Course of technical and creative understanding of the porcelain.

creative understanding of the porcelain.
For nine months, from October 2011 to June 2012, Yukiko Murata teach a course devoted to deepen their knowledge and use of porcelain will be structured on a thematic session per month. On Thursday September 22 at 10:00 am and 20:00 pm, there will be an ongoing presentation of Yukiko Murata and Cortiella Rosa, professor and coordinator respectively. The nine thematic sessions have the following contents: Session 1: Analysis of shrinkage.
Session 2: translucency, fragility and resilience (technical SHINOGUI).
Session 3: Whiteness and vitrification (Zug-embedding technique-).
Session 4: Whiteness and vitrification (technical SOMETSUKE-under cover-)
Session 5: Whiteness and vitrification (technical UWAE third fire-Japanese-)
Session 6: Solutions for the lack of plasticity and resilience (technical paper pulp).
Session 7: Theory: oxidation and reduction
Session 8: Individual Project. From all the material worked, each participant will present their own project and advise technically viable.
Session 9: Project presentation, comments and visit the workshop Yukiko Murata. More information: Asimetric. Ceramics Workshop-School
C / Besalu, 1 bis, bjs.
08026 Barcelona Phone: 93 340 74 89 e-mail: [email protected] Ceramic Review

Call for papers: A World in Making: Cities Craft Design

craft + design enquiry is pleased to announce a new call for papers for the fifth issue of the journal to be published in 2013.Guest Editor, Suzie Attiwill is calling for papers for this on the theme of A World in Making: Cities Craft Design as outlined below.On 12 March 1913, a naming ceremony took place in an empty paddock on a hill. This rural environment was to become a city, the capital city of Australia, the city of Canberra. The aspirations and the projections of the Griffins’ winning design for Canberra are an example of a world-in-making involving the practices of design and craft. This issue of craft + design enquiry will be published in 2013 – 100 years after this event and when, for the first time in history, more than half the world’s population live in cities. By 2030, this will increase to at least 60% with significant growth happening in cities of developing countries and the emergence of meta-cities with 20 million inhabitants. ‘The twenty-first century will be known as the century of the city’.1 This next issue of craft + design enquiry will focus on and highlight the role, contribution and potential of craft and design practices to the urban environment as well as the transformation of these practices – a world in making. ‘The thing is what we make of the world. … Things are our way of dealing with a world in which we are enmeshed rather than over which we have dominion. … It is our way of dealing with the plethora of sensations, vibrations, movements, and intensities that constitute both our world and ourselves’ … ‘We make objects in order to live in the world’.2 Situated in a journal published by Craft Australia, the nuances of craft – a practice which values making and materiality – will guide the selection of papers for publication. This emphasis on craft does not exclude design so much as bring focus to practices of design which engage ideas of making and materiality, where there is a sense of a hand(s) in making, a valuing of haptic encounters and an attention to the relation between people and surroundings. From small to large scale projects, from individuals to communities, an intimate approach to the question of how people inhabit and transform the urban environment is invoked. What are the potentials in this century of the city for craft and design practices? What is the contribution of craft and design to cities and liveability? What might a craft sensibility bring to urban inhabitation? What of an expanded idea of craft practice as a way of working and thinking which addresses spatial and temporal urban conditions? What of the emergence of new forms of practices to engage in the condition of the urban environment and the social, political and cultural forces of the twenty-first century?
Academics, practitioners, research students and others are invited to submit research papers and critical project works. A definition of research as ‘the creation of new knowledge and/or the use of existing knowledge in a new and creative way so as to generate new concepts, methodologies and understandings’ 3 is reiterated here to highlight the criticality of ‘new and creative’ in relation to research and to encourage the submission of research through craft and design practice, as well as about craft and design practices situated in a world in making – ‘the century of the city’. Authors are also encouraged to consider the inclusion of visual material as research. This issue of craft + design enquiry will be published in mid-2013. The CDE#5 Call for Papers closes on 30 June 2012.To submit a paper please register online by the closing date of 30 June 2012. Refer to author guidelines for further information.For inquiries relating to this issue or submission of papers, please contact the Guest Editor, Suzie Attiwill Administrative enquiries, please contact Jenny DevesVisit the website here.

Call for entry: Ceramics Competition Valladolid City

Ceramics Contest XVII Valladolid City Council promotes and sponsors the seventeenth edition of Ceramics Competition Valladolid City. IV International Meeting, the deadline for submission of documentation for entries is October 31. The jury, composed of three personalities from the worlds of art and ceramics, which will be announced after making public his decision, make a selection of participants, which should send the parts during the month of November. The prize, worth 5,000 euros, together with the Special Jury Mentions, will fail during the month of December. Subsequently, an exhibition at the Municipal Exhibition Hall Revilla, to make known to the public and the media the result. To get the complete rules, contact the organization: VALLADOLID CERAMIC TILE ASSOCIATION
PO Box, 359
47080 Valladolid Tel: 627 959 558
e-mail: [email protected] Ceramic Review