Woodfiring Symposium – WorldStoke

WorldStoke 2022 in Penryn, CA
You’re Invited! 💥 An international symposium of 🔥woodfiring, artist demonstrations, and discussions to address social equities in ceramic art in gorgeous Placer County, northern California.
👐 Hands-on workshops: woodfiring🔥, raku. low-salt firings, artist demonstrations, panel discussions, exhibitions & more activities to be enjoyed.
Register Today! https://www.worldstoke.org

Craft Ways Symposium

Craft Ways 2020: Tending to Craft
July 30 – August 1, 2020
Asheville, North Carolina

Craft Ways 2020: Tending to Craft is a symposium focusing on issues in contemporary craft surrounding the intentional care of craft. Using the theme of Tending, this inaugural gathering will engage multiple approaches to the embodied study and practice of craft. Together, participants will work to understand how artists, craftspeople, curators, and scholars explore histories of craft. Learning from individual work in the collective context of a symposium, we aim to reveal the multiplicities of craft studies.

By mixing work by established and emerging researchers and craftspeople, Craft Ways 2020 aims towards intergenerational exchanges of knowledge and information embedded in craft, while simultaneously engaging dynamism and shifts in contemporary discourse.

Through a variety of modes of sharing research—from individual to group formats—Craft Ways 2020 centers interdisciplinary collaboration and intersectional thinking through a merger of form and content. Sessions may include skill-building workshops, breakout brainstorming sessions, participatory discussions, research presentations, readings, and more.

For more information, please contact Craft Research and Innovation Manager Lola Clairmont at lclairmont@centerforcraft.org

About the Partnership

Craft Ways 2020 is co-presented by the Center for Craft and the MA in Critical Craft Studies program at Warren Wilson College. As program partners, this gathering exemplifies the type of generative collaboration that builds intergenerational networks to recognize and support future craft practice, research, and scholarship.

The Center for Craft is the leading national nonprofit working at the intersection of culture and higher education to advance the understanding of craft. Located in Asheville, NC, the Center offers quality arts programming and exhibitions free to the public, in addition to a nationally recognized grant program that serves artists, curators, and scholars throughout the United States.

Warren Wilson College’s Masters in Critical Craft Studies is the first and only low-residency graduate program in craft history and theory. Warren Wilson College, a private four-year liberal arts college in the Swannanoa Valley, North Carolina, provides a distinctive undergraduate and graduate education that combines academics, work, and service.

 

upcoming symposium: Made in Australia

Come and celebrate the Society’s 40th Anniversary at our three days Australiana symposium, “Made in Australia”. We have a fantastic line up of speakers including Stephen Bowers (contemporary Australian ceramic artist), John Hawkins (QLD opals in Australian jewellery) and Julian Bickersteth (conservation of Australian furniture). Richard Neville, Mitchell Librarian and Director of Education & Scholarship from the State Library of NSW will be talking about the library’s collection and showcasing its treasures. There will also be presentations from curators and our members.

Come and hear about contemporary ceramics, colonial and mid-century modern Australian furniture, convict artists, goldfields jewellery, female woodcarvers, china painting and pottery, quilts, conservation of important furniture, ceremonial maces, Queensland opals in jewellery and much more!

Full details and registration HERE.

From Funk to Punk: Left Coast Ceramics (exhibition and symposium)

November 10–12, 2017

Join us for a weekend-long symposium celebrating the opening of the Everson’s new ceramics exhibition, From Funk to Punk: Left Coast Ceramics. In a series of conversations, lectures, and gallery tours, we will discuss our current dynamic artistic landscape with an emphasis on capturing the spirit and innovation of West Coast art as well as the Everson’s history of collecting and supporting this cross-continental dialogue.

SYMPOSIUM AGENDA

FRIDAY, NOVEMBER 10, 2017


SATURDAY, NOVEMBER 11, 2017

  • 9:00am: Continental Breakfast
  • 9:30am: Co-Lecture: Margie Hughto & DJ Hellerman: RevisitingNine West Coast Clay Sculptures: 1978
  • 10:30am – Noon: Artist Lecture & Conversation Ruby Rose Neri speaks about her work followed by a conversation with Peter Beasecker
  • Noon – 3:00pm: CHOOSE YOUR OWN ADVENTURES!
  • Explore downtown Syracuse restaurants, galleries and shops.

1:00 – 3:00pm: Gallery Tours + Demonstrations

  • 1:00pm and 2:00pm: David MacDonald Demo
  • 1:00pm and 2:00pm: Everson Museum docent-led tours
  • Noon – 3:00pm: Syracuse University Ceramics Department Open Studios
  • 3:30 – 5:00pm: Artist Lecture & Conversation Tony Marsh speaks about his work and projects at Cal State Long Beach followed by a conversation with Linda Sormin
  • 5:15pm: Closing Lecture Peter Held: From Funk to Punk: Left Coast Ceramics
  • 7:00 – 10:00pm: Evening Reception at ClayScapes Pottery with exhibiting artist Bryan McGrath. Enjoy hors d’oeuvres, light snacks and a cash bar.

SUNDAY, NOVEMBER 12, 2017

  • 9:00am: Continental Breakfast at the Museum
  • 10:00 – 11:00am: Conversation on Collecting: Leslie Ferrin, Elizabeth Dunbar, Louise Rosenfield

everson.org/connect/events/ceramics-symposium