Shapes + Plates by Kathryn Mitchell
*my bad I missed posting this before the opening. my apologies. still time to check out the show though!
*my bad I missed posting this before the opening. my apologies. still time to check out the show though!
I
make ceramic work out of porcelain, with a focus on teapots and cups. I
fire the pieces in a soda or a wood kiln to give them a delicate
flashing of reds, oranges, blues and greens. The earthy tones reflect
the earthen qualities of clay. I present my work in groupings, mostly on
wooden trays. Good craftsmanship, ergonomics, and visual balance are
important in my work. The main purpose of my utilitarian ceramic work is
undeniably its function. The ritual of its use becomes a central
experience. I create playful sets that entice the users to interact
with each other and the tray. The sharing of food, drink, fellowship,
and play lie at the heart of our existence and the conscious ritual and
enjoyment of these are greatly enhanced by the experience of the visual
and tactile senses that the ceramic wares address.”
Gulf Coast State College Amelia Center Gallery is hosting a juried exhibition that explores the idea of the drinking vessel.
The
exhibition will focus on the function and concept of the drinking
vessel; including its relation to history, politics, craft, technology,
utility, and narrative. The goal is to offer a survey of the wide array
of approaches to contemporary ceramics through the lens of the most
intimate and accessible vessel, the cup.
Juror Chandra
DeBuse is a studio potter and educator in Kansas City, MO. She
received a Bachelor’s degree in Psychology and studied ceramics at the
University of Nebraska-Lincoln before receiving her MFA from the
University of Florida in 2010. Chandra completed artist residencies at
the Armory Art Center (FL), Arrowmont School of Arts and Crafts (TN) Red
Lodge Clay Center (MT), and Watershed Center for the Ceramic Arts
(ME). In 2012, Chandra was recognized as an emerging artist through
NCECA and Ceramics Monthly magazine. She has exhibited her functional
pottery at Northern Clay Center (MN), SOFA-Chicago, AKAR (IA), Blue
Spiral 1 (NC), The Clay Studio (PA), The John Michael Kohler Arts Center
(WI) and The Craft in America Study Center (CA). Chandra has lectured,
taught classes and led workshops at Arrowmont, Baltimore Clayworks (MD),
Red Star Studios (MO), St. Pete Clay Company (FL), and Gulf Coast State
College (FL), including a study abroad course at the Skopelos
Foundation for the Arts, Greece.
Exhibition Dates: November 24 – December18, 2014
Application Deadline: October 23, 2014
Apply online @ https://client.smarterentry.com/acg
For more information, visit: http://www.gulfcoast.edu/arts/art/gallery/requirements.htm or email [email protected]
SCRIPPS COLLEGE
CLAREMONT, CALIFORNIA 91711
LINCOLN VISITING ARTIST IN CERAMICS
AT SCRIPPS COLLEGE AND CLAREMONT GRADUATE UNIVERSITY
BEGINNING FALL 2015
Scripps College, a women’s liberal arts college with a strong interdisciplinary tradition, invites
applications for the Lincoln Visiting Artist in Ceramics position. This is a three-year
nonrenewable position beginning fall 2015. An M.F.A., demonstrated excellence in teaching at
the college level, and an active exhibition record are required. Applicant must be conversant in
contemporary art theory, hand building, wheel throwing, gas and electric kiln firing processes,
glaze chemistry, and ceramics history past and present.
Teaching load includes two undergraduate ceramics courses per semester, and working with
Graduate Art students at CGU one day a week.
Please submit a letter of interest, CV, artist’s statement, digital portfolio of your own and
students’ work, image list, sample syllabi, teaching evaluations, and three letters of reference to:
https://academicjobsonline.org/ajo.
Review of applications will begin Dec. 1, 2014.
Preference will be given to applicants with a commitment to the College’s goal of improving
higher education for underrepresented students.
Scripps College is one of seven members of The Claremont Colleges Consortium located 35
miles east of Los Angeles. In a continuing effort to build a diverse academic community and to
provide equal educational and employment opportunities, Scripps College actively encourages
applications from women and members of historically under-represented groups.
For questions, please contact:
Adam Davis
Chair, Ceramics Search Committee
Department of Art, Scripps College
1030 Columbia Avenue, Claremont, CA 91711
[email protected]
about a month ago i had a conversation with one of my galleries about the price of my mugs. i’ve been selling them locally for $35 CDN pretty much regardless of size since the time put into each piece is roughly the same. i throw these cups on the wheel. handles are added. each has a unique one of a kind, not printed, but hand drawn illustration on it. they have numerous colors added and fired to cone 6 in electric.
for the holiday season this gallery is requesting 24 mugs. it’s alot for me. i can’t produce full time with all the other aspects of managing my career and of course raising my kids. i have 2 holiday sales coming up wherein i know mugs will be the best sellers, so it becomes difficult for me to justify shipping (and paying for that shipping) the work cross country only to receive %50 of the selling price.
if i was working full time these cups would take a proper weeks worth of hours. they are that labour intensive. so lets do the math shall we…. 24 mugs x $35 = 840. Divide that by %50 you’ve got $420. Shipping will cost me approx $60 for that (2 boxes properly packed so as to not lose any pieces). $420-$60 = $360. Packing materials = $12. Material expenses: clay – $25, glaze – $8, underglaze – $4, firings – $40 (approx on these material expenses, i haven’t weighed or calculated the extact glaze quantity, etc. but i base these on figures i established a few years back for a grant). Total material expenses: $77. Studio fees: well i use my basement and my garage so i won’t factor that in right now, but there are heating and electrical costs associated and i can only imaging if i was paying rent on a studio out of the home) so where are we at? $360 – $12 – $77 = $271. $271 divided by the 24 mugs = $11 a mug. or lets look at my time: one week of work, lets say 6 hours a day so 30 hours: $9/hour is what i’m paying myself.
oh and there is nothing left over for actual profit margin.
right.
minimum wage in Saskatchewan where i live: $10.20.
how much did those two degrees cost me again?
I’m venting i know. but i was offended when the gallery staff was reluctant to let me raise my prices.
how do i feel about $35? i feel a few things. i feel that the local community/audience has a limit of how much they’ll pay. i live in Saskatchewan. we are known for lower priced work. a local established potter during my undergrad years sold his mugs for less then $25 (at the time) and once told me i was disrespectful and presumptuous to ask for more then those that have been practicing for longer then i have been. i have since truly upped my middle finger to such talk.
there is a system that i understand i must work within. there are different levels of skill and techniques that are more labour intensive that can charge more. but i won’t pander to the idea that my years of experience can only charge certain prices. i like to think that i address the market demands and what they are willing to pay.
but then what happens when you sell at a %50 commission rate at galleries? and what happens when you sell outside of your local market, perhaps even internationally where price points differ?
so do i sell for $35 locally by myself, take a %50 cut with galleries (plus have to pay shipping costs), and then sometimes come in much lower then other artists in an exhibition in a different market – being the jerk that undercuts all their hard earned prices? in an more international market place how do we price our work to address all these scenarios? we aren’t selling and exhibiting locally anymore so how do we level the playing field or develop a system that works where in artists feel respected and well paid?
and if we are pushing our audiences to pay a proper price for our work, should our galleries not also be a part of that system of educating the audience to a fair and sustainable value for our work? i wonder how they answer the question of how can artists charge so much when mugs sell for $5 at walmart. cuz i personally am beyond tired of justifying that.
anyway, enough of a rant from me. the above image shows a lot of the answers I’ve received from artists. this of course doesn’t illustrate anything about scale, technique, market and the like, but it’s a interesting starting point for looking at the price of a mug.