This mini-documentary tells a story of the Canadian artist, Marina Bychkova’s unique enchanted dolls . When she started making her first doll at six year old, she never thought her dolls would sell for hundreds of thousands of dollars 25 years later. “More than mere playthings, Enchanted Dolls are a brand of elegantly sculpted and articulated works of art. Adorned with elaborate costumes and graced with precious gemstones, metals, and rare found objects, each ball-jointed porcelain doll intricately conveys an aspect of our humanity.” – Marina Bychkova
The Crafted Dish is a project brought to you as part of National Clay Week. Each October join NCW in a celebration of Clay in all its forms. Lindsay Oesterritter and Stephen Creech, began in 2015 to outline what would become the annual, National Clay Week. NCW started with the ambition of uniting and supporting communities and celebrating ceramics in all its forms.
Partnering with talented artists and thinkers has allowed NCW to accomplish more than originally imagined. With the initiative of the teams and partnerships, NCW has funded scholarship projects, raised money for charity, provided a resource for educators, brought more attention to what is happening with clay in local communities, and connected those local, grass-roots clay communities to global conversations.
All the artwork, recipes, essays, jurying, graphic design, marketing and support of The Crafted Dish has been donated by the many artists and organizations involved.It is our pleasure to offer this publication as a means to give back to the community. Proceeds from the sale of The Crafted Dish are being donated to The Stop Community Food Centre.
Mission: The Stop strives to increase access to healthy food in a manner that maintains dignity, builds health and community, and challenges inequality. For over 30 years, The Stop Community Food Centre has been at the forefront of dignified, innovative programs that provide access to healthy food; build skills, health, hope, and community; and confront the underlying issues that lead to poverty and hunger. Our wide range of programs include drop-in meals, a food bank, community kitchens and gardens, perinatal and family support, civic engagement, and children and youth engagement.
Saturday, January 27 Exhibition Tour by Pierre Aupilardjuk
12 – 12:30 pm Free shuttle bus departs OCAD U (100 McCaul Street) at 11 am, first come, first served
We’re marking the last day of Earthlings with a casual exhibition tour by Pierre Aupilardjuk — he will speak to his work and the collaborative process that runs through so much of the exhibition. Get on the bus and don’t miss this remarkable show!
Earthlings
November 1, 2017 – January 27, 2018
Works by Roger Aksadjuak, Shuvinai Ashoona, Pierre Aupilardjuk, Shary Boyle, Jessie Kenalogak, John Kurok and Leo Napayok
Curated by Shary Boyle in collaboration with Shauna Thompson
Organized and circulated by Esker Foundation
Doris McCarthy Gallery
University of Toronto Scarborough
1265 Military Trail
Toronto, Ontario M1C 1A4
Canada
We are of the earth and from the stars, cooked mud and pigmented wax, soot and soda, ink, wood, tobacco, fur, fire, bronze, and acrylic nails – mortal inhabitants of the earth dreaming of our spiritual or extraterrestrial foil. Drawn from this framework of earthly conditions, the visionary ceramics and works on paper of Earthlings, produced both individually and collaboratively by seven contemporary artists, are at once transformative and otherworldly – and profoundly human.
Though making work from distinct cultural and geographical positions – from Kangiqliniq/Rankin Inlet, Kinngait/Cape Dorset, Qamani’tuaq/Baker Lake, and Toronto – the artists in Earthlings share an intuitive and labour-intensive approach to materials and narrative imagery. In these works, detailed figures are subject to transformations and transmogrifications, hybrid blendings of animal and human, reality and myth, and actual and imagined spaces. These pieces seem to emerge from phantasmagorical worlds, simultaneously fleshly and physical, sensual and spiritual, alien and familiar.
ABOUT THE ARTISTS
Roger Aksadjuak’s work is complex, inventive, and embraces multiple forms and playful imagery while respecting traditional narratives. It can be found in many public and private collections across North America, including the Winnipeg Art Gallery. He passed away in 2014.
Shuvinai Ashoona is a contemporary Cape Dorset artist whose work often combines reality and the imaginative. Ashoona’s work is in numerous collections of major art institutions, including the Art Gallery of Ontario, Toronto; Canadian Museum of History, Gatineau; National Gallery of Canada, Ottawa; and Winnipeg Art Gallery, among others.
Pierre Aupilardjuk’s style of work represents his strong roots in a traditional aesthetic and are included in the ceramics collection of the Prince of Wales Northern Heritage Center, Yellowknife; the permanent collection of the National Gallery of Canada, Ottawa; as well as in private collections throughout North America. He lives and works in Rankin Inlet.
Shary Boyle lives in Toronto and works across diverse media, including sculpture, drawing, installation and performance. Collected and exhibited internationally, Boyle represented Canada with her project Music for Silence at the Venice Biennale in 2013. In 2017 her sculptures were featured at South Korea’s Gyeonggi International Ceramic Biennale, and in the Phaidon, UK publication Vitamin C: Clay and Ceramic in Contemporary Art. Boyle’s first public art commission will be installed Spring 2018 on the front grounds of the Gardiner Ceramic Museum in Toronto.
Jessie Kenalogak was born in Back River in the early 1950s and currently lives and works in Qamani’tuaq (Baker Lake). Working primarily in drawing, her most meaningful artistic influences came from her grandfather Angushadluk, one of the most important and respected artists ever to work in Baker Lake, and her aunt, Mary Singaqti, another highly respected Baker Lake artist.
John Kurok began working full-time as a Rankin Inlet ceramist in 1996 and is one of a new group of younger ceramicists who also work as printmakers. Kurok’s work is included in the permanent collections of the National Gallery of Canada, Ottawa, and the Museum of Inuit Art, Toronto.
Born in the early sixties, Leo Napayok spent most of his time growing up in the towns of Salliq (Coral Harbour) and Kangiqliniq (Rankin Inlet). He works as a carver in soapstone, ivory, and antler and has long been established as one of the region’s most talented carvers. His collaborative works have since become a part of the permanent collection of the National Gallery of Canada, Ottawa.
