GUEST ARTIST in RESIDENCE: Northcote Pottery Supplies


An ideal opportunity for an emerging or
established ceramic artist to apply for a 3-month residency providing a
private studio space, rent-free, at their Brunswick location.
Applications due 7 December, 2016.

Aims of the Guest Artist in Residence Program

To support and encourage an emerging or established artist in their ceramics practice

To strengthen and add diversity to our Resident Artists Program

To offer a unique workshop and Meet The Artist opportunities to our students and local community

Northcote Pottery Supplies will offer the Guest Artist in Residence

The opportunity to work in an active ceramics centre, alongside other practicing artists

3 months private studio space (3.5m x 3.4m) at Northcote Pottery Supplies, rent free

Studio space, equipped with wheel, work desk and shelving

24 hour studio access

10% retail discount on selected materials sold at Northcote Pottery Supplies

Responsibilities of Guest Artist in Residence

A commitment to work regularly in the studio

To develop and run a one-day workshop in consultation with NPS staff (time volunteered)

Be available for a Meet the Artist Day, where the public can view the Guest Artist in Residence at work (time volunteered)

Present a floor talk about their work and practice (time volunteered)

If the residency period falls on Open Day (late August) to open their studio to the public, alongside other resident artists

Donate a piece of artwork to the Northcote Pottery Supplies Collection at the conclusion of the residency period

Selection Criteria

* Clarity and planning of proposed project and outcomes

* Committment to work regularly in the studio

* Clear outline of proposed workshop, including materials and equipment required

* Quality images of artwork

* Overall professionalism of application

* Ability to work positively within a group environment

Important Information

Applicants will be notified of the outcome by January 2017, with shortlisted applicants invited for interview

Our Guest Artist in Residence program is for studio space only, we are unable to provide accommodation

We are not taking applications from full-time students

2017 Guest Artist in Residence Application Form

For more information email [email protected]

CALL FOR PAPERS: Canadian Craft Biennial Conference Can Craft? Craft Can!

September 15 and 16, 2017
Burlington and Toronto

The
Art Gallery of Burlington in collaboration with Craft Ontario is
organizing the first Canadian Craft Biennial Conference to be held
September 15 and 16, 2017 in Burlington and Toronto, Ontario.

There
are eleven sessions covering a variety of themes and approaches. To
submit a proposal to a session, please send an abstract (250 words) with
your contact information, a short biography (100 words) to the convener
of the session you would like to join by 30 November 2016. The full description for each session can be found at canadiancraftbiennial.ca

Regular
sessions will include four (4) presentations of twenty (20) minutes
each followed by a question period. Number of Pecha Kucha presentations
in session five is at the discretion of the conveners. All sessions are 1
hour 45 minutes in length.

1. Indigenous Craft Today: Tradition, Innovation, Action
Convener: Elizabeth Kalbfleisch, Independent Scholar
Email: [email protected]

2. Craft and Wilderness: Combatting Territorial Amnesia
Convener: Amanda Shore
Email: [email protected]

3. Somewhere Between Folklore, Modernity and Utopia: Expo’67 and the development of Fine Crafts and Métiers d’art in Canada
Convener: Bruno Andrus
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

4. Decolonizing Craft: contemporary craft, race, and decolonial practice in Canada
Conveners: Anthea Black, OCAD University & Nicole Burisch, Independent critic/curator
Email: [email protected] & [email protected]

5. The Openness of Craft: Complexity in Current Practices
Convener: Ruth Chambers, University of Regina
Email: [email protected]

6. Identity, Craft / Métiers d’art and Marketing
Convener: Susan Surette, PhD, NSCAD University and Concordia University
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

7. Round-Table Session Title: Making Sense: Exploring Creative Methodologies
Convener: Julie Hollenbach PhD Candidate, Department of Art (Art History), Queen’s University.
Email: [email protected]

8. Craft and Public Art
Conveners:
Kathy Kranias, PhD Student, Humanities Department, York University, and
Lera Kotsyuba, Research Assistant Intern, Ontario Heritage Trust
Email: [email protected] & [email protected]

9. Making Education: The Changing Nature of Teaching Craft
Convener: Dorie Millerson, Assistant Professor, Chair, Material Art & Design, OCAD University
Email: [email protected]

10. Craft’s Collaborations
Convener: Mireille Perron, Alberta College of Art + Design
Email: [email protected]

11. The digital ties that bind: Practice-lead research in craft
Convener: Stephen Bottomley, Senior lecturer, Edinburgh College of Art/ University of Edinburgh
Email: [email protected]

The full description for each session can be found at canadiancraftbiennial.ca

Mothers in Arts Residency

MA Residency

Mothers in Arts Residency (MA Residency) will be a studio space
combined with a communal nursery. The Residency is specialized in
supporting emerging women artists, who are also mothers. Mothers in Arts
is free of charge; the artists agree on take turns to work and look
after each others children around an organized work schedule.

