call for entry: The Cup: An interpreted object

The Cup: An interpreted object is an exhibition featured on the idea of the cup. This term
can be loaded and includes several ideas, can deny function, be sculptural, be
functional…etc. Juror, Dick Lehman, is a renowned potter known best for his utilitarian
ware and has also delved extensively into the possibilities of the cup as a vessel for
conveying messages, as well as beverages.

When sending submissions, please send them via e-mail to [email protected] with
your 2 entries for $20 or 3 entries for $25, your name, title of each piece, medium, and
date created. Payments for your entry may also be sent via PayPal to: [email protected]
Or via mail to: 211 S. 5th St. Goshen, Indiana 46528

All entries sent after September 1 will be rejected.

For any questions or concerns, please e-mail [email protected]

Find the application form here: localgoshen.com/the-cup-show

Call for entry: International Contemporary Horse Teapot Exhibition

Time of
Exhibition:
 around April, 2014
Venues:  Noble Seafood Restaurants
        3883 North Hongmei Road, Shanghai, China
        66 North Shanxi Road,
Shanghai, China
        1 North Chaoyangmen
Street, Dongcheng District, Beijing, China
Organizer:
 Noble Seafood Restaurant   www.shnoble.com
Title of
Exhibition:
 Horse Teapot
Conditions of
Participation:
1.    
Each participant can exhibit 2 horse style
teapots at most, regardless of whether they are functional, semi-functional, or
non-functional.
2.    
Size of teapot should be no more than 40 cm. in
height, width or depth.
3.    
Participants can sell their teapots as well.  The commission is 50% of the retail
prices.
4.    
We prefer different style teapot, not only a
style with different colors.
5.    
The teapots must be ceramic.  The use of lava, cement or any other
material is not acceptable.
6.    
Collective teapots presented by two or more
creators (ceramists or designers) are acceptable.
7.    
The organizer agrees to undertake the following:
‧   all
expenses inherent to the exhibition and the promotion thereof
‧   insurance
of the exhibited works for the duration of the exhibition
‧   Chinese
customs’ formalities
‧   expenses
incurred in returning works (not including transport insurance)
‧   printing
of an illustrated invitation, catalogue, etc.
8.    
Invited artists must undertake:
‧   expenses
related to shipping the works to Shanghai (address & addressee will be designated at a later date)
‧   insurance
for the works during their transport to Shanghai
‧   all
expenses due to customs in their country of origin
‧   allow
photographs of his or her work may be reproduced, free of all rights, and used
for the exhibition or for the promotion
9.    
The organizer/exhibition center can not be held
responsible for any work that would be damaged or destroyed in transit.  If a work arrives damaged, the
organizer will have it restored as well as possible to allow for exhibition but
will not be available for sale.
Timetable:
1.    
Please email me the following materials by 30 October, 2013,
if you want to participate in this exhibition.
‧   your resume
‧   2 digital images of your personal photos/2
photos of you
(2 MG JPG file at least, good quality for publication)
‧   personal brief introduction (200~300
words, use the-third narrative, please see the following format)
Peter Lange (New Zealand)
Peter Lange, creator of the world first brick
boat and a leading figure in the craft/object art sector, has been awarded by
Creative New Zealand Craft/Object Art Fellowship this year.
Peter Lange has worked in ceramics for more
than 30 years and has been director of Auckland Studio Potters Center since
1997.  He changes his approach to
clay all the time.  Thirty years
ago he started working in the “Leach” tradition throwing high-fired
domestic-ware, but has at times embraced earthenware, slip-casting,
salt-glazing, brick sculpture, and experimental kiln-firings.  He enjoys illusion, irony and the
unexpect
ed?
Peter Lange has worked, taught and exhibited
in New Zealand and throughout the world. 
Highlights in recent years include being an official demonstrator at the
2002 Aomori Wood-fire Festival in Japan, and being selected to take part in a
terracotta and brick symposium in Eskisehir, Turkey in 2003.  In 1997, he taught at the Dubai Art Center
in the United Arab Emirates.
Peter Lange has twice received the Merit Award
at the Fletcher Challenge Art Award in 1985 and 1986.  His work features in a number of collections, including in
the Auckland Museum, Christchurch Art Gallery, the Beehive, Suzhou School of
Art and Zhengzhou Art School in China, and the Aberystwyth Arts Center in
Wales.
*   If
you have given me the above materials before, and there have been no recent
changes, you can just inform me and I will use your former materials.
2.    
Please email me 1 or 2 digital images (more are
better) of your each horse teapot by 30 January, 2014 (2 MG JPG file at least, good
quality for publication as well).
3.    
A jury committee will select the horse teapots.  If your teapot is selected, the
shipping points will be provided at a later date.
4.    
E-mail address:  [email protected]     Contact: Hwang
Jeng-daw

Call for entry: FUSION Pottery and Glass show 2013

Event: FUSION Pottery + Glass Show 2013

Description:
FUSION invites interested glass and clay artists to submit an application.

Ceramic and Glass
artists are invited to participate in our 17th annual juried show and
sale at the beautiful Artscape Wychwood Barns. Showcasing the best of
Ontario’s clay and glass works, FUSION’s Pottery & Glass Show and
Sale will be the premiere show for purchasing the best in clay and
glass. 

NEW
this year, we are pleased to be partnering with Artscape Wychwood Barns
and their Nuit Blanche events. As such the show will remain open all
night long from Saturday, October 5 to Sunday, October 6, 2013. We hope
you can join us.

Deadline Date: July 5, 2013
Details: Download 1 File PDF


call for entry: Studio &

Studio &, in Durango, Colorado is seeking artists for it’s fourth annual six-person group show to be held July 13–20, 2013.

Submissions:

1) Please submit 5-7 images of relevant work on CD. CD’s will not be returned.
Please do not send actual artwork at this time

2) Include a one-page proposal of how you will use a 12’ X 12’ space for an exhibition. We will consider ALL media and installation projects.

If you do not include a proposal your chances of being selected will be affected. Along with seeing examples of your work we need to know what you are planning.

3) An artist bio.

4) A $50 application fee is due with submission.

Submission deadline Friday, April 15, 2013

full details here: http://anddurango.com/wp-content/uploads/2013/03/Group_Prospectus_2013.pdf

Please make checks payable to
Studio &.
Feel free to hand deliver or mail applications to:
Studio &
1027 Main Ave. Durango, CO 81310
Review our website: www.anddurango.com for more information
Please email questions/concerns to: [email protected]

Call for Entry: Coming up Next

Deadline: April 26, 2013
 
The
Alberta Craft Council is organizing its 6th annual juried exhibition
(June 20 – July 27, 2013) that is open to emerging craft artists who are
in the first five years of their career or in the last year of their
formal education. If you are creating contemporary fine craft (clay,
glass, fibre, wood, furniture design, jewellery, or metals) with fresh
new designs submit:
 
·         a current CV
·         artist statement and bio
·         3 – 5 good quality images (digital – 4”x6″ 300dpi) of work to be presented in this exhibition
·         portrait image of artist in the studio or against a neutral background
·         an image list that includes title, medium, technique, year made, size and photo credit
 
Submissions can be sent online, email or mail.
Mail: Alberta Craft Council  10186-106 Street Edmonton, AB  T5J 1H4
 
*Note All submissions must have been produced in the last year*