call for artists: Ceramic Art London deadline fast approaching – September 2nd

THE MAJOR INTERNATIONAL SHOWCASE FOR CERAMICS

Presented by The Craft Potters Association in partnership with Ceramic Review

Ceramic Art London 2014 is the major selling fair for contemporary
studio ceramics at the Royal College of Art on Friday 4 – Sunday 6
April 2014.

Ceramic Art London 2014 provides a unique showcase for
contemporary studio ceramics featuring work from leading national and
international makers.

Discover and buy work from over 75 leading contemporary ceramic artists
Enjoy an integrated education program of talks,
demonstrations and films designed to enhance your understanding and
enjoyment of studio ceramics
Talent spot young emerging ceramic artists from the Royal College of Art

If you are a ceramic artist interested in exhibiting at Ceramic Art London 2014, visit our
exhibitor registration
page for details of how to apply.

If you are a Collector, gallery owner, potter or enthusiast and
want to see the best in contemporary studio ceramics check out our
visitor registration
page to receive regular updates on Ceramic Art London 2014. 

www.ceramics.org.uk/home.php

emerging artist: Shaun Hayes

 
Want to be featured as an emerging artist on musing? All you have to do is send me some images, a brief write up if you’d like, and a website if you have it to [email protected] If you could put emerging artist in the subject header of the email so it doesn’t get lost in my spam folder that would be great. Thanks!  

emerging artist: Alex Zablocki

Alex Zablocki was born in Denver
Colorado and raised in the Upper Peninsula of Michigan, and is currently a
ceramic artist residing in Fort Collins, Colorado.  He received his BFA from Finlandia University and also
studied ceramic design in Kuopio Finland. 
He spent two years working and studying as a Post-Baccalaureate student
at both the University of Nebraska-Lincoln, and Colorado State University. He
has shown work both nationally and internationally.
I build pieces using the vernacular of pottery to talk about
process, celebrating all the qualities, which exploit my participation in the
making.  I throw and alter
cylinders while dividing and dissecting certain areas with the use of lines.  These lines then create seams, which
accentuate subtle aspects within the forms. I am constantly engaged by the
manipulation of clay to create works that are both functionally sound and
aesthetically pleasing.  My work
exhibits a variety of subtle changes in the direction of form to create
luscious and full shapes, which directly talks about their ability to contain,
display, and disperse.   I
find wood and soda firing to be the most appropriate means of firing my
work.  These processes allow for
the activation of surface that compliments the way in which I work with clay.