Summer Ceramics Courses @ Harvard

Enroll Now for Summer Courses!


Summer 2010 Registration Forms are available on-line.

To participate in one or more of the many creative experiences presented this Summer term, and for any questions, please email Shawn Panepinto or call 617.495.8680. Summer Courses

Hand Built Forms and Structures
June 1 – July 20, Tuesdays 6:30 – 9:30 pm
8 weeks/8 sessions: Whether you’re interested in making utilitarian wares, sculptures, or tiles, hand building is limited only by your imagination. Techniques include coil building, slab construction, simple press molding, and various combinations. Anything is possible.
Instructor: Forrest Snyder

Mosaics
June 1 – 29, Tuesdays 1:00 – 4:00 pm
5 weeks/5 sessions: Create mosaics with traditional Italian glass smalti. This course offers an in-depth experience of design, fabrication, and mounting of glass mosaics. Various public and private commissions will be highlighted.
Instructor: Lisa Houck

Handle This!
June 2 – 30, Wednesdays 9:30 am – 12:30 pm
5 weeks/5 sessions: Thrown and altered, or hand built, mugs, casseroles, pitches, and teapots are unique forms which all require special consideration when adding handles. Variations in forming, placing for function, and aesthetics will be explored in depth. The right tuck in a pot can make the prefect place for a handle.
Instructor: Delanie Wise

Exploring Clay
June 2 – 30, Wednesdays 6:30 – 9:30 pm OR
July 14 – Aug.11 Wednesdays 6:30 – 9:30 pm
5 weeks/5 sessions: You are invited to learn the ways of the wheel and hand building. Various decorative surface techniques and glazing will be highlighted. This is a great opportunity to try clay, providing an excellent foundation for further exploration. For those who have previous experience, instruction will be tailored for them.
Instructor: Stephanie Young

Throw Bigger! Better! Taller!
June 7 – July 26, Mondays 6:30 pm – 9:30 pm
8 weeks/8 sessions: First time throwers can gain foundation skills for throwing good solid pots. More advanced students will be instructed on special techniques to enlarge their throwing repertoire. All will enjoy making pots bigger! Better! Taller!
Instructor: Wayne Fuerst

It’s a Cover-Up
June 24 – Aug. 12, Thursdays 6:30 – 9:30 pm
8 weeks/8 sessions: The session focuses on making hand built, and thrown lidded forms that fit the pot’s function and aesthetics; ranging from simple jars to elaborate casseroles. Both experienced and new-to-clay students will be challenged to create a successful “cover-up”.
Instructor: Denny McLaughlin

Tile Murals: Design and Construction
July 5 – 28, Mondays and Wednesdays 2:00 pm – 5:00 pm
4 weeks/8 sessions: Explore an exciting range of mathematical concepts integral to making tiles and murals. Participants will learn new techniques and design solutions while working, invaluable for art educators developing projects for art classes at all levels. Graduate credit eligible through Framingham State College.
Instructor: Wasma’a Chorbachi

Where did that come from?
July 7 – Aug. 4 (no class 7/28), Wednesdays 12:00 – 1:30 pm
4 sessions (no class 7/28): This informal class will feature weekly 90-minute slide presentations representing work by contemporary ceramic artists with an eye toward showing the progression and development of style. Occasional critiques will engage students and offer opportunities for open discussion.
Instructor: Shawn Panepinto

Ocarinas: Making Musical History
July 13 – Aug. 10, Tuesdays 9:30 am – 12:30 pm
5 weeks/5 sessions: These whistle-flute like instruments date back thousands of years, being important to both Chinese and Mesoamerican cultures. Artist and musician Kathi Tighe leads the construction of both single note and multiple note ocarinas. Special emphasis given to raku firing and instrument tuning after firing.
Instructor: Kathi Tighe

Printing on Clay
July 20 – Aug. 12, Tuesdays and Thursdays 1:00 – 4:00 pm
4 weeks/8 sessions: A variety of printing techniques will be explored as a means of personal expression. Techniques include mono-printing, silk screening, stenciling, creating water-slide decals, embossing, and relief printing from plaster slabs onto clay. Historic and contemporary examples will provide inspiration.
Instructor: Kathy King

Independent Study
8-week and 11-week sessions only: Self directed work, for those who have previously enrolled in a class at the Ceramics Program and are capable of processing their own work; includes access to opportunities to participate in firing workshops and attend lectures by visiting artists.

