canadian ceramic residency opportunity!

Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only.

The program provides ceramic artists the ability to work in a supportive community environment of like-minded individuals, to share their expertise and vision, to inspire excellence and create work at the highest level in a nurturing and creative environment.

The residency is a multi-faceted experience that will include opportunities for teaching, community outreach, interaction with other artists, and studio care, and will culminate in an exhibition of new work.

Professional Development, Opportunities & Obligations

The Resident Artist Program offers individuals the opportunity to further develop their work, and to establish professional practices and standards. Both Centers offer the support of their staff and facilities to help Resident Artists reach the next stage of development in their careers.

The Caetani Centre, ACNO & VCAC will facilitate workshops, receptions, and public programming based around the participating artist’s work. All organizations work together to provide additional opportunities for public educational programs, artist presentations, and feedback from other artists and mentors. The artist may propose additional events and community programming if they choose.

As a relatively new program, the Caetani Centre is interested in feedback and constructive criticism, and requests that the participant submit an exit survey upon completion of their project.

Artists-in-Residence are requested to leave a piece of art in the community, if possible.

Exhibition Opportunity

Residents will have the opportunity to exhibit their work in the Vernon Community Arts Centre’s Lobby Gallery, with technical support from the VCAC. Curatorial support is provided by the Caetani Center, and the artist will contribute to and receive a small publication about their residency and exhibition.

Selection of Applicants

The program is open to both emerging and established artists. The ideal candidate should have a minimum of post-secondary training completed or in progress with a major in ceramics, be self-directed and able to work independently. Preference is given to candidates who have demonstrated artistic excellence as well as interest in experimentation and innovative techniques.

The successful CeramAIR Resident has a genuine commitment to working with clay, a willingness to work with the local community, and a desire to grow in the development of their own work. They bring a high level of professionalism and competency to the studio that enriches the quality of our programs and facility.

A selection committee composed of arts professionals will review and select candidates for the program. Selection is based on the body of work presented, cv and project proposal.

Full details can be found HERE.

call for entry: Craft Forms Exhibition

The exhibition will run from December 6, 2019 to  February 1, 2020 and will be held at  Wayne Art Center, 413 Maplewood Avenue, Wayne, PA, 19087, 610-688-3553, craftforms.org.

Juror – Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution

Wayne Art Center is pleased to welcome Jane Milosch, Executive Director, Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution, as the juror for the CraftForms 2019 exhibition.

ABOUT THE JUROR

Jane Milosch is founding director of the Smithsonian Provenance Research Initiative in the Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution. Previously she was Senior Program Officer for Art, directing pan-Institutional art programs, new interdisciplinary initiatives and strategic planning efforts for the arts at the Smithsonian. She completed the Getty Leadership Institute program. Milosch was Chief Curator at the Renwick Gallery of the Smithsonian American Art Museum, curator of the Cedar Rapids Museum of Art in Iowa, and of the Detroit Institute of the Arts. As Fulbright Scholar in Munich, she was managing editor for Prestel art books and consultant to art museums, galleries, and other cultural institutions. Her research interests include modern and contemporary art, craft, and design, especially the intersections of art, science, design, and technology.

ELIGIBILITY REQUIREMENTS

  • Artists must be 18 years of age or older.
  • Works submitted must be original in design. Collaborative works are accepted.
  • Work must have been completed in the last 2 years. (Created after 2017)
  • Work previously exhibited at Wayne Art Center is not eligible.
  • All work must be for sale.
  • Work must remain on display for the duration of the exhibit.

AWARDS

$10,000+ in prize awards will be presented by juror Jane Milosch during the CraftForms 2019 Preview Party December 6, 2019.

Full details HERE.

monday morning eye candy: Maya Vivas

From the website artist statement (please go read the rest as it’s fabulous):

“The silhouette of each work is based on classical vases, but the ornate decoration, flashy displays of gold and sense of individuality, removes the piece from a pure utilitarian function. These works toe the line between appreciating the object for what it is, and trying to impose a role for it to play. Hold a flower, be a vessel. They are a response to the idea of being created for a specific purpose/usefulness within the confines of a heteronormative capitalistic society. Birth, work, marriage, reproduction. Through my radical emergence I get to chose what my form and function will be.”

www.mayavivas.com

www.instagram.com/mayavivas/

movie day: Masterclass with Angela Mellor | Ceramic Review

In this video, ceramist Angela Mellor discusses the process she uses to create her handbuilt bone china paperclay vessels.

Discover how Angela makes her work in the full step-by-step masterclass inside CR 298 (July/August 2019). You can order current and back issues of the magazine from ceramicreview.com.

Film by Layton Thompson for Ceramic Review