by Carole Epp | Apr 4, 2010 | Uncategorized
2010 UAAC Conference / Congrès AAUC 2010 Guelph University / Université Guelph October 14-16 octobre
Proposals for papers should reach session chairs no later than May 3
ECONOMY, COMMUNITY AND SELF-EXPRESSION – CRAFT AND SOCIAL DEVELOPMENT
From the socialism of the Arts and Crafts Movement to the radical interventions proposed by “craftivists”, the material, makers and processes of craft have been mobilised for social change. Central to this panel discussion are the communities created through craft — whether on a local, global or virtual level. These range in time and space from the DIY movement documented in Faythe Levine’s 2009 film Handmade Nation to the historical Canadian Guild of Handicraft, the Grenfell Mission in Labrador and the Home Arts Association in Great Britain to initiatives like the Navajo Crownpoint Rug Auction and Amazi Abesifazane or Voices of Women project in South Africa.
Perhaps because much of craft production is embedded in living culture and intangible cultural heritage it has attracted the attention of a wide range of scholarly approaches. Cultural geographers, craft historians, anthropologists, philosophers, art historians, women’s studies and material culture scholars and folklorists have all tried to decode the halo of meaning surrounding craft production within the social context.
Craft gets pressed, for better or worse, into social service because it speaks to people, it is perceived as accessible and useful. In this context, papers may address, but are not limited to, the following:
-The revelation of class, gender, and sexuality through economies of craft
-Transnationalism, cultural hybridity, and race as these relate to the role of craft in social development
-The transmission of traditional skills through craft cooperatives or finding a new relevance for traditional skills
-The intersection of craft and tourism as it relates to cultural identity and rural development
-The relationship of poverty with craft or craft as a survival skill
-“Doing good” or creating craft for those in need
Contact either Chair:
Gloria Hickey Independent scholar and curator St. John’s, NL [email protected]
Elaine Cheasley Paterson, PhD Craft Historian, Department of Art History Concordia University, EV 3.765 1455 De Maisonneuve Boulevard West Montreal, Quebec H3G 1M8 514.848.2424 ext. 4605 email: [email protected]
Please send documents in .doc. or .rtf format only. Submissions from students should be accompanied by a letter of support from their supervisor.
All participants at the UAAC Annual Conference, speakers or not, must be UAAC members in good standing with a 2010 Membership number.
by Carole Epp | Apr 2, 2010 | Uncategorized
via designboom
soledad senlle gallery, amsterdam
april 10 – may 15, 2010
“amsterdam’s soledad senlle gallery will be showing the work of french artists arnold goron & emilie faif in a dreamlike installation titled ‘the limpet & the cloud’. faif’s work is mostly textile based, consisting of sculptural pieces that have a handmade feel and often have a moving component. goron on the other hand, works in stoneware and earthenware. his pieces are abstract and explore the surface of the material, taking angular or round perspectives. when combined, the work of these two artists explores the world of fantasy and dreams. their abstract and imaginative works evoke another world.”
http://www.soledad.nl

‘les amis” by arnold goron, 2009 (stoneware, stone, paint, wood, fymo, bone)
by Carole Epp | Mar 31, 2010 | Uncategorized

Upcoming deadline : April 15th
There are three major application deadlines throughout the year:
April 15th
June 15th
December 1st.
For more info about Medalta and the application process see their website
here.
All material must be submitted in hard copy and arrive by mail, courier, or submitted in person to:
The Medalta International Artists in Residence Program
713 Medalta Ave SE
Medicine Hat Alberta
T1A 3K9
by Carole Epp | Mar 31, 2010 | Uncategorized
DEADLINE FOR APPLICATION: JUNE 30, 2010
http://www.santofoundation.org
Entry Fee: $35 – 10 images must be submitted
The Santo Foundation was established in 2009 to recognize and assist the careers of individual visual artists. It is our mission to support visual artists allowing continued pursuit of a career we believe to be one of the most challenging and rewarding for the future of our cultural heritage.
Our Call for Entry 2010 is for two $3500.00 individual artists grants. We are pleased to announce our distinguished Juror, Barbara O’Brien, Curator of Contemporary Art at the Kemper Museum of Contemporary Art, Kansas City. Graduate students and all emerging to mature artists are eligible to apply. The Santo Foundation is not accepting performance art or video art for our 2010 Call for Entry. All other fine art mediums are welcome such as painting, drawing, printmaking, photography, installation (still images only), sculpture, metals, ceramics, and interdisciplinary (still images only).
Please submit 10 jpegs of current work labeled accurately and a current resume. Each application requires a non-refundable processing fee of $35.00. Applications are being accepted March 15 until June 30, 2010.
Candidates are requested to apply online through WESTAF’s CaFE™ web site (www.callforentry.org). The Foundation will not accept applications sent by mail to the Santo Foundation office or The Santo Foundation email address. The Santo Foundation is not accepting performance art or video art for our 2010 Call for Entry. All other fine art mediums are welcome such as painting, drawing, printmaking, photography, installation (still images only), sculpture, metals, ceramics, and interdisciplinary (still images only).
by Carole Epp | Mar 30, 2010 | Uncategorized
2 Openings at the Last Mountain Lake Cultural Center – Sunday April 11th, 12.30 to 3.30
“As a collector of things, it is the small elements that most people overlook that inspire me most. It is by close observation of plant life that I have noticed how within each structure and environment patterns are created and respected. It is how individual elements, while independent, can also be used like building blocks to create larger units of pattern, which in turn can create even larger patterns exponentially. The repetition of the + (cross) forms a grid system is a representation of microcosm in macrocosm”.
The exhibition Motion Captured, Motion Denied presents the works of young, Saskatchewan contemporary ceramic artists Jody Greenman-Barber and Zane Wilcox. Although both artists work in very distinct and different approaches from eachother, a commonality between their works is how each artist addresses the concept of motion. Pushing the boundaries of wheel- thrown traditions and approaches, Jody’s work concentrates on the gestural qualities of clay and exaggerated wheel-thrown lines and forms and therefore embodies motion. Zane’s work also pushes boundaries of handbuilding with clay through creating solid clay forms that embody a sense of immovability and stability, and thus serve as a reference point for the motion or physical movements of the viewer within the gallery space, as he or she moves around the works to take in the different angles and perspectives that they offer.Last Mountain Lake Cultural Centre, Regina Beach
133 Donovel Crescent (beside South Shore School)
Regina Beach SK
Gallery Hours: Sat 10.30-4.30 and Sun 12.30 to 4.30For more info please call the LML Cultural Centre @ 729.4484
by Carole Epp | Mar 29, 2010 | Uncategorized
Tune in to the NCECA Pre-conference live HERE.