call for entry: Craft Forms 2018

Entry deadline ($45 fee) is Friday, September 14, 2018.
Extended deadline ($65 fee) is Tuesday, September 18, 2018.

Submit Your Entry

Thank you for your interest in applying to Craft Forms 2018. The exhibition will run from  December 7, 2018 to January 26, 2019 and will be held at  Wayne Art Center, 413 Maplewood Avenue, Wayne, PA, 19087, 610-688-3553, craftforms.org.

Juror – Perry Allen Price, Executive Director, Houston Center for Contemporary Craft, Houston, Texas

Wayne Art Center is pleased to welcome Perry Allen Price, Executive Director of Houston Center for Contemporary Craft, Houston, Texas, as the juror for the Craft Forms 2018 exhibition.

Perry Price is the Executive Director of the Houston Center for Contemporary Craft. Previously, Price was director of education at the American Craft Council (ACC) in Minneapolis, Minnesota, where he developed, managed and implemented all aspects of local and national outreach and programming for nearly four years. He offers HCCC a wealth of experience in arts administration, including project and fiscal management, fundraising, scholarship programs and exhibitions, as well as a passion for developing and fostering national relationships in the world of contemporary craft.

During his tenure at ACC, Price grew the organization’s awards program, establishing the Emerging Voices Award and expanding the School to Market initiative to all ACC shows. He also redefined the council’s speaker series, symposia, and conference platforms and wrote a number of articles for American Craft magazine. Prior to his position at ACC, Price worked in several museums and cultural institutions, including The Baltimore Museum of Art, Fenimore Art Museum, Robert Hull Fleming Museum, and Fuller Craft Museum, where he was curator of exhibitions and collections. He holds a MA in museum studies from the Cooperstown Graduate Program: State University of New York at Oneonta and the New York State Historical Association and a BA in history of art from The Johns Hopkins University.

Price will judge the work based on its technique, design, concept, originality and craftsmanship. It is important to submit professional high quality images as detailed in the image upload directions.

ELIGIBILITY REQUIREMENTS

  1. Open to all professional artists working in clay, fiber, quilt, glass, metal, jewelry, wood, 3D printing, and/or mixed media fine craft.
  2. Work submitted must be innovative and original in design. Work derivative of other artists or work created in a workshop with the aid of an instructor is not acceptable.
  3. Works submitted must have been completed after January 1, 2016. If the work was accepted into a previous Craft Forms exhibitions, this work CANNOT be re-submitted for this or future Craft Forms.
  4. Collaborative work is accepted. Please include all artists’ names on the on-line application.
  5. Please contact Wayne Art Center if the artist has an excessively large and/or complex installation. Additional expense will be incurred by the artist if artwork requires carpentry, special surface treatment to gallery walls or a custom built pedestal/armature or specific installation request.
  6. No accepted work may be picked up before the closing of the exhibition.
  7. Artwork must be available for sale during the length of the exhibition..
  8. If artwork is sold during the jurying acceptance process, the Wayne Art Center will retain 40% of the retail price.
  9. Do not apply to Craft Forms with same submitted work of art if artist is applying to another show simultaneously.
  10. Work damaged in shipping or hand delivery may not be presented based on extent of deterioration.  Artist will be contacted immediately by Wayne Art Center if damage is recorded.
  11. Withdrawal of accepted work by the artist prior to the exhibition will result in exclusion from exhibiting at Wayne Art Center for the following year (2019).
  12. Crates or extra-large boxes must arrive on a straight truck (24’ trucks are the max capacity for the Wayne Art Center property). No tractor trailers are permitted on the property. Artist or Gallery delivery instructions must state that the shipment must be delivered into the building premises (no exterior deliveries can be accepted). Crates or extra-large boxes cannot exceed 300 lbs. and must be moveable with a hand-dolly. No fork lifts or loading docks are available to receive or to return ship crates and extra-large boxes. All delivery boxes and crates CANNOT exceed 55” width x 75” height x 55” length. If shipping container is larger than these measurements, artwork delivery will be refused.
  13. All artwork submitted online to Craft Forms must be available for the entire duration of the jurying process and show. If the piece is accepted to both Craft Forms and a simultaneously running show, the piece must only be exhibited in Craft Forms. Please double check submission dates of all shows in order not to have overlapping dates.
  14. Wayne Art Center reserves the right to reject entries that do not meet the requirements. Shipped work that differs from work accepted from digital submission will be disqualified. All accepted work must have proper identification.

AWARDS

Our efforts to cultivate organizations that acknowledge artists in various disciplines are ongoing. We are very pleased to announce $8,000+ in prize awards this year.  Craft Forms 2018 Juror, Perry Allen Price, will select the award winners on December 7, 2018.

Once an artist is accepted into Craft Forms, future group and/or solo exhibition opportunities may become available at Wayne Art Center.

An abbreviated catalog of artwork will document the juried exhibition and two copies will be supplied to accepted artists.

Full details here: www.craftforms.org/call-for-entries/

call for entry: Companion Gallery – Underglaze

Material Mugs III

UNDERGLAZE

2018 Juror: Renee LoPresti

Now in its third year, Material Mugs (Irons in the Fire 2016, Conductivity 2017) has become one of the most anticipated juried exhibitions by makers and collectors alike.

Material Mugs III: UNDERGLAZE is a survey of contemporary drinking vessels which employ any and every use of underglaze possible. The exhibition is open to every type of clay, temperature, and atmosphere. Our hope is to present a comprehensive collection of the full spectrum and potential of underglazes.

