technical tuesday: Archaeological Study of Medalta’s Kiln Room

In 2010, an Industrial Archaeologist named Talva Jacobson came to the Historic Clay District to complete an archaeological study of Medalta’s Kiln Room. We were reasonably sure that the foundations of at least three round kilns were under the concrete floor which was constructed sometime in the 1960’s. As Talva and her team excavated, they were indeed able to find kiln foundations as well as a wealth of other archaeological information which will aid in understanding the processes of industry in the early years of the twentieth century.

Want to see more and read more about this excavation? Check it out HERE.

Virtual Clay Real Time Online Class with Adrienne Spinozzi

 

This program is taking place remotely. If you have signed up, you will receive an email with details of how to access the program.

Register HERE.

movie day: Dhaka Art Summit 2020 Existence-emitting Movements

Dhaka Art Summit 2020
Existence-emitting Movements
is an action in which a group
of women walk directly on an installation comprised
of hundreds of raw clay vessels in different shapes and sizes inspired by traditional cerâmica traditions of Bangladesh. Most cultures, including those of the artist’s native Mexico as well as Bangladesh, perpetuate the iconic image of a woman bearing a vessel on her head to transport water or food; a symbol of the hard domestic labour weighing down women in society. Héctor Zamora disrupts the order of things by placing the vessel not upon the women’s heads, but rather beneath their feet.
By inverting the equation, what occurs is a shared space of liberation where women can turn the tide of patriarchy and recover pleasure in their lives.
Text by Diana Campbell Betancourt
Dhaka Art Summit and Samdani Art Foundation