2012 NATIONAL STUDENT JURIED EXHIBITION

Call for Submissions to open
April 14, 2011

The 46th Annual NCECA Conference, “On the Edge,” will be held in Seattle, Washington at the Washington State Convention Center, March 28 – March 31, 2012. In conjunction with the conference, the University of Washington’s Jacob Lawrence Gallery will host the NCECA 2012 National Student Juried Exhibition, March 6 – March 31, 2012.Find out all the details here.

2012 Invitational “Push Play” Call for Submissions

The 46th Annual NCECA Conference, “On the Edge”, will be held in Seattle, Washington at the Washington State Convention Center, March 28 – March 31, 2012. In conjunction with the conference, The Bellevue Arts Museum will host the 2012 NCECA Invitational “Push Play” from January 19 to June 17, 2012.

The NCECA Invitational is a themed, curated exhibition that features leading edge, large scale and often challenging ceramic art. Held in even-numbered years, a foundation group of works are selected by invitation; then additional artists are invited to submit images that support the theme for consideration. The submission process is open to all artists working in ceramics. This format brings established reputations and emerging talent to bear on the selected theme and adds vitality and fresh perspectives to an ongoing dialogue. A color catalogue documents the exhibition experience and contains artist statements, pertinent essays and color images of the art. The exhibition is curated and organized by NCECA Exhibitions Director, Linda Ganstrom.

Concept
The 2012 NCECA Invitational focuses on the importance of play as related to art and life.

Push Play

Want to play? Such an invitation offers the possibility of learning through pleasurable, focused activity. Associated with nature, physical interaction and props, play allows the participant the freedom to observe, respond, interact and react in ways not prescribed, although some rules still apply with consequences for those who don’t play fair. The stories that evolve from play, in their authenticity, act as triggers for personal fantasy, artistic imagining and creative problem solving. The open nature of play and playthings endows them with the power to help establish gender roles, identity, social status and career roles. Governed by a set of rules or boundaries, an outside force directs gaming or sports play. As technology interfaces with gaming, play offers virtual experience, regulated and safe, but still exciting. No longer relegated to the realm of childhood, games simulate realities ranging from war to spiritual quests while assigning players alternative identities and enhanced personalities. What are the benefits and costs of these various types of play? Is art play? Creativity lies at the heart of both art and play. When does play become art and how does skill figure into the mix? Artists often approach their work as highly focused play involving all their sentient faculties. Increasingly democratized by technology, art-making no longer requires the skills developed from material discipline. A movie can be filmed from a cell phone as evidenced by the 2010 Guggenheim and YouTube groundbreaking competition, “Play Biennial.” While everyone has potential as an artist, not all have the highly specialized skills to create artifacts with a marketable value. Where does ceramics fit in? Art making, particularly in clay, immerses the maker in sensual substance and offers an appealing alternative to technology and virtual reality play. The materials and processes of ceramics regulate the game. Whether intuitive or skillful, play in clay can be intensely engaging.
Sharing a neighborhood with the corporate offices of Nintendo and Microsoft, The Bellevue Arts Museum seems an appropriate place to investigate the question, “What is play today?” NCECA and BAM encourage artists to create works that “Push Play” up their 30 foot lobby walls to reach the gallery floors, weather the winter and spring outdoors, invite physical interaction and employ play as the subject of their art. Filling most of the second floor of the Bellevue Arts Museum, “Push Play” has room for large as well as more traditional format works. Art is serious business, so too is play. This exhibition seeks to encourage artists to move into a realm where play and its connections to art, technology, individuality and community are investigated and celebrated, while stimulating thought and provoking conversation regarding the relevance of play in contemporary life. Ceramics is the perfect medium to “Push Play.”
Linda Ganstrom, Curator Eligibility
This exhibition is open to any artist whose works incorporate primarily ceramic materials and processes. NCECA Members pay a discounted submission fee. If you are not sure whether you have a current membership in NCECA contact: [email protected]
Media & Limitations
All works must be primarily ceramic or unfired clay. Mixed media works will be accepted only if ceramic materials are the primary media, although video documentation of projects involving ceramics are encouraged. The curator will make final determinations. Large scale work can be accommodated. Floor works must be firmly stable. Wall-mounted pieces are limited to 20 lbs per section. Works may be hung from the ceiling in specific places. Work must have been produced within the last five years and not have been shown in previous NCECA exhibitions, Bellevue Arts Museum or the greater Seattle area. Calendar

