residency opportunity: The Byrdcliffe Artist in Residence Program

The
Byrdcliffe Artist in Residence program provides artists of exceptional
talent with uninterrupted time and creative space to research and create
new work. Lasting four weeks (or a possible eight weeks for ceramic
artists), residencies provide artists with private studio space within a
community of peers and the serene natural setting of the Byrdcliffe Art
Colony. Artists are invited to participate in open studios,
work-shares, communal dinners and field trips, or may spend their
residency working in the creative solitude of a private studio.
Byrdcliffe’s residencies are particularly beneficial to those who find
it restorative to live in a simple, communal environment in close
proximity to natural beauty.
Surrounded
by the Catskill Mountains and just west of the Hudson River, the
Byrdcliffe Art Colony is home to over 80 artists each year, with 60
being hosted by the Artist in Residence Program while the remainder are
those who benefit from our artists’ housing. Beyond the AIR program, the
Colony is comprised of more than a dozen artist cottages, the
Byrdcliffe Theater, the Byrdcliffe Barn, a tennis court and the Mt.
Guardian hiking trail, as well as the Kleinert/James Center for the Arts
which is located in the center of Woodstock. At Byrdcliffe creative
time is sacrosanct, and artists are given free rein to decide what
activities will contribute to their residency experience. Byrdcliffe
offers a unique experience in simplicity of living amid the natural
beauty of a 250 acre campus of protected fields and woodland. At the
same time, Byrdcliffe provides the opportunity to live in a community of
creative people of all ages and backgrounds who are dedicated to
honoring the creative spirit.
Ceramics:
Please apply using the Visual Artists’ online application!! Byrdcliffe
accepts artists working in handbuilding and wheelthrowing techniques. To
be eligible for the residency, artists must have prior experience in
glaze mixing and kiln firing. CERAMIC ARTISTS CAN APPLY FOR 8 WEEK SESSIONS.

Application Deadline: February 15, 2016

Session Dates: Each
four week session is limited to 12-15 individuals. Candidates may apply
for additional weeks in the event a space becomes available. Most
sessions conclude with an Open Studio where residents share their work
with each other and the regional artistic community.

    • Session I: June 1 – June 27, 2016 (4 weeks)
    • Session II: June 29 – July 25, 2016 (4 weeks)
    • Session III: August 10 – September 5, 2016 (4 weeks)
    • Session IV: September 7 – October 3, 2016 (4 weeks)

http://www.woodstockguild.org/artist-in-residence/

call for artists: Future Flux Prospectus for Concurrent Exhibition Proposals

51st ANNUAL NCECA CONFERENCE
Wednesday March 22 – Saturday, March 25, 2017
Portland, Oregon

Overview
NCECA is committed to the exhibition and expansion of contemporary
ceramic practice including diverse approaches that range from
utilitarian and designed objects to sculpture, installations,
site-specific works and performative events.

A member driven organization, NCECA is enriched by the innovation and
vision that emerges from our community to present ceramic art of the
highest caliber in the form of Concurrent Exhibitions (CEs). These
exhibitions represent an important feature of NCECA’s Annual Conference
experience bringing high visibility to the work of participating
artists. Moreover, NCECA’s efforts to site and promote Concurrent
Exhibitions expand awareness of and engagement with ceramic art for
audiences that travel to and reside throughout the conference’s host
region.

NCECA promotes CEs through the print conference guide, app, website,
Blog and social media. While NCECA makes efforts to cluster the shows
within art/ cultural districts to maximize viewer attendance, it is not
able to guarantee that all exhibition venues will be included on tour
routes.

2017 Exhibitions Focus
NCECA seeks exhibition proposals that have conceptual resonance with the theme of its 51st annual conference, Future FluxThe
conference will take place in Portland, Oregon and NCECA specifically
seeks Concurrent Exhibition proposals that resonate with our theme.  As
journey’s end for Lewis and Clark in the early 18th century, expedition and discovery have
framed our imagination of the Pacific Northwest. As we pass beyond
NCECA’s first fifty years, the interconnection of mind, materials, and
transformation at the heart of ceramic process, art and education can
serve as trail heads to our future. Our creative work in the 21st century increasingly engages with hybrid practices, issues of diversity, notions of community and dynamic change. How
will more sustainable models of ceramic art and education continue to
evolve? What are the essential competencies and capacities for ceramic
artists and educators today and for the future? How can we continue to
draw from rich historic traditions while reinvigorating their relevance
in rapidly changing global societies? 
Portland, Oregon, a city of
rivers, makers, and entrepreneurs is an ideal vantage point from which
to investigate these questions and others. NCECA seeks Concurrent
Exhibition proposals that will help transport us to the ways that
ceramic art and education will continue to matter going forward.

All proposals and accompanying support materials must be submitted online by midnight Wednesday, February 3, 2016 (EDT).  

Full details here: http://nceca.net/concurrent-exhibition-proposals/