call for entry: Materials Hard + Soft

about the exhibition

The Greater Denton Arts Council proudly presents the 34th annual Materials: Hard + Soft International Contemporary Craft Competition and Exhibition. Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. The exhibition celebrates the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media. Since 2017, the exhibition has expanded to include works by international artists.

2021 JUROR – Pablo Barrera, oklahoma contemporary

2021 ENTRY GUIDELINES

HOW TO ENTER
Our entry deadline for the 2021 exhibition is September 30, 2020. Please review the upcoming schedule below for more information on the next steps in the competition.  A downloadable 2021 Prospectus is available for entry guidelines and procedures questions. Entries can be submitted online or through the mail.

AWARDS
The Greater Denton Arts Council will provide Juror Awards in the amounts of $1,000, $750, $500 and $250. Winners will be determined by the juror and will be announced at the opening reception of the exhibition on February 5, 2021.

ELIGIBLE MEDIA
Works produced in any of the craft media: clay, fiber, glass, metal, paper, wood, or any combination of craft media, are acceptable. Entries must be the complete work of the submitting artist. Works can be a collaboration piece, all collaborators must be listed in the space provided on the entry form. Local, national, and international artists are encouraged to apply. Kits or commercially designed works will not be accepted. All work must have been completed within the past two years (2018-2020) and not previously exhibited at the Patterson-Appleton Arts Center.

NUMBER OF ENTRIES + ENTRY FEE
Each artist is limited to three (3) entries. There is a $30 (USD) non-refundable fee, for up to three (3) entries. Payments must be submitted online at the time of application.

SIZE LIMITATIONS
All work must be ready for installation. Submissions are restricted to a weight limit of no more than 75 pounds. GDAC reserves the right to exclude any entry that presents complex installation or assembly problems.

SALES
A 30% commission will be retained from all work sold during the exhibition. Works which are not for sale must be clearly marked as such (NFS).

PUBLICITY
The exhibition will be publicized regionally, nationally and internationally. GDAC reserves the right to use photographs or digital images of any accepted work for the purpose of publicity.

DELIVERY + RETURN OF WORK
Artists are responsible for pre-paying all shipping charges to and from the exhibition site upon selection by the juror. Accepted works must be hand-delivered or shipped according to the instructions provided in the Artist Contract. Entries will be insured by GDAC while in its custody. Insurance value for pieces NFS should reflect fair market value. No work may be withdrawn before the close of the exhibition. Sending an entry to this exhibition shall imply an agreement on the part of the sender to all conditions above.

DEADLINES AND EXHIBITION DATES

September 30, 2020 | Deadline for acceptance of online entry materials (by 11:59 PM)

November 14, 2020| Notification forms sent to all artists

December 6, 2020 | Artist contracts are due

January 4 – 16, 2021 | Shipped and hand-delivered artwork due at the Arts Center

February 5, 2021 | Opening Reception 6:00 – 8:00 PM. Award Ceremony 7:00 PM.

February 5 – May 8, 2021 | Exhibition on view at the Patterson-Appleton Arts Center

May 9 – 29, 2021 | De-installation and return of artwork

For additional questions about the competition and exhibition, contact [email protected]

Full Details HERE.

residency opportunity: Taoxichuan Art Center

Taoxichuan Art Center – International Studio located in the city of porcelain – Jingdezhen, China is now open for the application of Artist-in-residency for the calendar year 2021 & 2022.
The mission of Taoxichuan Art Center is to provide a platform for artists to work at the well-supportive studio environment and explore a thousand-year history of porcelain in Jingdezhen.
For the past 5 years, over 100 artists coming from 30 countries took part in our artist-in-residence. We held more than 50 solo and group exhibitions, 30 workshops, 5 Spring and Autumn Art Fairs, and 2 Ceramic Film Weeks.
In 2021 and 2022, Taoxichuan Art Centre will continuously enrich our existing artist-in-residence program by adding 2 new locations in two of the famous Celadon historical kiln sites. One is in Longquan, Zhejiang Province. The other one is in Tongchuan, Yaozhou Kiln, outside of Xian in Shanxi Province.
We expand and designate the goal of the artist-in-residence program in four categories.
1. create and exhibit
2. masterclass teaching and research
3. design prototype for a line of industrial production
work
4. film production about ceramic art, design, craft, culture and history.
For further information please contact:

call for entry: 2021 NCECA Annual – Social Recession

Curated by Shannon Rae Stratton

Hosted by:
Weston Art Gallery
Aronoff Center for the Arts
650 Walnut Street
Cincinnati, Oh 45202
513-977- 4166
www.westonartgallery.com

ENTRY DEADLINE:  Wednesday, October 7, 2020   (11:59pm MDT)

EXHIBITION DATES: February 5 – March 28, 2021

ABOUT THE NCECA ANNUAL
The NCECA Annual blends impactful attributes of invitational and open juried models of exhibition development. Exhibition curator Shannon Rae Stratton’s organizing concept is brought to life through the work of three invited artists. The curator will select additional works and artists for the exhibition through an open call for submissions.

Stratton shares the following about her vision for the exhibition:

According to physician’s Vivek H. Murthy and Alice Chen’s March article for the Atlantic, the corona virus could cause what is being called a “social recession.” They speak about how the longer we go without personal contact, the more social bonds fray and unravel, leading to harmful effects on mood, health, our ability to learn and work, and our overall sense of community. Their concern stems from an already growing body of national and global research on the epidemic of loneliness that reports, at the lowest 22% of American adults, and at the highest 50%, are struggling with loneliness. That is more adults than smoke or have diabetes. 

Many artists working in craft value the field for its history of peer-to-peer exchange, mentorship, functionality and proximity to the body. It’s a field that identifies itself with connection and touch, with craft objects – whether functional design or conceptual art – often serving social functions. 

While Murthy and Chen were concerned with fraying social bonds based on enforced separation, the legacy of settler colonialism and white suprematism that has shaped capitalism, Western culture and specifically the United States, has long disrupted social bonds, destroying communities, histories and traditions in its wake. 

This call for artwork for the NCECA Annual invites artists to consider the tension between together and apart, interdependence, belonging, hospitality and modes of support that allow people to extend themselves with mindfulness and compassion towards each other and to the non-human world. As the list of untenable and ailing structures that have caused harm begin to crumble, what change can be supported through connection, compassion and empathy?

Living in a culture that places a high value on individuality has obscured the reality of interdependence – the fact that nobody thinks or creates in a vacuum. If anything, people are all vectors for one thing or another, transmitting ideas that have coalesced in and around us at any given time. Empathy is the nourishment required to sustain a tender “us” now and in the future. 

Interested artists are encouraged to submit works that draw on their personal and cultural experience to explore themes of the social and how social connection, as a renewable resource, is a means for addressing the challenges we face both individually and as a society. We encourage submissions that deal with collective grief and mourning, rage, empowerment, joy, care and compassion – but all through work grounded in connection, interdependence and the social.

Full Details HERE.