call for artists: Twin Cups

The Missouri Western State University Clay Guild is sponsoring the National Ceramic Exhibition titled Twin Cups. The exhibition is open to all artists 18 years and older residing in the U.S.  Submitted artworks may be either functional or sculptural representations of a pair of cups, mugs, or drinking vessels, etc.  A $30.00 jury fee entitles each artist to submit a maximum of three entries (each entry consisting of a set of two).  Artworks must have been completed within the last two years.

Awards:
$500 – Best of Show
$200 – 1st Place
$100 – 2nd Place

Awards will be selected at the sole discretion of the juror.

Juror:  Becky Lloyd
My work uses a centuries old technique called sgraffito to create very intricate patterns and designs. Each piece of hand thrown porcelain is coated with a black terra sigillata slip. I then use a very sharp knife to cut into the slip to expose the white porcelain underneath. This technique allows me to indulge in my passion for design and challenge my skills at the same time.

Over the last few years my work has become more personal. A refuge. An expression of beauty, love and grief all at the same time. I have always had a keen interest in ancient civilizations and the incredible art they produced. Those ancient worlds hold endless inspiration for me and always will. But I am now looking inside myself. Searching. Searching for what I have lost. In late April of 2014, Steve my husband, partner in clay and life passed away unexpectedly of an undiagnosed heart condition. This man that I spent over 26 years of my life with was everything to me. He was always my biggest fan but I now know he was also my biggest inspiration. A true artist. An amazing potter. Never have I worked in the studio without him by my side. The pots we made together were an expression of the love we had for each other and our work. I cannot help but reflect on what was. It has shaped my life to what it is. Moving forward is inevitable, but in looking back and remembering I am carrying along memories and ideas of all that we had together. Now I must look inside and find the courage and grace to continue what Steve and I started together so long ago. Steve will always be in every piece I make and every piece I decorate. How could it be any other way?



Becky Lloyd – Cups

Calendar:

January 18, 2020 Online Submission Deadline
January 18, 2020 Postmark for 30.00 Jury Fee
February 3, 2020 Acceptance Notification
February 12, 2020 Shipped Artwork Due to Gallery (artwork may be hand-delivered between 10am-4pm)
February 18-21, 2020 Installation of Exhibition
February 21, 2020 Exhibition Opens – Reception: 6pm-8pm
March 20, 2020 Exhibition Closes
April 2, 2020 Return of Artwork and Pick-Up of Hand-Delivered Artwork between 10 am – 4 pm

Eligibility:  Open to all ceramic artists 18 years and older residing in the U.S.  Artworks must have been completed within the last two years. Submitted work may be either functional or sculptural representations of a pair of cups, mugs, or drinking vessels, etc.  The $30.00 jury fee entitles each artist to submit a maximum of three entries (each entry consisting of a set of two).

Media:  All works must be primarily ceramic.  Mixed media works will be accepted only if clay comprises at least 50% of the artwork.  The juror will make all final determinations.

Digital Images Submission:  Images should be submitted in JPG format.  Size images to 1920 pixels on the longest side at 300 dpi.  Images should be named using the following format:     First Initial_Last Name_ Submission #.JPG   (example:  J_Smith_1.JPG)
The MWSU Clay Guild reserves the right to use submitted images of artwork for publicity, documentation, education, and promotion. CD’s will not be returned.

Entry Fee:  $30.00 for three entries (each entry consists of 2 pieces).  After submitting your application online, your screen should display a print page (you will also receive an email).  Please print the page and send it with your check to complete the registration process to:

David Harris
MWSU Clay Guild – Twin Cups:  National Ceramics Exhibition 2018
Missouri Western State University
4525 Downs Drive
St. Joseph, MO  64507

Sales:  The Clay Guild will take a 25% commission on sales made during the exhibition.

Rules:  All accepted work must remain for the duration of the show.  Submission of the entry form signifies the artist’s understanding and acceptance of the rules of the exhibit.

Opening:  Exhibition opens February 21, 2020 from 5 p.m. to 7:30 p.m.  It will be held in the Potter Fine Arts Gallery located on the Missouri Western State University campus.  All artists are invited to attend.

Shipping:  Artists are responsible for shipping their work to and from the MWSU Potter Fine Arts Gallery and insuring it while in transit.  Shipped entries must be securely packed (No Styrofoam Peanuts) and sent in substantial reusable containers.  Double boxing is strongly recommended.  Accepted works should arrive at the gallery no later than February 12, 2020

Return Shipping:  Artists must provide a pre-paid return shipping label for the return of unsold items..  Artwork left with the gallery more than 30 days after the close of the exhibition, without return arrangements, will be deemed abandoned and become the property of the MWSU Clay Guild to do with as they will.

