Clay Art Center Call for Entry for “The Family Portrait” Exhibition, guest curated by Kukuli Velarde.
Entry Deadline: May 27th, 2022.
The exhibition will explore the meaning and definition of the family unit as image, as a system, as historical reference, or metaphor for where we are as a contemporary culture and society.
Learn More: https://www.clayartcenter.org/call-for-entry
Westobou is now accepting submissions for LUSH, a juried planter & vase exhibition. This exhibition is meant to explore how sculpture and flora intersect, asking the artists to imagine a fantasy ecosystem that not only houses the organic element, but commemorates the beauty and history of it through composition, proximity, and relationship. All ceramic and mixed material artworks, functional and sculptural, are eligible if they can house a live plant and exist in a greenhouse for the duration of the exhibition. We will consider form, concept, and function. We are looking for planters of any kind that push the aesthetic boundaries of the typical planter or vase form. With Westobou’s support, juror’s Sydney Ewerth and Paul Maloney will curate an exhibition of planters to be displayed in a greenhouse at Bedford Greenhouses in Augusta, GA. Bedford Greenhouses will supply the flora that best pairs with each piece accepted into the exhibition.
Exhibition Dates: April 11-23, 2022
Application Due: February 11, 2022
Join us as we celebrate the upcoming holidays with our online sale!
Artists Katy Drijber, Sarah Pike, Naomi Clement, Alexis Templeton, Marney McDiarmid and Carole Epp will all have work available!
Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel – the cup. Juried by Molly Anne Bishop.
Prospectus
direct link for submissions: https://client.smarterentry.
Calling for teapot submissions! The Juried Functional Teapot Show II will be at NCECA in Sacramento next spring. Jurors this year are: John Neely (@neelyjc), Cooper Jeppesen (@cooperjeppesenceramics) and me.
Functionality is foremost in our decision-making process and we will try to pick a diverse range of teapots to show. We will choose just 10 teapots. And this year’s guest artist will be Pete Pinnell!
You have until October 23rd to email your submission. Send to: [email protected]. Up to 3 pictures of a single teapot (the exact one you would like to show), title, size, clay, firing/decorative method and price. No cost to submit. Spread the word!
Oh also, the teapot pictured here was made by Cooper Jeppesen and was part of the inaugural JFTS.
The Canadian Clay and Glass Gallery is seeking project proposals from Canadian artists on the theme of craftivism for a potential major solo or group exhibition.
We are looking for large scale projects in the craft of ceramics, glass or copper enameling that push the boundaries of contemporary craft and installation art. We want your wild ideas and collaborations. Surprise us with something powerful that will make a statement and command attention when installed in one of our Galleries. Proposals should engage with current Canadian social issues to start conversations, education, and sharing towards the greater good. These proposals will be considered for potential exhibitions in future programming seasons at the Canadian Clay & Glass Gallery (Waterloo, Ontario), with the possibility to circulate across the country.
Projects can include community involvement, workshops, or other initiatives. The resulting exhibition can extend beyond the walls of the gallery into the community, public spaces, and more. We’re looking for truly innovative approaches to contemporary exhibitions. Show us your creativity and vision for an exhibition that brings the community together both physically and visually.
As Ele Carpenter writes in Activist Tendencies in Craft: “In these practices the social, performative and critical discourse around the work is central to its production and dissemination. Here craft is not simply a luddite desire for the localized handmade, but a social process of collective empowerment, action, expression and negotiation.” (Arnolfini Journal, April 2010)
Click here to view a PDF of the Proposal guidelines.