Firing Workshops

Wood Firing: Green Fire, Smokeless Wood Kiln with Kusakabe, Masakazu. July 9 – 13th.
Saggar Firing: Painting with Fire with Pao-Fei Yang. July 10, 24, 31, Aug. 1, 2.
Raku Firing: Playing with Fire with Kathi Tighe. July 12, 29.
Soda Firing: Spray the Glaze through the Flames with Crystal Ribich. TBA

Don’t forget! Spring Show and Sale and 40th Anniversary Benefit Invitational, May 6 – 9th. Friend us on Facebook
Follow us on Twitter
Read our latest Blog

Celebrating our 40th year!

Our mailing address is:

Office for the Arts at Harvard, Harvard University

74 Mt. Auburn St

Cambridge, MA 02138

TORONTO SCULPTURE GARDEN

115 King Street East, Toronto

CALL FOR PROPOSALS
Next Deadline: Submissions received by May 15, 2010

The Toronto Sculpture Garden has been recognized in Canada as a leader in the commissioning of contemporary sculpture since it opened in 1981. Located in an urban park in the downtown core, it serves as a testing ground for artists to explore public space and to address issues of urban context, materials and scale.

BACKGROUND:

The TSG is a non-collecting institution that is unique in its partnership between the City of Toronto, which owns and operates the site as a city park, and the Louis L. Odette Family, benefactors who created the non-profit L.L.O. Sculpture Garden Foundation which funds and administers the exhibitions. Exhibitions are selected by an Art Advisory Board working with the director, Rina Greer.

Newly commissioned work becomes property of the artist and may be offered for sale after the conclusion of the exhibition.

CALL FOR PROPOSALS:

The TSG’s Art Advisory Board meets three times a year to review specific proposals. Preference is given to new work that responds to the site; only in exceptional cases will existing work be considered. We are currently planning exhibitions for 2011 and beyond. Proposals must be received by the deadlines each year on January 15, May 15 and September 15.

Proposals require:

* Drawing(s) showing dimensions and materials and the location of the work on the site.
* Brief statement of Theme
* Budget showing critical costs including materials, installation/removal and transportation
* Annotated images sent as jpegs or pdfs (on a CD) or DVD, photographs or colour copies
* C.V.

For complete information, including fee structure and site map, review:
Proposals / Submission Requirements at:

www.torontosculpturegarden.com

Graduate program opportunity

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The School of Art, University of Manitoba, is pleased to announce a call for applicants to its new Master of Fine Arts program that commences September 2010.

This program is a two-year, fulltime studio practice degree that emphasizes intensive re­search and the expressive development afforded by concentrated work. Areas of focus include: ceramics, drawing, graphic design, painting, photography, printmaking, sculpture, and video, and the opportunity also exists for an interdisciplinary option within these areas, or with another discipline from another faculty at the University of Manitoba. The program culminates with a written thesis and exhibition.

Established in 1913, the School of Art is located at the geographic centre of Canada in Winnipeg, a city that offers a culturally diverse environment with an outward looking engagement with the global community. Students enjoy a school and community that has produced nationally and internation­ally acclaimed artists.

The School’s faculty includes fourteen fulltime studio professors and five art history profes­sors, each recognized in their individual field of research and practice. The School occupies three buildings on the University’s Fort Garry Campus: the FitzGerald Building and Annex, the Art Barn and the Ceramics/Sculpture building. Studios and lab spaces in these facilities are equipped with specialized equipment to support the various disciplines of the school. The FitzGerald building provides digital media labs, a video production studio, an art history re­search and study centre, a faculty resource centre and a wireless network for students and fac­ulty. Here, Gallery One One One presents work of historical importance at a national level and houses the School of Art Permanent Collection and the FitzGerald Study Collection.

