Ceramic Workshops at Anderson Ranch

For all the details visit their website here.

Working in Jamaica: ceramic vessels and pottery

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Apr 23, 2010 – May 01, 2010
Alleghany Meadows
David Pinto
Doug Casebeer

Making Pots that Work
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Jun 07, 2010 – Jun 18, 2010
Doug Casebeer
Pelusa Rosenthal

Volumes in Volumes: the practice of ceramic installation
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Jun 07, 2010 – Jun 11, 2010
Jeanne Quinn

So Much More than the Figure
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Jun 14, 2010 – Jun 25, 2010
Debra Fritts

Throwing & Altering Forms for Wood & Soda Firing
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Jun 21, 2010 – Jul 02, 2010
Jason Hess
Ted Adler

Studio Basics: kilns, equipment, materials and supplies
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Jun 28, 2010 – Jul 02, 2010
Ralph Scala

Midrange Pots with Electric Color
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Jul 05, 2010 – Jul 16, 2010
Frank Martin

Once Ain’t Enough: a focus on glazing
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Jul 05, 2010 – Jul 09, 2010
Kathy Butterly

Expressive Handbuilt Pottery
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Jul 12, 2010 – Jul 23, 2010
Margaret Bohls

Pottery: making and glazing
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Jul 19, 2010 – Jul 30, 2010
Peter Pinnell

Build It, Bake It, Bisquit
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Jul 26, 2010 – Aug 06, 2010
Kari Radasch

Low-Tech, Low-Fire, Stacked Tall
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Aug 02, 2010 – Aug 13, 2010
Lisa Orr

Handbuilt Vessels
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Aug 09, 2010 – Aug 20, 2010
Andrea Gill
John Gill

Paper Clay Sculpture
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Aug 09, 2010 – Aug 13, 2010
Rebecca Hutchinson

All Around Porcelain
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Aug 16, 2010 – Aug 20, 2010
Tom Coleman

Developing & Designing Ceramic Sculpture
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Aug 23, 2010 – Sep 03, 2010
John Toki

Exploring Forms & Surfaces with Earthenware
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Aug 23, 2010 – Sep 03, 2010
Alleghany Meadows
Sam Harvey

Manipulating Form: from elemental to elaborate
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Sep 13, 2010 – Sep 24, 2010
Chris Gustin
Lorna Meaden

So much going on at the University of Manitoba – Visiting Artitsts and NEW MFA PROGRAM


February 25 | 6 pm
Ceramics Studio
Artist’s Talk
Xanthe Isbister’s visit is sponsored by the Ceramics Club.
There is no cost to attend the lecture – everyone is welcome. Xanthe Isbister will be presenting a lecture on her large scale ceramic sculpture and installations. Her current work explores the psychological significance and impact the natural environment has on human identity. “Much of the human search for a coherent and fulfilling existence is intimately dependent upon our relationship to nature”. The wilderness landscape has had a profound effect on her creative work and detachment from the wilderness has created a need for her to make work in response to this separation. Xanthe Isbister received her MFA from the University of Nebraska-Lincoln in 2008, and her BFA Honors at the University of Manitoba in 2004. In 2005 Isbister was awarded the Lila Acheson Wallace Readers Digest Scholarship from the University of Manitoba, and was a Hixson-Lied Fellow at the University of Nebraska-Lincoln. Other awards include two summer residencies at Watershed Center for Ceramic Art, in New Castle, Maine. She has exhibited both nationally and internationally, most recently at the 2009 NCECA conference in Phoenix, AZ.

February 25 | 6 pm
Ceramics Studio
Artist’s Talk
Koi Neng Liew

Koi Neng Liew will be presenting a lecture on his figurative ceramic
sculpture. The concepts of his characters are derived from the examination of
fascinating individuals he has met in recent years. He transforms each character by distilling prominent aspects of their personality; exaggerated proportions, obscure objects and gestures personify each characters disposition. One of Liews reoccurring characters, Rabbit Man, was conceived as an alter ego of Liew, who was born in the year of the rabbit, based on the Chinese
Koi Neng Liew is originally from Singapore. He received his MFA from the University of Nebraska-Lincoln, and his BFA from Alfred University. Liew
was the Taunt Fellowship recipient at the Archie Bray Foundation in 2005,
and most recently was a 2008-2009 grant recipient at the Roswell Artist In
Residence Program in New Mexico.
He has been exhibiting both nationally and internationally since 1999, and was recently a featured artist in the Clay In Art International Yearbook, published by Kostas Tarkasis in Athens, Greece
Koi Neng Liew’s visit is sponsored by the Ceramics Club.
There is no cost to attend the lecture – everyone is welcome.

