a new website to bookmark/read/check out: ART X HISTORY

“Purpose & Functionality: ArtxHistory is an education resource of commonly available images, videos, mini-lectures and scholarship of the decades which influenced or defined modern through contemporary art. Most links are concise in content, of prevalent works of art in the early or mature stage of an artist’s career, sourced from museum, academic, journalistic and for profit institutions. ArtxHistory is offered as an alternative to a textbook, relieving users of cost as content online is increasingly available. The core intent of ArtxHistory is to offer an art history that replaces the dominant white, male, heteronormative, advantaged, celebrity narratives for a more inclusive history balanced with the work of women, artists of color, LGBTQIA+ persons, intersectional makers, and the self-taught. Reflected by the diaspora, America, particularly New York based practices, are an overriding locus of investigation. While pointing toward a decolonized art history, ArtxHistory is not comprehensive nor free of biases. Artists and scholars are welcome to use and facilitate in the development of ArtxHistory for a more open, equitable, engaged classroom. This project is an act of love for the artists’ who pose the necessary questions of our time, and for our students who deserve to see all of those questions.”

www.artxhistory.org

worth a read: How one Canadian School is adapting to covid in the ceramics studio.

“By following the health and safety protocols established to allow in-person learning, students in the Ceramics Studio at the Selkirk College Victoria Street Campus are flourishing and appreciating the opportunity to deliver beauty under the shadow of uncertainty.

The wheels of creativity continue to spin at Selkirk College’s downtown Nelson campus where students in School of the Arts craft studio programs have been engaged in hands-on learning since September.

Adhering to the Provincial Health Officer’s COVID-19 pandemic guidelines for safe learning within the post-secondary education system, the Victoria Street Campus is currently offering in-person training for learners in the Blacksmithing Studio, Sculptural Metal Studio, Textiles Studio and Ceramics Studio. With small class sizes and adjusted studio spaces, ten ceramics students are currently putting the final touches on projects as they prepare for the holiday break.

“Creativity at this time is super important,” says student Candace Ferguson, who moved from the Lower Mainland this past summer to attend Selkirk College. “Nobody wants to be in this situation, but allowing creative people to do creative things… it actually gives life to others who enjoy the final outcome and it brings hope. It’s beauty in a place of brokenness.”

Continue reading the full article here: selkirkcollegearts.ca/news/killing-covid-in-the-ceramics-studio/

Jeannie Mah live chat this Thursday!

Jeannie Mah will be doing a live chat with Curator Tak Pham during the MacKenzie Art Gallery’s Virtual Opening of HUMAN CAPITAL on Thursday Dec 17 at 7 pm. Join us on the MacKenzie’s Facebook or YouTube accounts!
TRAIN: les ARRIVÉes is an imaginary train journey through history, across Saskatchewan. With family photos of my dad and me at the Willingdon Grocery in Regina, my swimmer pal Lily Tingley’s family at the Broadway Café in Yorkton, and the almost deserted village of Consul, where my father, at age 14, went to school for one year, we traverse Saskatchewan from west to east.
The passenger train, which once connected us from coast to coast, from town to town, from city to beach, has almost vanished, and the labour and lives lost in the construction of the railway seem to have been sacrificed for nothing. From the Last Spike of 1886 to the demise of the passenger train in 1990, we were unable to maintain our national dream for more than 104 years, despite the human cost of the construction of the railway and our nation.
While the video is a delicate present, and the porcelain journey across Saskatchewan is a faded recent “past-present”, the persistent arrival of the train is in contrast to the still images frozen on porcelain, witnesses to the slow disappearance of lives once lived, and the changes to cities and villages, and to lost modes of transportation. Lives remembered, lives sacrificed, lives forgotten.
Travelling towards infinity is at once a moment of departure always in movement towards arrival, just as immigration is a movement between home and away. This continual arrival and departure of presence and memory, of a “coming and going” within the exhibition space, forms the inner cinema of our lives, because of the persistence of memory and vision, of culture and landscape.
Human Capital: MacKenzie Art Gallery. Regina. Dec 17th to April 18th.
TRAIN: les ARRIVÉes was a 2013 solo exhibition at the Godfrey Dean Gallery in Yorkton, initiated by director Don Stein (who I thank for the train video!), reconfigured for this exhibition space.
Find out more HERE.

Upcoming workshop with Yoko Sekino-Bove

Learn how Yoko creates intriguing and layered surfaces through her techniques for working on a wet clay surface, including sgraffito, carving, and underglaze painting. She will also demonstrate how she creates her own stamps, combines different surfacing techniques, and paints with glazes to create a unique appearance. Yoko will introduce the tools, materials, and process she uses as well as the cone 5/6 oxidation glaze formulas she fires with. If you are interested in adding more details to your pots or sculptures, this is a perfect indoor adventure to explore at home!

BIPOC and need-based scholarships available; please email [email protected] for details.

Yoko Sekino-Bové was born in Osaka, Japan. She worked as a graphic designer before her passion for ceramic art took her onto a new path. After receiving an MFA in Ceramics from the University of Oklahoma, Yoko moved to Washington, Pennsylvania, and started working from her home studio. Her porcelain work has been exhibited in galleries, museums, and most importantly, many private homes (mainly kitchens). Yoko participated in several residencies, such as the Arts/Industry residency at John Michael Kohler Art Center, the Archie Bray Foundation, and at Cerdeira Village in Portugal. Her work has also been shown in Canada, Portugal, Japan, Latvia, Turkey, Dominican Republic, and South Korea. Her works are featured in “500 cups”, “500 platters and chargers”, “500 teapot volume 2”, “Humor in Craft”, and “Cast” as well as a variety of periodicals. She writes articles for The Pottery Making Illustrated Magazine and Ceramics Monthly Magazine.

Dec 12-Dec 12 | 1:00 PM-3:00 PM
Saturday Afternoon
Instructor: Yoko Sekino-Bove
$ 25.00 Members: | $ 30.00 Non-Members
Skill Level: All Levels
Technique: Workshops for Artists
Age: Adult

Register HERE.