In 2011 the School will take possession of a new 60,000 sq. f.t. stand alone structure that will offer state of the art facilities for the gallery as well as digital and studio research practices to students and faculty alike. They will have access to digital technologies and upgrades space for collaboration, experimentation and research, including animation and advanced computer-aided expression.

Deadline for applications: For this first intake, the School will accept applications until June 1, 2010.

For more information and application instructions, please visit our website: umanitoba.ca/schools/art/

Or contact:
Donna Jones,
Graduate Program Manager
[email protected]
Tel 204.474-8980
School of Art
203 FitzGerald Building
University of Manitoba, Winnipeg, MB R3T 2N2 Canada

Call for proposals: Modern Fuel Artist Run Centre

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Modern Fuel is currently seeking submissions for 2011-2012 exhibitions of innovative, contemporary artwork in any visual media. Emerging artists are welcome. Artist fees are paid. Modern Fuel Artist-Run Centre facilitates the presentation, interpretation, and production of visual and time-based arts that explore wide-ranging aesthetics and probe a broad scope of formal and socio-cultural questions. We welcome proposals for solo and group exhibitions, performances, curatorial projects, collaborative projects, lectures, workshops and other events. Deadline: postmarked May 1st, 2010.

All proposals are reviewed by Modern Fuel’s programming committee. Please note applications for exhibitions (both solo and group), may be considered for inclusion in any group exhibitions that are curated in-house. Submissions for general consideration may be made anytime in time for our annual deadline of May 1st. Only successful applicants will be notified by Modern Fuel by August 1st, 2010.
Application materials will be returned if a Self Addressed & Stamped Envelope is included.

Please send the following:
————-

1. Exhibition or project description (max one-page).

———–

2. CV
———–

3. Support Material

-a maximum of 20 images of current work related to your proposal. Include a separate image list (titles, dimensions, dates, media). Images must be in digital format submitted on CD or DVD, (emailed images or website links will not be considered) and formatted to the following specifications:
-JPEG files only
-1024 pixels wide and 768 pixels high.
-1 MB maximum.
-RGB, or grayscale colour mode files only (no CMYK).
-Number and title each file (digital still); the number must appear before the title so that the order of the images will correspond to the image list, example: 001RedPainting.jpg.
-Do not submit images embedded in the following programs or formats: iphoto, Powerpoint.

AND/OR

-a maximum of 20 minutes of time-based work on DVD. Time-base work can also be submitted as a computer-based media format that can be read by the following programs:
-Quicktime, RealOne Player, or are in the following formats: .mov .mp4 .avi.
Include a separate documentation list (title, length, year, medium).

If you are submitting a combination of images and time-based work, subtract one digital still for every 2 minutes of time-based work submitted.

For more information on submissions please contact us at:

Modern Fuel Artist Run Centre
21 Queen St, Kingston ON K7K 1A1
Web: www.modernfuel.org
Email: [email protected]
Phone: (613) 548-4883

Akar: Yunomi Invitational.

I’m sure you’ve already checked out the show, but in case you haven’t you’d better get over there, pots are selling fast.

Here’s a few of my faves (but really there’s not one in the bunch I’d toss out of the cupboard)

Munemitsu Taguchi
Kurt Weiser

Brenda Quinn

More for those interested in digital ceramic printing…


via designboom
“l’artisan electronique is a virtual potting wheel and ceramic printer created by the belgian design studio unfold with tim knapen. the installation was commissioned by Z33 art centre in hasselt, belgium for their current exhibition, design by performance which is on show until may 30, 2010. the installation enables exhibit visitors to make their own forms using the device. some of the forms are printed out at regular intervals and showcased as a part of the exhibit. the virtual pottery wheel utilizes a 3d scanner and digital software to generate a form. the intent is to refer to the tradition of traditional ceramic making, while using the latest digital technology. the ceramic printer also makes this point by printing the clay forms using the traditional coil technique.”

http://www.unfold.be
http://www.z33.be