by Carole Epp | Jan 3, 2014 | Uncategorized
“Penland School of Crafts is a national center for craft education located
in North Carolina’s Blue Ridge Mountains. Penland’s focus on excellence,
its long history, and its inspiring, retreat setting have made it
a model of experiential education. The school offers workshops in
books and paper, clay, drawing and painting, glass, iron, metals,
photography, printmaking and letterpress, textiles, wood, and other media. Penland
sponsors artist residencies, a gallery and visitors center, and
community education programs.
Each year approximately 1200 people come to Penland
for instruction and another 14,000 pass through as visitors. Penland
has no standing faculty; its instructors include full-time studio
artists as well as teachers from colleges and universities. Students
live at Penland and take only one class at a time allowing them
to learn by total immersion–the ideas and information gained in
a two-week session might take a year to absorb and process.
The school has also become the focal point for a lively community of
craft artists, thanks in part to the resident program which has
encouraged many artists to settle in the area. The student experience
is greatly enhanced by the presence of so many nearby studios.
Students come from all walks of life. They range from 19 to 90 years of age
and from absolute beginners to professional craftspeople. Some see
Penland as a productive retreat, some as a source of inspiration
for their personal creative lives, and others as a place to exchange
vital information about material, technique, and process. What brings
them all together is a love of materials and making, and the often
transformative experience of working with intensity and focus in
a supportive community atmosphere.
Penland School began out of a strong belief in a few simple values. Penland’s founder, Lucy Morgan
summarized these as “the joy of creative occupation and a certain
togetherness-working with one another in creating the good and the
beautiful.” For more than seventy-five years, these principles have
guided a remarkable institution which has had a pervasive influence
on American craft and touched the lives of thousands of individuals.
Penland School of Crafts is a nonprofit, tax-exempt
institution.”
View a full list of upcoming workshops
here.
by Carole Epp | Jan 1, 2014 | Uncategorized
from my family to yours all the best for the new year.
xoxo
carole
by Carole Epp | Dec 30, 2013 | Uncategorized
DEADLINE: March 1 annually Grant Amount: $20,000
The Canada Council for the Arts Fine Craft: Grants to Artists and
Curators program supports studio-based artistic practices and curatorial
research in contemporary fine crafts. Grants cover artists’ subsistence
costs as well as the direct expenses for a period of independent
research, creation, production of artworks for public exhibitions or development of prototypes.
You must meet the Canada Council’s definition of a professional artist.
CONTACT: José Niaison Program Officer, Visual Arts Section, Canada
Council for the Arts, 350 Albert Street, P.O. Box 1047, Ottawa, ON K1P
5V8. 1-800-263-5588.
http://canadacouncil.ca/en/council/grants-and– prizes/find-grants-and-prizes/grants/fine- craft-grants-to-artists-and-curators
by Carole Epp | Dec 25, 2013 | Uncategorized
To all of you near and far;
Those I have met in person, those I have not had the pleasure yet;
I wish each and everyone of you the best this holiday season.
However you chose to celebrate my wish is that there is peace in your world, health in your family, love and happiness in your heart.
From my family to you Merry Christmas.
xoxox Carole
by Carole Epp | Dec 13, 2013 | Uncategorized
Membership ONE MONTH SPECIAL ending December 15th
We “Like” you back!
To show it, we’re offering you $20 off a one year membership.
www.facebook.com/pages/The-Studio-Potter/131627365711?fref=ts
Centered in studio practice, The Studio Potter promotes discussion
of technology, criticism, aesthetics, and history within the ceramics
community.
The beauty of its design and the vitality of its content have given
inspiration and pleasure, information and ammunition, to its readers for
more than 40 years. Over eighty issues comprise both a historical
archive and a comprehensive resource that continues to serve the field.
In recognition of the community the journal encompasses, in 2009 we
changed to a membership organization. This framework, which underscores
connection and shared purpose, actually represents a return to SP’s
original mission and a realignment with its nonprofit structure. We
invite readers to participate in Studio Potter as members. Members will
enjoy the following benefits and, most importantly, will be supporting
Studio Potter’s unique legacy and promising future:
- Two 96 page issues of The Studio Potter journal
- One free back issue. view all issues here
- Discounted price on available back issues
- Members-only access to “limited” back issues, while they last
- Receipt of the SP electronic newsletter
- Access to online versions of select back issues and articles (an ongoing project)
http://www.studiopotter.org/promoFB/