ALSO **** NEW MFA PROGRAM IN CERAMICS!
(So amazing to see especially when so many craft programs are under threat)

It is with great pleasure that we announcing that the School of Art at the University of Manitoba is accepting applications for graduate study commencing in the 2010-2011 school year! Please note that we are relaxing the March 1 application deadline for this year, and will review materials throughout the summer. We will be looking for one or two students for the first year of this two-year program. We do not have a particular kind of artist in mind, but are more interested in finding students who are talented, hard-working, and interested in finding their unique voice as ceramic artists. We stress hard work, production, craft, and a high level of critical analysis and the importance of contextualizing one’s work in light of current discourse. Students here produce functional pots, vessels, and sculpture, alongside works of a more experimental nature such as installation, serialism, mixed media, and performative and temporal works. We also make forays into the realm of architectural ceramics and ornament. Our undergraduates have a record of getting into top graduate programs and of exhibiting actively both in school and after graduation. We hold similar expectations for our graduate students. The ceramics area at U of M is a lively and dynamic work environment in a 13,000 square foot, purpose-built facility. Students have 24 hour studio access and the campus is in a secure, suburban location in South Winnipeg. We have a long-standing and active record of hosting nationally and internationally-known artists, including hosting the 1000 Miles Apart conference every four years, and our Summer Studio Residency. We also host a monthly lecture series in the department wherein topical presentations are given by artists and scholars. The facility is very well equipped, and we have been actively rebuilding kilns and purchasing new equipment to keep everything up to date. Last year, we rebuilt one of our gas car-kilns, and are starting the construction of a new indoor soda kiln right away. In the spring, we will rebuild our wood kiln, which is fired three to four times per term. We have six electric kilns ranging from very small up to twelve cubic feet, and are replacing three of those this winter, including the purchase of a front loading Bailey electric kiln! The kiln room was recently fitted with a new exhaust system with forced fresh air heating. Other facility highlights include a well stocked materials room, and a ventilated clay mixing room with two Soldner mixers, a raw material crusher, and a blunger. New for this spring will be two Lehman slip mixing tanks and a second pugmill. There is a dedicated plaster mold-making room and a well stocked glaze lab as well. All of this is kept running and well stocked by our excellent full time technician, Terry Hildebrand. Along with teaching and keeping on top of all the great extra curricular programming, we have both been very busy with exhibitions and studio production. Grace recently spent time in China and Australia, and is exhibiting in Korea and was invited to the NCECA Biennial in Philadelphia. Steve just returned to teaching after a research leave and exhibited in Phoenix for the NCECA conference in 2009, and will also show at the 2011 conference in Tampa, along with recent showings in Chicago, Massachusetts, and New York. Please feel free to send this letter to any current or former students who you think would be a good candidate for graduate study at U of M. Also, do not hesitate to call or email us with any questions. Thank You, Steve and Grace Professor Stephen Grimmer, Area Head of Ceramics 203 FitzGerald Building University of Manitoba Winnipeg, MB R3T 2N2 (204) 474-9560 [email protected] http://ltc.umanitoba.ca/blogs/grimmer Grace Nickel, Instructor in Ceramics University of Manitoba Winnipeg, MB R3T 2N2 (204)474-8318 [email protected] http://gracenickel.ca/ School of Art Web Page: http://www.umanitoba.ca/schools/art/index.php (Look under Future Students tab for application materials.)

