by Carole Epp | Sep 30, 2020 | workshops
t’s time for our next Talking Clay Field Trip Webinar! Hosted by Simon Levin and Jennifer Harnetty, this field trip will be heading to Tyrone, Pennsylvania, to chat with artist and educator Michelle Ettrick! This free webinar will be held on Monday, October 5th at 1 pm EDT USA.
Michelle’s work spreads a message of empowerment—of never giving up, even when the odds are stacked are against you. We’ll discuss how her own story reflects that message. She’ll also demonstrate some of her techniques for drawing on the clay surface!
Did we mention, it’s free? Save your spot today!
The Talking Clay Field Trip series was started in response to the Covid-19 pandemic, as a learning tool for potters who were suddenly left without access to a studio, or students and teachers who found themselves thrust into remote learning. We hope it helps provide a sense of connection with your fellow clay artists! Find other installments of the Talking Clay Field Trip series on CLAYflicks!
by Carole Epp | Sep 26, 2020 | call for entry
Time is running out to get your events listed for CLAY WEEK 2020!
Deadline is October 2nd.
Full details of all the daily themes, events and how you can get involved are all on the Clay Week Website.
Host an open studio, do a live demo, give an artist talk, or tour an exhibition, the possibilities are endless.
Event runs OCT 5-11th
Everything is online this year to really accessible for everyone to participate! What are you waiting for???
(oh and did I mention there are a ton of great prizes this year???)
by Carole Epp | Sep 26, 2020 | call for entry
The Shelley Simpson Ceramics Prize is funded by Mud Australia, the iconic Australian ceramic design company founded by Shelley Simpson.
For Shelley Simpson, creating this Prize is about nurturing the next generation of Australian artists and encouraging innovation within the craft of Ceramics:
“The visual arts are an integral part of our culture and overall social wellbeing. The sector has long been under-valued and poorly funded. With no change in sight it’s up to individuals and businesses with the foresight and capital to step up and do what they can to reverse the decline.
This generation of ceramicists is really inspiring. Their work touches all the right areas: environmental, social, visual and useful! After personally watching my daughter financially struggle with her investment in her final year of fine art studies, despite our support, I realised others may not be so lucky. It is my hope that this award will nurture and support some of our brightest ceramicists in the years to come.”
What’s it about?
The mission of the Shelley Simpson Ceramics Prize is to support the next generation of Australian ceramicists. These emerging artists may be working across functional, small scale, fine art, handcrafted or more complex commercial pursuits with ceramics.
The winner will receive a $10,000 cash prize to support their studies. This money may be used for tuition fees or however the student sees fit to complete their studies successfully.
This annual Prize is open to all Australian students studying Ceramics as an elective or major. Students studying alternative disciplines as their major may still apply.
Prizes
First Prize
$10,000
Second Prize
$2,000
Third Prize
$1,000
All prize winners will be offered a 3 month paid internship with Mud Australia’s Production to complete in 2021.
History of Mud
Established in 1994, Mud Australia is a highly-considered range of porcelain tableware and lighting designed by Shelley Simpson.
Mud is known for producing collections that neatly intersect a minimalist aesthetic with an artisan finish, in a refined colour palette.
All Mud collections are ethically handmade in their Sydney studio with the intention of bringing an organic joy to built spaces.
Loved by many in the design and food worlds, including Nigella Lawson who describes Mud as:
“Mud is the most beautiful contemporary ceramic crockery anywhere in the world. Design, feel, colour, mood: everything is exquisite—and practical with it.”
Mud Australia’s flagship stores are located in Melbourne, Sydney, Los Angeles, New York City and London.
Mud Australia can also be purchased online at mudaustralia.com
The SSCP is open to students studying ceramics as an elective or major in Australia. Mud Australia is committed to achieving a diverse community and strongly encourages applications from First Australian peoples.
by Carole Epp | Sep 26, 2020 | residency opportunity
Sturt’s Artist-in-Residence program invites and attracts experienced artists practicing in ceramics, jewellery/metalwork, textiles and woodwork. We house four to six residencies each year.
We encourage small scale production and individually designed work, which may be promoted through Sturt Gallery. Professional residencies may be awarded specifically to develop a body of work which can be produced and made at Sturt during the maker’s time here.
Sturt sees the residency program as an important addition to its overall aim of providing support for Australian contemporary art and design through a program of teaching, retail, exhibition and residencies. The emphasis of the residency program is to support those who embrace this philosophy.
All residency programs are financially assisted by Friends of Sturt.
Full details can be found HERE. Deadline is OCT 31st.
by Carole Epp | Sep 25, 2020 | call for entry
2021 ANNUAL EXHIBITION
Deadline, October 7, 2020
The 2021 NCECA Annual will run from February 5- March 28, 2021 at the Weston Art Gallery, Aronoff Center for the Arts in Cincinnati, Ohio. Exhibition Curator Shannon Rae Stratton shares that according to physician’s Vivek H. Murthy and Alice Chen, the corona virus could cause what is being called a “social recession.” They speak about how the longer we go without personal contact, the more social bonds fray and unravel, leading to harmful effects on mood, health, our ability to learn and work, and our overall sense of community. Many artists working in craft value the field for its history of peer-to-peer exchange, mentorship, functionality and proximity to the body. It’s a field that identifies itself with connection and touch, with craft objects – whether functional design or conceptual art – often serving social functions. This call invites artists to consider the tension between together and apart, interdependence, belonging, hospitality and modes of support that allow people to extend themselves with mindfulness and compassion towards each other and to the non-human world. We encourage submissions that deal with collective grief and mourning, rage, empowerment, joy, care and compassion – but all through work grounded in connection, interdependence and the social. Visit https://nceca.net/2021-nceca-annual-social-recession/ to learn more and submit your work.
2021 NCECA JURIED STUDENT EXHIBITION
Deadline, October 7, 2020
The 2021 NCECA Juried Student Exhibition will take place from January 24-March 20, 2021 at DAAP Galleries of the College of Design, Architecture, Art, and Planning at University of Cincinnati. Ceramic artists Jessika Edgar and Malcolm Mobutu Smith will select works for the exhibition. The exhibition is open to students enrolled in undergraduate, graduate, and post-baccalaureate programs based in the United States of America, Canada, and Mexico. (Applicants must be working towards a degree or be a post-baccalaureate at the time of submission.) Visit https://nceca.net/2021-nceca-juried-student-exhibition/ to learn more and apply.
September 30, 2020 – 2021 Venue Generated Exhibitions- Cincinnati https://nceca.net/2021-venue-originated-exhibitions/
October 14, 2020
October 28, 2020