Jeannie Mah live chat this Thursday!

Jeannie Mah will be doing a live chat with Curator Tak Pham during the MacKenzie Art Gallery’s Virtual Opening of HUMAN CAPITAL on Thursday Dec 17 at 7 pm. Join us on the MacKenzie’s Facebook or YouTube accounts!
TRAIN: les ARRIVÉes is an imaginary train journey through history, across Saskatchewan. With family photos of my dad and me at the Willingdon Grocery in Regina, my swimmer pal Lily Tingley’s family at the Broadway Café in Yorkton, and the almost deserted village of Consul, where my father, at age 14, went to school for one year, we traverse Saskatchewan from west to east.
The passenger train, which once connected us from coast to coast, from town to town, from city to beach, has almost vanished, and the labour and lives lost in the construction of the railway seem to have been sacrificed for nothing. From the Last Spike of 1886 to the demise of the passenger train in 1990, we were unable to maintain our national dream for more than 104 years, despite the human cost of the construction of the railway and our nation.
While the video is a delicate present, and the porcelain journey across Saskatchewan is a faded recent “past-present”, the persistent arrival of the train is in contrast to the still images frozen on porcelain, witnesses to the slow disappearance of lives once lived, and the changes to cities and villages, and to lost modes of transportation. Lives remembered, lives sacrificed, lives forgotten.
Travelling towards infinity is at once a moment of departure always in movement towards arrival, just as immigration is a movement between home and away. This continual arrival and departure of presence and memory, of a “coming and going” within the exhibition space, forms the inner cinema of our lives, because of the persistence of memory and vision, of culture and landscape.
Human Capital: MacKenzie Art Gallery. Regina. Dec 17th to April 18th.
TRAIN: les ARRIVÉes was a 2013 solo exhibition at the Godfrey Dean Gallery in Yorkton, initiated by director Don Stein (who I thank for the train video!), reconfigured for this exhibition space.
Find out more HERE.

Upcoming workshop with Yoko Sekino-Bove

Learn how Yoko creates intriguing and layered surfaces through her techniques for working on a wet clay surface, including sgraffito, carving, and underglaze painting. She will also demonstrate how she creates her own stamps, combines different surfacing techniques, and paints with glazes to create a unique appearance. Yoko will introduce the tools, materials, and process she uses as well as the cone 5/6 oxidation glaze formulas she fires with. If you are interested in adding more details to your pots or sculptures, this is a perfect indoor adventure to explore at home!

BIPOC and need-based scholarships available; please email [email protected] for details.

Yoko Sekino-Bové was born in Osaka, Japan. She worked as a graphic designer before her passion for ceramic art took her onto a new path. After receiving an MFA in Ceramics from the University of Oklahoma, Yoko moved to Washington, Pennsylvania, and started working from her home studio. Her porcelain work has been exhibited in galleries, museums, and most importantly, many private homes (mainly kitchens). Yoko participated in several residencies, such as the Arts/Industry residency at John Michael Kohler Art Center, the Archie Bray Foundation, and at Cerdeira Village in Portugal. Her work has also been shown in Canada, Portugal, Japan, Latvia, Turkey, Dominican Republic, and South Korea. Her works are featured in “500 cups”, “500 platters and chargers”, “500 teapot volume 2”, “Humor in Craft”, and “Cast” as well as a variety of periodicals. She writes articles for The Pottery Making Illustrated Magazine and Ceramics Monthly Magazine.

Dec 12-Dec 12 | 1:00 PM-3:00 PM
Saturday Afternoon
Instructor: Yoko Sekino-Bove
$ 25.00 Members: | $ 30.00 Non-Members
Skill Level: All Levels
Technique: Workshops for Artists
Age: Adult

Register HERE.

worth a read: An Evolving Market

“The symbiotic relationship between galleries and artists has been, and will likely remain, an ever-evolving landscape. Throw into the mix the current social and health climate, and things get only more complicated. Artists, galleries, and art centers alike are trying to redefine their marketplaces, reach their audiences, and achieve new levels of equity in their practices. “

Read the full article by Jill Foote-Hutton here: studiopotter.org/navigating-evolving-market-part-i