Detailed information and Online Submittal form: Available Jan.12, 2011

Online Submittal deadline: July 5, 2011 (midnight EST)

Acceptance notification: August 1, 2011
Contracts and Statements due: August 15, 2011
Delivery of accepted work: Before December 19, 2011
Installation: December 20 – January 18, 2012
Exhibition dates: January 19, 2012 –June 17, 2012
Return of work: After June 17, 2012

For all the details visit their site here.

CREATING MEANING: The Pre-Conference

Last minute spots still available

Mar. 27-28, 2011

University of Florida, College of Fine Arts Gainesville, FL

CREATING MEANING: Pre-Conference at the University of Florida in conjunction with the 2011 National Council on Education in the Ceramic Arts (NCECA) Conference in Tampa Bay

UF Ceramics will be hosting Creating Meaning on Sunday March 27 and Monday March 28, 2011 in Gainesville, Florida. Creating Meaning will offer 3 artists workshops and 7 campus and city-wide Ceramic exhibitions. The event will offer those who enroll an opportunity to visit our studios, to see the work of UF students and Gainesville artists as well as selected works by national artists. A full day workshop with a slide lecture will be offered by artists Nan Smith, Kathy King and Kevin Snipes. “Alchemy: From Dust to Form: 2011 Ceramics National” will be on display at the Samuel P. Harn Museum of Art (Jurors: Kathy King and Nan Smith). Other exhibitions include: “Intersection: UF Ceramics Undergraduates”, Cofrin Gallery at Oak Hall High School; “Currents: Past and Present – UF Alumni and Student Juried Exhibition”, Thomas Center Mezzanine Gallery, (Juror: Anna Calluori Holcombe); “Intersection: UF Ceramics MFA and Post-Baccalaureate Candidates”, Focus Gallery, (Juror: Steve Howell); “Nan Smith, Kathy King, Kevin Snipes: Workshop Leaders Exhibition”, UF College of Fine Arts Atrium, FAA; Ceramics MFA Thesis Exhibitions of Charlie Cummings, Chris Pickett and Brian Weaver at the University Gallery, “Gainesville Artisan’s Guild Members Show”, “Form and Surface Invitational”; The Randy Batista Gallery. Shuttle tours to gallery venues will run on Sunday afternoon ending at the Harn Museum for a reception. Breakfast, lunch, the tour and the workshop costs are included in the registration fee. Find out more here.
This Pre-Conference is sponsored by the UF Ceramics School of Ceramics and HOT Clay, the student run organization. UF College of Fine Arts School of Art and Art History

Upcoming NCECA deadlines

CALL FOR PROPOSALS and EXHIBITIONS: 2011 Regional Exhibition UNCOMMON GROUND: IMPACT AND INFLUENCE.
A blended invitational and competitive ceramic exhibition for artists from the geographic region west of the Mississippi River. Deadline June 15, 2011.

2012 Program Proposals – ON THE EDGE Get involved with the NCECA program. Please propose a Lecture, Panel Discussion, Demonstration, Topical Discussion, or NCECA Connection for the 46th annual NCECA Conference in Seattle, Washington. Please be aware that this year our call for Topical Discussions and NCECA Connections is earlier than in past years. Deadline May 3, 2011.

2012 Invitational Exhibition PUSH PLAY. The 2012 NCECA Invitational focuses on the importance of play as related to art and life. Deadline July 5, 2011.

Call for 2012 NSJE 2012 NATIONAL STUDENT JURIED EXHIBITION
will open April 14, 2011.