Live Taping of For Flux Sake Podcast!

For Flux Sake is a great podcast for Ceramic artists who want to talk tech stuff or need help with glaze and material challenges. They’re going to be hosting a live event in April. Should be fun!

For Flux Sake is a podcast that Matt and Rose co-host with Kathy King to answer your burning questions about clay and glaze. Each episode presents listener-submitted questions that are answered in a comical, but also insightful way. This show will have you laughing and learning about the chemistry behind ceramics in no time.

Register HERE.

For more info on For Flux Sake podcast click here.

Online classes and workshops @ Harvard

The Ceramics Program, Office for the Arts at Harvard is offering a range of online classes and workshops for spring 2021.
Registration for these programs is open to anyone over the age of 18, anywhere in the world. Choose from more than 20 different topics to explore from home, including hand building, flameware, sculpting from observation, bookmaking, experimental photography on clay, glaze chemistry, tile design, and much, much more!

Visit the Ceramics Program website for details and a list of current classes and workshops [https://ofa.fas.harvard.edu/ceramics/courses]

Northern Clay Center – American Pottery Festival 2020

American Pottery Festival guest ceramic artists from across the country will illuminate and celebrate the honor in, and value of, the millions of ways to be and live and create in the U.S. This year, APF features a virtual conference and an exhibition and sale.

APF artists will offer weekday interactive virtual workshops and a full weekend of demonstrations, panels, and lectures, all with the opportunity to immerse yourself in their worlds and pose questions. In addition, everyone is welcome to join us nightly, Wednesday through Saturday, for evening social hours and artist lectures.

The festival is a five-day opportunity to choose from an array of finely-crafted objects from engaging artists, available for purchase both in-person with ticketed gallery appointments and online.

Learn more and get tickets: https://www.nccshop.org/american-pottery-festival

American Pottery Festival 2020 Invited Artists include:
Ashley Bevington, Patty Bilbro, Andy Bissonnette, Doug Casebeer, Pattie Chalmers, Amanda Dobbratz, Justin Donofrio, Sanam Emami, Brett Freund, Stuart Gair, Guillermo Guardia, Mike Helke, Peter Jadoonath, Randy Johnston, Bill Jones, Kathy King, Forrest Lesch-Middelton with Arash Shirinbab, Jordan McDonald, Catie Miller, Ronan Kyle Peterson, Tricia Schmidt, Mike Tavares, Sandra Torres, Daniel Velasquez, Kurt Brian Webb

WORKSHOPS:

Doug Casebeer & Randy Johnston: Between the Idea and the Making
Thursday, September 3, 9 am – 5 pm
Friday, September 4, 9 am – 4 pm

This workshop is a rare opportunity to spend uninterrupted (virtual) time with internationally-recognized ceramic artists Randy Johnston and Doug Casebeer. They will focus on the exchange of ideas involved in making pots related to form and function with sculptural intention. This engaging and memorable workshop, filled with personal discussions about traditional and new ways of making, surface decoration, wood firing, soda firing, gas firing, and their relationship to contemporary ceramics, will come to you from their personal studios and is fully interactive.

Virtual Workshop price includes a Clay-Along Kit and bisque firing of pieces created during the workshop: $225
NCC Members and Educators: $200 | Students: $115

Virtual Workshop Only: $170
NCC Members and Educators: $150 | Students: $75

Kathy King: Unearthing Story – Friday, September 4, 9 am – 5 pm

Kathy King, ruler of the narrative vessel, invites you into her world full of texture, feminism, and critical perceptions. Her sensual carvings on utilitarian vessels work as a conduit to provoke impressions of gender, sexuality, and the influence of popular culture on the stories we believe. Journey with King as she demonstrates her vessels from conception, to creation, to carving. She will demonstrate her sgraffito and carving techniques and share the influence and crossover of printmaking and mixed media in her work. As you absorb her process, lean in to unfolding the story you have to tell, whether it be personal narrative or thematic perspectives, and explore profound ways to share and embody them through the physicality of clay.

Virtual Workshop price includes a Clay-Along Kit and bisque firing of pieces created during the workshop: $130
NCC Members and Educators: $115 | Students: $75

Saturday Virtual Workshop Session

Description
September 5, 10 am – 4 pm
All-day Virtual Workshop Pass: $45
NCC Members and Educators: $35 | Students: $30
To use your member, educator, or student discount, please email salesgallery@northernclaycenter.org or call 612.339.8007 during business hours.

10 – 11 am
Tippy Maurant chats with Patty Bilbro, Guillermo Guardia, Catie Miller, & Mike Tavares: Inside the Potter’s Studio
We launch into our weekend of virtual demonstrations with our tradition of coffee and a behind-the-scenes dialogue between a talented cast of makers. There will be insights into the life and times of a studio artist, candid conversations about everything from failed kilns and challenges with the material, to studio realities and personal collections, to navigating this year’s challenges through art. You are invited to listen to the stories behind the pots you love.