Master Workshop Program

Teapot by Sequoia Miller

ALTERED POTS WITH SEQUIOA MILLER
Saturday/Sunday, April 17 & 18, 2010 | 10:00 am – 4:30 pm
Fee: $190 non-members, $180 LAC members
Join us as we welcome Sequoia Miller to the Lee Arts Center to conduct a fast-paced workshop that will show how he makes many of his signature wheel-thrown and altered pottery forms. Sequoia will make four-footed bowls, altered vases, lids for jars taken off-round, and complex assembled pouring forms like teapots and pitchers. Sequoia will also show approaches to glazing and decorative surfaces that can enhance and redefine forms, as well as discuss ideas for keeping studio work dynamic and lively so that each pot is a continued exploration. A slide lecture will complement the studio demonstrations. Sequoia Miller was raised in Maine and New York City, and is now a studio potter based in Olympia, WA. He holds a BA from Brandeis University in Russian History and Art History. His pottery has been featured in numerous publications including Craft in America, Ceramics Monthly, The Studio Potter, Clay Times and the cover of Clay Times. Sequoia teaches occasionally at a local community college and at craft centers nationally, including Arrowmont School of Craft, Penland School of Craft, and Haystack Mountain School of Crafts. Sequoia’s work is featured frequently in craft stores, galleries and kitchen cabinets around the country. He will be showing his work at the Smithsonian Craft show this April 2010 in Washington, DC.
More information on the artist and his work.

INTRODUCTION TO PRECIOUS METAL CLAYS: BRONZE CLAY WITH ALFREDO RATINOFF
Thursdays, May 13 & 20, 2010; 6:30 – 9:30pm
Fee: $ 95.00 non-members, $ 85.00 LAC members
Precious metal clay by Alfredo Ratinoff
Bronze has been used since ancient times in all different cultures to create everyday objects as well as fine artwork; this wonderful and almost ever lasting material was discovered thousands of years ago and used in almost every culture since early times to present day. Artists and sculptors used bronze because of it’s timeless beauty, but it often required a complicated process to fabricate a finished piece. Recently a new material called ‘Bronze clay’ was introduced to the market; it consists of fine bronze particles held together with an organic binder and after firing in a kiln becomes solid bronze.

Learn about this new material as Alfredo Ratinoff discusses the technical aspects of bronze clay; how to work with it, firing techniques and metal finishing like polishing, burnishing and coloring with acid patinas and paint. Participants will create a small piece with bronze clay; discuss concepts of design and learn a variety of techniques to create visual texture and interest. This is a great class for clay artists, potters, jewelers or anyone interested in exploring a new type of clay that can be used as an alternative media by itself or as an additional element to enhance once fired clay, plaster or any other art medium.

Alfredo Ratinoff was born in Buenos Aries, Argentina. He studied at the National School of Ceramics in Buenos Aires, and then in Madrid, Barcelona and Florence. He specializes in large scale ceramic mural installations and recently has expanded into other art mediums as in printmaking and precious metal clay. His work has been shown both nationally and abroad and he has done numerous commissions for both private and corporate collections. Alfredo is currently an artist-in-residence in the ceramics studio at the Lee Arts Center.
More information on Alfredo Ratinoff.

More info and registration.

Few Spaces Still Open! West Virginia University China Ceramics Program (Scholarships Available!)

Our 2010 Visiting Artist in our China Programs include; Paul Dresang, Tara
Wilson, Steve Hilton, Jason Walker, and Dan Murphy.

Through a unique linkage, the Jingdezhen Ceramic Institute, and West
Virginia University have teamed to offer a comprehensive study opportunity
for the serious advanced or professional ceramic artist/potter. The
Jingdezhen Ceramic Institute is considered to be China’s finest ceramics art
and design school. We have teamed to offer a study and travel program in
the Peoples Republic of China where students will have the opportunity to
study with some of China’s most prominent teachers and ceramic artists.

We have 4 exciting programs in place for 2010. In addition to the world
famous artist from China you will be in contact with we have dynamic
visiting artists from the U.S. that will be working side by side in the
studio this summer and fall.

Summer Semester I – 2010
May 24 – June 30
(Dates may vary slightly)
6 Credits
Cost: 6-Credits/Tuition and fees: $5800
(this cost includes additional fees required by West Virginia University)
This fee covers International airfare, in-country travel, all lodging, food
(an exception being during the Beijing travel portion of the program),
materials, and 6 graduate or undergraduate transferable credits from West
Virginia University.

Summer Semester II – 2010 (For K-12 Educators and University/College
Students on Quarter System)
June 15- July 15
6 Credits (3 Credits Ceramic Studio & 3 Credits Art History)
Cost: 6-Credits/Tuition and fees: $4800
(this cost includes additional fees required by West Virginia University)
This fee covers International airfare, in-country travel, all lodging, food
(an exception being during the Shanghai travel portion of the program),
materials, and 6 graduate or undergraduate transferable credits from West
Virginia University.

