Elsa Rady dies at 67; leading contemporary ceramic artist

For more information please visit the Los Angeles Times

For more information please visit the Los Angeles Times

*** Special Note: Shannon Merritt is the Featured Artist at the Gallery of BC Ceramics from February 15th to March 15th make sure you stop by to see her work in person!
(gallery information here: http://www.bcpotters.com/Gallery/index.html )
Artist Biography
Shannon Merritt grew up in southern Ontario, tidy and shy. She received a B.A. in Native Studies from Trent University and moved to Yellowknife, NT where she spent winter nights tickling the aurora borealis, and summer days portaging her canoe through the forests of biting flies.
Shannon is a graduate of the Kootenay School of Arts in Nelson, BC where she lives, waking each day to the view of Elephant Mountain. She considers herself a writer disguised as a potter.
Artist Statement
I’m a potter and I’ve a fondness for words. I spent the better part of two days taking apart a typewriter so that I could press the keys into the flesh of the clay, recording my thoughts and observations onto pots. I’ve collected a number of things that are used as stamps. These miscellaneous cast-offs are more valuable than trimming tools and include antique letterpress blocks, pieces of retired machinery, and a caribou tooth from my adventures in the North. Together, the words and symbols become a story of my rhythm of making. Lessons, kindnesses, tattletales and laughs are highlighted using coloured slip beneath a clear glaze.
I am making modern day folk pots to create an intimacy in the way we consume the foods of our time. These hand built or wheel thrown and altered pots speak of precious functionality: bowls that are meant to be sipped from, and mugs with inverted handles, so that the user can cradle the cup, warming the hands. The proof of alteration has been left to remind the user of the individual attention the pot received.
These techniques come from a millennium of making, and applying them to contemporary functional porcelain pots is an exciting way of story-telling. It’s incredibly personal this shared journaling. And what I’m finding is that the pots I write stir something in the people who use them. It’s almost as if we’ve witnessed something together, like we share a great secret.
The words are a reaching out; a minute’s worth of conversation between us.

Now with it’s own website.
Oh the future is full of promise.
And the present has some kick ass technological developments.
Find out more here.
I am studio potter and teacher living on Vancouver Island. After many years without a place to call my own, I opened my studio and gallery, Dirty Girl Clayworks in 2004. My pots offer a contemporary, playful perspective on creating artful pottery that one can use to celebrate the everyday moments as well as unique occasions.

My work is informed by historical slipware. I use bright, fun colours, images, and text which reflect my belief that playfulness is an integral part of life. I have a love of words, both oral and printed. I find that the slip wants to be written on and into, carved and layered.
Text and simple, silhouette style stencils are the basis of my surface decoration. With this simple base I use printmaking techniques and inspiration from graphic novels, photography, poetry, politics, graffiti, and children’s books to tell stories on clay.
***You can’t miss this one! Yours truly will be there.
May 6 – 8, 2011 In the 21st century we find ourselves increasingly globalized through the food we eat, the clothes we wear, goods we purchase and the images we consume through TV and the Internet. In this conference we will look at the internationalizing of the ceramics studio practice and the effect that it has on us as makers. We’re excited to announce the following presenters for this event: Elaine Henry of Ceramics Art & Perception Magazine – Keynote Speaker Paul Scott (UK) – lecture and demo Ginny Marsh (USA) – lecture and demo Ian Johnson (CAN) – lecture and demo Jeremy Hatch (CAN) – lecture and demo Carole Epp (CAN) – lecture and demo Robin Lambert (CAN) – lecture Koi Neng Liew (Singapore) – lecture and demo Registration Details and Fees: Student Rate: $99
Late registrations (after April 1): $118.80
Course #: 1300 Regular Rate: $225
Late registrations (after April 1): $270.00
Course #: 1303 Register early and save! Registration fee includes all demos and lectures for the duration of the conference, as well as social events and meals throughout the weekend. Accommodation: Limited accommodation will be available in our Student Residences, and can be booked when you register for the conference. Additional accommodation is available at the Sandman Hotel and can be reserved by calling 1 800 SANDMAN. Stay Tuned for Details on Post-Conference Workshops with Paul Scott! For more info and to register visit the RDC website.
have your self a lovely valentines day from musing about mud xoxox