by Carole Epp | Jan 15, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
      The Saskatchewan Craft Council, the Manitoba Crafts Council and the Alberta Craft Council are joining together to organize a major touring exhibition of craft from Canada’s three Prairie Provinces.       12 Craft Artists from each Province will have work selected for the exhibition. Prairie Excellence will tour across the Prairies and Canada and into the United States for a three year period. Exhibition fees will be paid, and work is underway to secure corporate sponsorship for major prizes.       The entry deadline is noon, May 31, 2010.       The attached brochure provides detailed information on this exciting opportunity.
				
					
			
					
				
															
					
					 by Carole Epp | Jan 10, 2010 | Uncategorized
Exhibition Runs January 14th – April 11,  2010.Curators Talk January 14th 7pm at the  Museum of Vancouver.                                  From the Craft Council of BC website:”Minds and hands work together to bring beauty to everyday objects. The Art of Craft explores the use of traditional craft techniques to explore complex contemporary issues of identity and culture, meaning and metaphor. But the pieces still call to mind the ancient, bodily pleasures of craft making – plunging hands into clay, burnishing metal until smooth, exhaling breath into hot glass – process as art.                                  The Art of Craft is an exploration of the breathe and depth of Canadian contemporary craft – exploring the supposition that there is “no such thing as a particularly “Canadian” type of craft, there is no such thing as a single, unifying field of “Craft.” Nostalgic ideas about comfort and safety do not exist in the lived reality of Canadian craft. But this is not a negative. Rather, this is a powerful reminder of the fluidity and openness of craft materials and techniques.”(Alfoldy). Canadian craft and process is given an international context by the parallel exploration of the use of ancient Korean craft techniques in contemporary Korean art.                                  Canada is this year’s official guest country at the Cheongju International Craft Biennale. Over one thousand artists from more than forty countries participate in the Biennale. The Canada Pavilion is a large scale exhibition of our country’s finest hand-made work enabling a deepening of the relationship between the two countries – allowing the Art of Craft to further explore the somewhat stark, sometimes unformed contrasts between two countries and how their two different cultures have impacted the development of contemporary fine craft.                                   The first exhibition  room houses Unity and Diversity  art works demonstrating that Canada is home to a dynamic, inspired craft community, one that is defined through its rich layers of difference. As a result of these distinctions a unified voice begins to emerge, one that is fiercely proud of the high level of sophistication achieved by its crafts, and eager to pursue new directions for the field. Canadian craftspeople are globally recognized for their unique contributions to craft.                                                                                                        The second aspect of Art of Craft explores the artistic process. By  Hand: BC.Yukon reminds us that sophisticated pieces of fine craft are born in the hands and studios. A short video focusing on artisan’s hands during the process of creating craft objects will provide the contextual backdrop for By  Hand. Highlighting the studio, materials, tools, process (from concept sketches and inspiration through to finished piece) – allows the viewer to engage in the various stages represented through various vignettes.                   The third exhibition  consists of 47 works selected from the 2009 Cheongju International Craft  Biennale Exhibition, Korean Craft Museum, Cheongju, South  Korea                                   Korea stands at the epicentre of international craft production with its long-standing traditions and sophisticated contemporary craft artists. Since 1999, the Republic of Korea has supported craft by staging the International Craft Biennale, which brings together craft artists and their patrons from around the world.”Check it out in person if you can, or find more details here.
CRAFT    COUNCIL OF BRITISH COLUMBIA                    1386    Cartwright Street, Granville Island,
       Vancouver, BC, Canada V6H 3R8
       tel: (604) 687-6511
       toll-free: 1-888-687-6511
       fax: (604) 687-6711
       email: [email protected]
				
					
			
					
				
															
					
					 by Carole Epp | Jan 7, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Deadline: March 1 
                Now in its 49th year, the Toronto Outdoor Art Exhibition [TOAE]                  is a juried showcase featuring contemporary fine art and craft                  that takes place on Nathan Phillips Square every July. As the                  largest outdoor art exhibition in Canada, the TOAE offers a fresh-air                  alternative to conventional art shows and galleries. Approximately                  500 artists participate and over 100,000 visitors attend the exhibition                  every year. Side by side, established artists, undiscovered talents                  and innovative students sell their work directly to the public                  and make lasting connections with art dealers and collectors.                  In 2009, the TOAE presented over $35,000 in cash awards and prizes                  to participating artists.
                We welcome applications from artists working in a wide range of                  traditional and experimental art forms. Applications can be downloaded                  from the TOAE website at www.torontooutdoorart.org                  or call 416.408.2754 for more information. 
				
					
			
					
				
															
					
					 by Carole Epp | Dec 18, 2009 | Uncategorized

7th Conference of the International Committee
   for Design History and Design Studies
ICDHS 2010     20-22 September 2010
   Brussels, Belgium
Deadline abstracts – 31 December 2009
 The conferences of the International Committee of Design  History and Design Studies (ICDHS) aim to assess the current  state of affairs of design history and design studies.    The seventh ICDHS conference, “Design and Craft: A History      of Convergences and Divergences”, will bring the relation      between design and craft to the fore. This theme offers an      excellent opportunity to gather new design historical and      theoretical research from over the world in a focused      discussion on regional specificities as well as the impact of      global processes of industrialisation. If, until now, design      history has been largely dominated by the Western narratives      of industrialization, then moving the focus towards non-      industrial design practice might bring non-Western scholars      to the forefront. Moreover, previously marginalized design      histories in industrialized countries can finally get a voice.    The Brussels’ ICDHS conference will contain strands where      the emphasis is laid on the presentations (of about 20      minutes each) and workshops with an emphasis on debate      and discussion.    ABSTRACTS AND PAPERS
   Papers are expected to make an original contribution to the      field of design history and design studies. People who are      interested in presenting a paper should send an abstract for      refereeing. Paper proposals will be selected by the ICDHS      members and the scientific committee to cover different      areas, methods, approaches and positions.    
   Abstracts should be maximum 300 words.
  Each entry should incorporate the following information:    Author’s(s’) full name(s), (+gender (M/F), in brackets), Title      – Position – Institution – Address for correspondence –      Telephone – Fax – E-mail – Theme of the paper (see      conference strands and workshops), indicating a first and      second choice – Title of the paper – Abstract of the paper.    Abstract and later paper submissions should be sent by e-      mail as a Microsoft Word or RTF document, double-spaced on      A4. Preferred typeface is 12pt Times new Roman.      The official language of the conference is English.      Please send abstract and paper submissions to the following      address: [email protected]
      STRANDS                            1. The Impact of International Organisations
2. Craft and Tourism
3. Towards an Aesthetic of Objects
4. The Design Critic, a Lost Profession?
5. Revival of Traditional Techniques
   6. Craft, Design and Postmodernity
   7. Fashion and Craft
8. Ruptures and Continuities: The Historiographic      Understanding of Craft and Design
9. Craft and Technological Innovation
   WORKSHOPS        1. “Design Centres” and Design Exhibitions
2. Craft and Gender
For further details on the themes go here.