MA Residency provides studio space for 3 artists and a communal
nursery for their children. Accommodation is not provided. The residency
invites emerging woman artists to apply whose children are between 3
months an 24 months old. The Residency gives new mothers an opportunity
to continue their artistic development.

The trial Residency takes place in Amsterdam, the Netherlands between
March 2017 and May 2017, and will be finished with an exhibition in
June 2017.

Background

Mothers in Arts is a small initiative founded by Csilla Klenyanszki, who lives and works in Amsterdam, the Netherlands.

The idea of this project comes from my own experiences, which are
based on the first year of motherhood, the social and the daycare
situation in the Netherlands & my particular situation as an
emigrant artist, without a family network.

The inspiration for this project comes from a “self-directed,
open-source artist in residency”, called ARIM. An Artist in Residency in
Motherhood (http://www.artistresidencyinmotherhood.com/)
was founded by Lenka Clyton and wants to “empower and inspire artists
who are also mothers”. I am currently doing a project, called “Pillars of home” during ARIM.

The Residency begins as a small project, because it is supported from
the Stipendium Program for Emerging Artist (Werkbijdrage Jong Talent),
awarded by the Mondriaan Foundation, based in the Netherlands. This is
also the reason, that the Residency will be a trial residency first as
the financial resources are limited.

The studio invites emerging women artists to work in the studio when
their child is between 3 months to 2 years old. The Residency is
designed around the childcare policies of the Netherlands: 3 months is
the given maternity leave and 2 years is the minimum age, when children
are provided with 2 days a week subsidized daycare. This “in between”
period is crucial for an artist-parent: through the strict schedule and
the constant attention which a baby requires, critical practice becomes
limited.

The trial residency takes place between March – May 2017 and will be
finished with an exhibition in June 2017. The trial residency is really
important to obtain further funding, which would make possible
extending the Residency and making it permanent.

The project exists with the hope that it can help artists to combine
their artistic practice with early parenthood. Through the project I
wish to put forward a discussion about a problem that affects many
emerging artist women when they become parents. Even though, many
artists have children, parenthood remains stigmatized in the art world.
Therefore, besides the physical and mental challenges of childbearing –
which are consuming enough – an added feeling of isolation can be felt
by many mothers.

This situation isn’t exclusive for artists of course, it is a common
dilemma for most working mothers. After becoming a parent maintaining a
professional life becomes difficult.

The project is geared to mother artists and by drawing attention to
this hidden segment of the art world I want to stimulate mothers in
general. By showing and promoting their existence, I hope that the
professional and also the general public realizes and confirms their
importance as a matter of public health.

For more info: www.mothersinarts.com

call for entries: Hard + Soft

about the exhibition

The Greater Denton Arts Council proudly
presents the 30th annual Materials: Hard + Soft International
Contemporary Craft Competition and Exhibition. Recognized as one of the
premier craft exhibitions in the country, Materials: Hard + Soft began
in 1987 and was originally initiated by area artist Georgia Leach Gough.
The exhibition celebrates the evolving field of contemporary craft and
the remarkable creativity and innovation of artists who push the
boundaries of their chosen media. In this anniversary year, we are
thrilled to be partnering with the National Endowment for the Arts to
expand this national exhibition to now include international artists.
Approximately 70 works will be selected by an esteemed juror for
exhibition at the Patterson-Appleton Arts Center in Denton, Texas.

Full details here: http://dentonarts.com/materialshardandsoft

Cultivating Craft: Pathways to Practice

The CCF/FCMA’s 11th Annual National
Craft Conference, “Cultivating Craft: Pathways to Practice”, is taking
place October 13th to the 16th at the Alberta College of Art + Design in
Calgary, Alberta.

In partnership with our co-hosts, the Alberta Craft Council and the Alberta College of Art + Design, the conference will foster
professional development across Canada and beyond, bringing together
key players in the craft field, encouraging attendees to expand their
professional networks at a national level.

In the coming weeks, we will release
more information on speakers, events, and registration. There are many
exciting announcements to come! If you would like to receive more
information regarding this conference, please email us at [email protected].

http://canadiancraftsfederation.ca/conference/