Ship Selected Work To:
 
MWSU Clay Guild – Twin Cups:  National Ceramics Exhibition 2018
Potter Fine Arts Gallery
Missouri Western State University
4525 Downs Drive
St. Joseph, MO  64507
1-816-271-4282

Liability:  Every reasonable precaution will be taken during receiving, installing, exhibition, and return of work, but the MWSU Clay Guild, its members, volunteers, and Missouri Western State University will assume no responsibility for loss or damage incurred. Artists must carry their own insurance.

Online Entry Form: MWSU Clay Guild – Twin Cups National Ceramics Exhibition

Prospectus: Twin Cups Prospectus.PDF

Questions: email: [email protected] or David Harris at [email protected]

Master of Arts in Critical Craft Studies

The MA in Critical Craft Studies is a low-residency graduate program in craft history and theory. This full-time, four-semester/ five-residency program is the first of its kind in the US. Students and faculty meet for two weeks of lectures, workshops, seminars, readings, project work, and individual conferences each July and January. The two-year continuous program begins in July; all July residencies are held on the Warren Wilson campus, and January residencies are held in downtown Asheville with classes at The Center for Craft. Students return to campus for a fifth and final residency to present their final projects in a public colloquium, co-organized by Warren Wilson College and The Center for Craft. Students work individually and collaboratively during residencies the following semester terms. Each student spends 20-25 hours per week on readings, writing and research assignments, meetings with mentors in their place of residence or online, online faculty sessions, and group meetings. Coursework builds critical thinking, research methods, and experience with formats ranging from writing and podcasts to exhibitions and curriculum development. Final projects demonstrate applied knowledge in craft histories and theories, and may include: a journal-article length thesis; an exhibition with essays, programs and texts; curricular development with lectures; a scholarly conference with publication; a podcast series; Object Library development; or a series of short critical essays.

Faculty include leading theorists, historians, scholars and artists in the field of craft studies, art history, art, material culture, anthropology and other connected disciplines from the US and abroad; faculty work with students during residencies and online during the semester. Mentors offer additional connections to the field; mentors meet in person or online with students each semester to connect curriculum and communities. Residency faculty present their work in evening programs and paired conversations; these are free and open to the public.

Undergraduates at Warren Wilson College connect with graduate students and visiting faculty through Work Crews, visitors during the academic year, development of the Object Library, exhibition development, and craft history courses.

The Residency

Residency instruction includes a combination of lectures, discussions, readings, field trips, workshops, hands-on material labs, studio visits, as well as a mixture of individual and group work. Students will explore craft histories and theories from around the globe and a range of disciplines through readings and interaction with experts within and outside of craft studies. Coursework, concepts and research methods for each semester are introduced in the residencies and further explored through independent study, project assignments, online group discussions, and monthly meetings with individual mentors.

Research and Material Labs are designed to engage the Swannanoa/Asheville area as case studies. To complete Labs, students apply methods and approaches learned in their own hometowns. While the program includes a Material Lab, the emphasis is not on the acquisition and development of skills. Instead, students work on understanding materials and processes to improve their understanding of how things are made and to cultivate direct ways of investigating craft that brings process together with theory, history, and finished work.

All research findings are shared and engaged collectively to expand the field through collective exchange and knowledge building.

Apply Now!

Master of Arts in Critical Craft Studies

job posting: Assistant Professor of Art – Ceramics Full-Time – Tenure-Track, University of Minnesota

The University of Minnesota’s Department of Art in the College of Liberal Arts invites applications for an Assistant Professor of Art – Ceramics – Full-Time Tenure-Track (Job ID 332969) faculty position to begin fall semester 2020 (08/31/2020). The Department of Art seeks an artist with contemporary ceramic arts expertise to join our renowned Sculpture and Ceramics practice area. We welcome artists open to cross-disciplinary practices that will offer students a dynamic learning environment and a significant depth of competencies in traditional and non-traditional approaches to ceramic arts. To learn more and apply, visit: University of Minnesota’s Find a Job site: https://hr.myu.umn.edu/jobs/ext/332969

The Department of Art is committed to building an intellectually vibrant, culturally inclusive, and academically diverse community of exceptional faculty. The teaching load is two courses each semester and salary and benefits are highly competitive. Finalists will be eligible for travel-related expense reimbursement. Appointment at the rank of tenure-track assistant professor will depend on qualifications and experience consistent with collegiate and University policy. This is a 100% appointment distributed over the nine-month academic year (late-August to late-May).