11:15 am – 12:30 pm
Ashley Bevington & Tricia Schmidt: Allusive Zoomorphism
Ashley Bevington and Tricia Schmidt will transform a wheelthrown form, Bevington through adding adapted features and lavish texture, and Schmidt through building embellished creatures onto and incising them into form. Discover the use of animals as symbols in their work that speak to their own personal experience and the human condition, and contemplate these connections in your own life.

1 – 2:45 pm
Sanam Emami & Forrest Lesch-Middelton: History Repeats Itself
Discover the historical and cultural influences and collaborations in Sanam Emami’s deliberate patterns and Forrest Lesch-Middelton’s intricate designs and poetry. Since both artists draw from Middle Eastern design, join them as they discuss this common thread and demonstrate the distinct sensibilities of their individual works. Emami will demonstrate her stencil and slip techniques and Lesch-Middelton his volumetric transfer process. This dynamic duo will leave you curious and craving a surface evolution of your own.

3 – 4 pm
Andy Bissonnette & Justin Donofrio: Ordering a Surface
Andy Bissonnette directs us to contemplate mysteries achieved by hand, and Justin Donofrio’s rhythmic objects ask us to reflect on our relationship with the earth and ways we attempt to control it. Join them as they demonstrate their different approaches to designing and executing an ordered surface and the layered assembly and carving processes that serve the entrancing rhythms of their work.
https://www.nccshop.org/product/saturday-workshop-session/2712?cp=true&sa=false&sbp=false&q=false&category_id=164

Sunday Virtual Workshops

Description
September 6, 10 am – 2 pm
All-day Virtual Workshop Pass: $35
NCC Members and Educators: $25 | Students: $20
To use your member, educator, or student discount, please email salesgallery@northernclaycenter.org or call 612.339.8007 during business hours.

10 – 11 am
Catie Miller: Transfixing Transfers
Travel through layers of hand-drawn motifs, vibrant color, symbolism, and playful intention as Catie Miller demonstrates her illustrated surface transfer technique. Miller’s fresh forms are as alluring as her ritualized process, and the inviting combination elevates our perception of everyday objects and recasts them as beloved home staples that contribute to and ground tradition. Be equipped to experiment with transfers of your own, better the marriage of form and surface, and be inspired to define a narrative language unique to the way you interpret the world.

11:15 am – 12:45 pm
Amanda Dobbratz & Mike Tavares: Earthenware and Extracurricular Activities
Join Amanda Dobbratz and Mike Tavares as they discuss their fondness of a common material and demonstrate their different approaches to earthenware. Stay intent as they bring forms to life and share conversations about influences in their work and how their creative energies overflow to other avenues like Tavares’s Clay Siblings Project, Dobbratz’s design work and teaching, and other arenas that inform or have grown out of their ceramic practices.

1 – 2 pm
Mike Helke, Peter Jadoonath, & Jordan McDonald: Endurance of the Object
Every object tells the story of an interaction with its maker. We will end our weekend together with a time of sharing and reflecting on a medium that captures and preserves moments in time and how the artist and object persevere and evolve together. Join Mike Helke, Peter Jadoonath, and Jordan McDonald as they casually build objects in tandem, share how their careers have adapted and grown over time, and how their making endures and is shaped by the unexpected turns of life. Chat with them about building successful pottery sales, career triumphs and failures, and the importance of the clay community as they together navigate a new way of making.
https://www.nccshop.org/product/sunday-workshop-session/2713?cp=true&sa=false&sbp=false&q=false&category_id=164

To use your member, educator, or student discount, please email salesgallery@northernclaycenter.org or call 612.339.8007 during business hours.
https://www.nccshop.org/product/doug-casebeer-randy-johnston-between-the-idea-and-the-making/2710?cp=true&sa=false&sbp=false&q=false&category_id=164

artist in residence opportunity @ Harvard

Application Deadline: April 1, 2019
Notification of Residency: April 15, 2019
Residency Dates: September 1, 2019 – August 31, 2020

The Artist in Residence Program through the Ceramics Program, Office for the Arts at Harvard, offers dedicated artists the opportunity to involve themselves in research and growth, pushing their art in new directions in a dynamic, urban studio connected to the Harvard community. Individuals will have the opportunity to build relevant skills in research, professional development, technical ability, creative problem solving, teaching and community involvement through our Artist in Residence Program.