 This year, juror Renee LoPresti (Ceramics Monthly Emerging Artist 2017) will be looking for innovative approaches to underglaze decoration on handmade ceramic cups and mugs.

We will be printing a full color catalog, hosting an opening gallery reception, and the entire exhibition will be available for sale online.

Entry Deadline: Friday July 20th, 2018 12 Midnight CST

Full details on how to enter here: companiongallery.com/call-for-entries/

 

Call for Entry: ALBERTA CRAFT GALLERY

Deadline: June 1, 2018

The Alberta Craft Council is calling for exhibition proposals for the 2019 line-up of the Alberta Craft Gallery – Edmonton & Calgary.  The exhibition spaces are dedicated to showcasing work by emerging, mid-career, and established craft artists.  The Exhibition Team is looking for well-developed themes that highlight mastery in craftsmanship, features new work, pushes the boundaries of craft, and/or celebrates the achievements of our members.  Exhibitions can be individual or group shows.

Submission Content:

  •  Cover Letter that includes:
    – contact information
    – detailed description and theme of the exhibition
    – number of pieces/artists in or expected to participate in the exhibition
    – time of year preferred
  • Current ACC Membership
  • Current CV – artist resume
  • Artist Biography
  • Images and image list
    – high quality images of work to be presented in the exhibition or representatie of the work
    – images list must include: title, year created, dimensions, materials and techniques

Questions?

Please contact Joanne Hamel, Exhibition Lead
Email: [email protected]
Phone: 780-488-6611 ext. 234

Submit your proposal to:
Email: [email protected]

www.albertacraft.ab.ca/acc-calls-for-entry/

 

call for entry: NCECA 2019 in Minneapolis

PROPOSE A PRESENTATION FOR CLAYTOPIA, NCECA 2019
Claytopia, NCECA’s 53rd Annual conference takes place in Minneapolis, Minnesota
March 27-30, 2019. Several calls are now open. Proposals for Projects Space; Lectures, Panels, and Discussions; and Demonstrating Artists share a deadline of May 16, 2018 (11:59 pm EDT). Visit https://nceca.net/nceca-calls-and-exhibitions/ to see the full annual cycle of exhibition, conference programming, and opportunity calls for 2018-2019.

2019 NCECA ANNUAL EXHIBITION
ENTRY DEADLINE: Wednesday, June 20, 2018 (11:59 pm MDT)
The Form Will Find Its Way: Contemporary Ceramic Sculptural Abstraction, curated by Elizabeth Carpenter, will be hosted by the Katherine E. Nash Gallery within the Department of Art at the University of Minnesota. The exhibition will run from January 22 – March 30, 2019. Invited artists include Nicole Cherubini, Alexandra Engelfriet, Jessica Jackson Hutchins, Brie Ruais, and Anders Ruhwald. NCECA encourages artists working with clay as a primary medium of expression to consider entering this exciting exhibition. Visit https://nceca.net/2019-nceca-annual/ to learn more about submission eligibility, procedures, and requirements.

The NCECA Annual blends impactful attributes of invitational and open juried models of exhibition development. The vision of a single curator generates an organizing concept for the exhibition and invites five leading artists in the field whose work serves to build out and expand on the exhibition’s conceptual framework. The curator then makes selections of additional works and artists for the exhibition through an open call for submissions.

Elizabeth Carpenter is an independent curator, writer, and educator. As curator of visual arts at the Walker Art Center from 2001-2015, some of her exhibition highlights included Frida Kahlo (2007); Robert Irwin: Slant/Light/Volume (2009); Hélio Oiticica / Rirkrit Tiravanija: Contact (2010); Absentee Landlord (2011), curated with filmmaker John Waters; Frank Gaard: Poison & Candy (2012); and Dance Works III: Merce Cunningham / Rei Kawakubo (2012). Prior to her role at the Walker, Carpenter served on the curatorial team responsible for the Solomon R. Guggenheim Museum exhibition, Robert Rauschenberg: A Retrospective (1997). In 2001, as guest curator in the Department of Prints and Drawings, she curated Jim Dine Prints: 1985 – 2000 at the Minneapolis Institute of Arts for which she also wrote and edited a catalogue raisonné of Dine’s graphic work. Carpenter’s writing has appeared in numerous exhibition catalogues and Art in Print.

Currently a lecturer in the Department of Art at the University of Minnesota where she teaches art history and theory, Carpenter holds a BA in English from the University of Wisconsin – Madison, MA in Art History from the University of Minnesota, and M.Phil. in Art History from the City University of New York Graduate Center (CUNY).

Carpenter shares…
With The Form Will Find Its Way: Contemporary Ceramic Sculptural Abstraction, I will be exploring experimental, cross-disciplinary, and aesthetically diverse artistic practices, with the explicit intention to avoid preconceptions about established categories like art and craft. My interest in ceramics launches from the modernist sculptural tradition. The works that I hope to select for the exhibition will tend toward a sculptural exploration of abstraction rather than traditional or functional ceramic objects and vessels.I am seeking to include artists who work in an interdisciplinary mode, not only in order to tap into ambiguity, disorder, entropy, and the uncanny, but also to challenge the plinth and the pedestal while embracing the possibilities of alternative installation strategies, and/or time-based media. Within the rubric of sculptural abstraction, I am especially interested in phenomenology—i.e., the tension and scale of objects in space; the impact of perception and bodily movement on the part of the artist while creating and the spectator while experiencing art; and performative strategies, processes, and outcomes.

There is no aim at being comprehensive—my selection of artists will be a sampling of current practices, and represents an attempt at a sustained consideration of one crossover tendency within the worlds of ceramics and contemporary art.