emerging artist: Shannon Butler
Artist Statement
My aim is to create progressive, dynamic work that engages with the reality of the place where I live and the people I live among. My biggest thrill is when I realize I have created something the likes of which I have never seen before.
By “inventing” ceramic objects, such as letter holders or antler buckets, that have practical as well as aesthetic purposes, I am attempting to create a space of my own within the ceramic field. I feel that by marrying local materials, such as naturally shed antlers and vintage horse bridles, with my ceramic vessels, I am both upcycling and creating something that functions at a “higher” level. At the same time I engage the public and my northern community in the act of having a daily relationship with handmade objects.
It is a somewhat uncommon existence I lead here in this northern oilfield town. I am inspired by the irony of my situation, and by nostalgia, popular and northern culture. I explore these inspirations in my work, juxtaposing ceramic techniques against each other while making objects that function in an extraordinary way. I am compelled to challenge conventional ceramics and myself by mixing ideas from pop culture against historical tradition, and vintage aesthetics against contemporary. This creates a sort of bricolage, a complicated and layered presentation that defies traditional notions of authenticity and, even, beauty.
My work assembles diverse elements that celebrate and investigate the nuances of contemporary life, pop and northern culture, the art of making things by hand, and the practice of incorporating interesting and useful ceramic objects in everyday life. Art should be all around us, not just in museums.
shannonbutlerceramics.blogspot.ca
Potters Council upcoming workshop
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ALTERNATIVE FIRING SURFACES
October 11-13, 2013 | Minneapolis, MN
Playing with fire
We have five talented presenters who will provide instructions on alternative firing surfaces, firing processes and different types of kilns. We will be doing three hands on firing sessions: raku, aluminum foil saggar, and pit firing. You’ll learn skills to create your own approach to surfaces and how they relate to different alternative firings. Presenters will show you how to play with fire and have you ready to experiment in your studio.
Whether
you throw or handbuild, this conference has something for you to take back to your studio. This conference is open to artists at all levels: from enthusiastic amateur, to the teacher, and for the professional. No matter your skill level, if you’re open to learning and connecting with other ceramic artists then this is the conference for YOU!
Deadline to SAVE $50 is Sunday, July 28 Register Now
Limited Spots Available
Highlights:
Discuss how to fire a raku kiln and how to convert an electric kiln into a gas-fired kiln suitable for raku; Learn how to fire large work in a small kiln; How to apply decoration in alternative firing processes: raku, carbon marking, saggar, smoke firing, drawing on bisque slabs, applying latex and glaze, and the addition of luster lines; to create rich colors and microcrystalline surface details; Participate in hands on firing: aluminum foil saggar, pit firing, and raku horsehair and feather. Read more… |
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Upcoming exhibition and workshop at Plinth Gallery – Mary Fisher
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