adults
or $110 for Seniors (plus GST) until January 15th, after that date
Registration will be $150 for Adults or $131.25 for Seniors (plus GST).
• Seniors Discount is only available through phone, in-person and mail-in registration,
on-line registration includes only the pricing option for regular Adult registration.
• All Fees include lunch.
• Register by mail (cheque payable to the City of Burnaby) or by phone to set up a new account: 604-291-6864.
• Those previously registered in Burnaby programs can access webreg online at: www.burnaby.ca/webreg

Virginia McClure Ceramic Biennale: Épisode

• Phoebe Cummings, Benjamin DeMott, Janet Macpherson, Meghan Smythe. Curator: Linda Swanson
 
Vernissage : Thursday, October 27, 2016 at 6 pm
Exhibition : October 28 to November 26
Artists and Curator Exchange: Friday, October 28 at 7 pm

Épisode is curated by invited artist/curator Linda Swanson.
The exhibition features four artists whose works speak not only to
excellence and innovation in ceramics, but to its relevance as a
discipline that allows for a specifically corporeal, embodied
articulation of contemporary human experience. Swanson’s choice of
artists — Phoebe Cummings (Stafford, UK), Benjamin DeMott (Chicago,
U.S.), Janet Macpherson (Toronto, Canada) and Meghan Smythe (Los
Angeles, U.S.) — has resulted in an inspiring, materially seductive
exhibition. Indeed, there is something collectively subversive about
their work – subversive in the sense of undermining staid narratives,
restrictive tropes, or assumptions about our perceived reality. Each
artist recognizes the historical heritage of ceramics, yet offers a
highly original and imaginatively provocative vision. Épisode is the second of five biennales taking place between 2014 and 2022.

Gallery Hours: Tuesday to Friday 12 pm to 6 pm; Saturday 12 pm to 5 pm
[email protected]
www.visualartscentre.ca/mcclure-gallery/exhibitions/current-exhibition/