Fall Semester 2010
September 7 – December 14
(Dates may vary slightly)
12 Credit Hours: Graduate or Undergraduate
Cost: 12 Credits/Tuition and fees $9,900 (Scholarships Available!!!)
6-Credits Studio Ceramics
3-Credits Chinese Ceramic Art History
3-Credits Basic Language and Culture
Participants will be expected to pay for tools not supplied by the program,
brushes, personal acquisitions, and local travel outside of the program.
Students may also be expected to purchase their own meal accommodations
during the Beijing visit. This fee covers the entire cost of International
airfare, in-country travel, all program fees, insurance, living
accommodations and 12 transferable credits from West Virginia University.

2010 Spring Semester Ceramics Residency Program in China
April-May* (select your own dates!)
Costs: Vary by length of stay, airfare not included
Fee include: Room, board, studio, scheduled field trips and most materials.

If you or anyone you may be interested in any of the 4 programs, more
information and applications are available at:

http://art.ccarts.wvu.edu/international_programs/china_program

If you have any questions feel free to contact us. Hope to see all of you
in Jingdezhen, China!

Robert Anderson
Professor of Art
Director, WVU-JCI International Ceramic Studios
West Virginia University
College of Creative Arts
Division of Art + Design
Creative Arts Center
PO Box 6111
Morgantown, WV 26506
email: [email protected]
tel: 304-692-0777

Shoji Satake
Assistant Professor of Art
West Virginia University

Robert “Boomer” Moore
Assistant Professor of Art
West Virginia University

Jennifer Allen
Lecturer
West Virginia University

Call to Artists: NSCAD University is looking for Sessional Faculty, Nova Scotia

Deadline to apply: February 20

The Nova Scotia College of Art and Design (NSCAD University), founded in Halifax in 1887, is one of North America’s outstanding institutions for the study, practice, and teaching of art, craft and design. One of Canada’s oldest independent cultural institutions, NSCAD University continues to be regarded as a principal center for education and research in visual culture in North America.

NSCAD welcomes applications to fill various temporary faculty positions for the 2010-2011 year. Offerings may be for the Fall and/or Winter semesters of 2010-2011. Our academic year starts at the beginning of September with the Fall 2010 semester and ends with the Winter semester of 2011 at the end of April. Sessional faculty must be on campus at least 7 days prior to the commencement of the Fall term.

Divisions seeking applications include:
Foundation Introduction to Visual Culture (competition #2010-1-FNDN)
Craft Division (Jewellery/Textiles) (competition #2010-2-CRFT)
Division of Critical & Historical Studies (competition #2010-3-AHIS)
Fine Arts Division (Sculpture) (competition #2010-4-FA)
Design Division (competition #2010-5-DSGN)
Media Arts Division (Photography) (competition #2010-6-PHOT)

Qualifications: Studio Based courses require: an MFA/MDes or equivalent combination of experience/qualification, an active studio practice and/or substantial professional practice and post-secondary teaching experience. Liberal Studies courses require: a Ph.D. or appropriate terminal degree, a strong research and publication record and/or creative practice, a sound knowledge of critical theories and methodologies, a sound understanding of studio based art and design education and a preferred minimum of three (3) years of post-secondary teaching experience. Salary will be dependent upon qualifications and in accordance with the Faculty Salary Grid.

All application materials are due in the Office of Academic Affairs by 4:00 PM February 20, 2010 All qualified applicants are encouraged to apply; however, Canadian citizens and permanent residents will be given priority. Hiring will be in accordance with NSCAD University’s policy on non-discrimination.

The application must include the following: curriculum vitae that lists the actual length of time that each course has been taught; a portfolio with 20 examples of your work, in digital formats (JPEG’s and PDFs are preferred), and the names and contact information of three references. The University will seek permission from the applicant before contacting the referees. Other support documentation, such as evidence of teaching effectiveness, course outlines, project briefs, a statement of teaching philosophy, and/or an outline of research interests, is also welcome.

Please direct applications to:
Dr. James Moy Provost and Vice President Office of Academic Affairs and Research
NSCAD University 5163 Duke Street,
Halifax, Nova Scotia, B3J 3J6
Fax: 902 425 4664