The Artist in Residence Program offers

  • Personal studio space (60 sq. ft.) in addition to use of common studio space
  • 7 day studio access
  • Free access to materials – clay, glaze and use of kilns (electric, saggar, wood fire, soda and gas) up to excess
  • Opportunities to take classes and firing workshops within the program
  • Paid teaching opportunities within the program for both community and academic based classes.
  • Solo exhibition in Gallery 224 of work completed during residency
  • Attend visiting artist workshops and symposium offered within the program
  • Exhibition/sales opportunities in two annual Show and Sales
  • Access to studio equipment including slab roller, extruder, spray booth, plaster mold-making room and glaze mixing area
  • Access to studio lighting and background material for documenting work
  • Website visibility
  • Access to Harvard University Library and Museums with provided ID
  • Opportunities for participation in academic collaborations with the Harvard community

Expectations of Artist in Residence

  • One year commitment
  • Must spend 20 hours/week of time dedicated to personal work
  • Must spend 5 hours/week dedicated to work within the program
  • One public workshop presentation
  • Provide presentations to classes
  • Participation in program events and special projects with the Harvard Community
  • Artist is asked to leave one work for the permanent collection
  • Responsible for own housing

Application Process

Application can be submitted via hardcopy or provide us with a link to files in a folder labeled with your name on Dropbox or Google Docs to [email protected]

  • Resume with personal contact information
  • Artist statement
  • Personal statement that reflects your reason for applying to the Ceramics Program – Office for the Arts at Harvard residency program
  • 10 digital images, plus one optional detail per image. Files in jpeg format at 300 dpi, with images’ longest dimensions approximately 7 inches/2100 pixels. Each image should be labeled with the following format:
    image number_first initial_last name (example: 1_j_smith.jpg, 2_j_smith.jpg, etc.). Images will be used for promotional purposes upon acceptance to the program.
  • Corresponding image list. List should address each image by number in terms of: title, year, size of work, medium/techniques used.
  • Work should be current and completed within the last 2 years
  • List of 3 references – please provide, name, title, mailing and email address and telephone.
  • THERE IS NO FEE FOR APPLICATION
  • Notification will be made via email

Send invitation to online, downloadable file storage site (Google Docs or Dropbox preferred):
Kathy King, Director, at [email protected]

Important Dates

April 1, 2019 – Application materials must be submitted
April 1 – April 7, 2019 – Finalists will be notified to arrange a phone/Skype interview with Ceramics Program Director, Kathy King
April 15, 2019  – Notification will be made via email.
April 30, 2019 – Selected artist must accept or decline the residency.

All interested individuals are welcome to visit the Ceramics Program prior to application and or acceptance. To arrange a visit and receive more information, contact Kathy King, Director or call 617-496-4751.

More info HERE.

call for entry: Me, Myself and I

Me, Myself, and I
Clay Art Center
40 Beech Street
Port Chester, NY 10573

Entry Deadline: 9/22/17
Days remaining to deadline: 38

REQUIREMENTS:

Media
Images – Minimum: 1, Maximum: 3
Total Media – Minimum: 1, Maximum: 3

Entry Fee (I: Clay Art Center National Juried Exhibition): $25.00

Description

The 2018 gallery year will feature 4 Degrees of Separation, a series of four exhibitions featuring artists whose works examine the intricacies of maneuvering life, lifestyles and living within a global society with its political and social ramifications. The first exhibition is titled Me, Myself and I and will be followed by THEM, US  and ALL. CAC is committed to exhibiting emerging, mid-career, and established artists, as it seeks to become a platform for the field to express potent ideas and  relevant topics of our time.

Me, Myself and I will be the opening exhibition of the Clay Art Center’s gallery and will start the year’s themed exhibitions. This open juried show invites artists to submit vessel based work that explore issues surrounding identity. Artists are asked to think about such passionate issues such as who we are and how do we see ourselves within the context of society, family, relationships, and most importantly within our own skin? What role does culture, lineage, inheritance, and other characteristics of personality and sub-personalities play in how we see ourselves and define who we are?

This exhibit seeks submissions from artists who use their vessel-based art to explore concepts around self, experiences, and the triumphs and challenges faced either in the daily tasks of living or one’s place in society. This national call for entries will be juried by Kathy King, a renowned artist and educator whose own work reflects the very core theme of the show. As guest juror, she has invited kindred artists Mark Burns, Cheyenne Rudolph, Beth Lo, and Matt Nolen who also use their art to reflect identity and self-awareness.

Juror, Kathy King is currently a studio artist in the Boston area and is an Instructor and the Director of Education at the Ceramics Program – Office for the Arts at Harvard in Allston, MA and is a Visiting Faculty at the Massachusetts College of Art in Boston. She has given workshops and lectures at over fifty colleges, schools and art centers throughout the USA.

“I hope to find work that truly expresses and shares the individuality of the artist. In contemporary ceramics, we have such a long history to reference the individual with a myriad of processes; though technique and design is the building block to many works – concept is what communicates with the viewer. I’ll be looking for strong narratives that look inward and trust what they see.” –Kathy King