call for entry: Edible Provisions

February 13 – February 24, 2014

Opening reception February 12 @ 530 – 7PM
NSCAD Port  Loggia
Bridget Fairbank is a Nova Scotian food activist concerned about food, aren’t you? Edible Provisions is
a collection of cutting edge work from various Artists working in
various mediums that address how and what we eat today. The works
exemplify the complexities of our eating in an epoch where dinner is
dubious. 

Curatorial Statement – Edible Provisions
It
has come to my attention that there are many artists making work about
food. These artists are actively questioning how we manufacture, grow,
procure and eat every day. There is a rich history to mine when it comes
to food relations sensual, domestic and industrial. I propose a call to
students and alumni who make such food oriented work for a group
exhibition: Edible Provisions. This past year I have seen ceramic
sculpture meat cuts hanging from rafters, portraits of people’s
fridges, pottery for the seasonal splendor and prints of farm machinery
that beckon questions of Cold War technology- all talk about our current
and crucial relation to food. 
At
NSCAD now Sandra Alfoldy is teaching a seminar on craft and food a
marker of the relevancy of such an exhibition. Dine by Design is this
week, Hungry Bowls the next, Art and Food Activism are linked as ever.
We have the opportunity now to showcase such work going on at NSCAD.  Edible Provisions
would bring together the many ideas, experiences and critiques of food
culture into a single exhibition space complicating the food
conversation in a dynamic visual manner. 
The
use of the gallery space is highly dependent on the works submitted and
their individual requirements and group requirements, all will be
managed by me as curator/coordinator and all managed in such a way to
deepen the conversation about food and the facets there in embracing and
showcasing the many opinions we have in regards to food carnivores,
omnivores, vegans and vegetarians, fast foodies, foodies, industrialists
and small scale farmers alike. The intent of the exhibition to make us
think about food.
Please note: The
PortLoggia is an open space gallery that students have access to at
night with out security and in no way will I or NSCAD/AnnaLeonOwnes
Gallery be responsible for damage or theft, the gallery is however
equipped with 24hr video surveillance. 
Shipping to and from the gallery will not be subsidized.

“I am very
excited about this show and know that so many of your blog readers make
work while thinking about food. As an odd side project to make the show
more feasible for non-Haligonians I’d be happy to accept mugs from your
readers and mail them a mug of mine in exchange at no cost. That way the
mug is displayed and in the show and becomes part of my collection as a
trade!” – Bridget

2014 Workshops at Penland now online

“Penland School of Crafts is a national center for craft education located
in North Carolina’s Blue Ridge Mountains. Penland’s focus on excellence,
its long history, and its inspiring, retreat setting have made it
a model of experiential education. The school offers workshops in
books and paper, clay, drawing and painting, glass, iron, metals,
photography, printmaking and letterpress, textiles, wood, and other media. Penland
sponsors artist residencies, a gallery and visitors center, and
community education programs.

Each year approximately 1200 people come to Penland
for instruction and another 14,000 pass through as visitors. Penland
has no standing faculty; its instructors include full-time studio
artists as well as teachers from colleges and universities. Students
live at Penland and take only one class at a time allowing them
to learn by total immersion–the ideas and information gained in
a two-week session might take a year to absorb and process.

The school has also become the focal point for a lively community of
craft artists, thanks in part to the resident program which has
encouraged many artists to settle in the area. The student experience
is greatly enhanced by the presence of so many nearby studios.

Students come from all walks of life. They range from 19 to 90 years of age
and from absolute beginners to professional craftspeople. Some see
Penland as a productive retreat, some as a source of inspiration
for their personal creative lives, and others as a place to exchange
vital information about material, technique, and process. What brings
them all together is a love of materials and making, and the often
transformative experience of working with intensity and focus in
a supportive community atmosphere.

Penland School began out of a strong belief in a few simple values. Penland’s founder, Lucy Morgan
summarized these as “the joy of creative occupation and a certain
togetherness-working with one another in creating the good and the
beautiful.” For more than seventy-five years, these principles have
guided a remarkable institution which has had a pervasive influence
on American craft and touched the lives of thousands of individuals.

Penland School of Crafts is a nonprofit, tax-exempt
institution.”
View a full list of upcoming workshops here.

residency opportunity: Red Lodge Clay Center

Long Term Residency Application Deadline: February 1st, 2014
The Long-Term Residency (September 1 – July 31) is ideal for committed individuals in transition from post baccalaureate studies to graduate school, as well as those pursuing the development of professional artistic careers. Self-directed ceramic artists searching for the time, space and resources needed to explore new ideas and create new work will enjoy the rural mountainous setting. Accepted residents will be provided with studio space, housing, utilities, and a monthly stipend in exchange for twenty hours of work per week at the Clay Center. Responsibilities will include assisting in the retail operation of the gallery, teaching community clay classes, as well as cleaning and maintenance of the studio and gallery. Residents will be responsible for personal living expenses, as well as all material and firing expenses. The application deadline is February 1st annually.

Application Fee: $40
The Red Lodge Clay Center welcomes applications from ceramic artists who will thrive working as a team, in a community minded atmosphere.

The ceramics studio is located approximately six miles north of Red Lodge, 463 Two Mile Bridge Road. A form of transportation is necessary for the duration of the residency. Resident artists have 24-hour access to the ceramics studio. For more detailed information on material needs and studio equipment please contact the Red Lodge Clay Center.

Apply Online at Slideroom
For more information:
406-446-3993
Email Us
[email protected]