by Carole Epp | Nov 9, 2018 | residency opportunity
Deadline November 28, 2018
The Department of Art at the University of Nevada, Las Vegas (UNLV) invites applications for a Transformation Fellow for a term from February 19 to April 6, 2019.
During the course of their term here, the Transformation Fellow will support diversity, equity, and inclusion as a critic and mentor within the Bachelor of Arts (BA) Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) programs and engage with communities at UNLV and in Las Vegas at large.
While there are no formal teaching requirements for the Transformation Fellow, this is a “working” residency program. In addition to the primary objective of furthering one’s creative or critical practice during their time in Las Vegas, Fellows will be asked to fulfill at least 6 hours/week in service work with, and on behalf of, the Department of Art. In addition to conducting studio visits with students, attending Spring semester Graphic Design and Media programming, BFA and MFA Thesis and Midway exhibitions, and participating in discussions and group critiques of student work, the Fellow’s plan should include a community engagement component. This may involve the following types of activities which relate to the Transformation Fellow’s own creative practice, skills, and interests:
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hosting a short series of salons or pop-up exhibitions to address key topics of relevance to artists, designers, and the Las Vegas community;
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presenting a public lecture;
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activating a collaboration between Department of Art students and the local community or a local non-profit organization.
The fellow will have 24-hour access to a studio space. An 8,000 USD honorarium, and a 2,000 USD housing/travel stipend will be provided. The Department of Art will serve as a resource and help facilitate introductions to students and the local community. There will be a separate budget for engagements.
The Transformation Fellow will be an artist, scholar, designer, educator, curator, or community arts leader who has at least one solo exhibition, publication, or significant public or collaborative project of note. This position is open to those who have a terminal degree or comparable experience and those who have followed traditional and nontraditional paths.
UNLV is an Equal Opportunity/Affirmative Action educator and employer committed to achieving excellence through diversity. All applicants will receive consideration for employment without regard to, among other things, race, color, religion, sex, age, creed, national origin, veteran status, physical or mental ability, sexual orientation, genetic information, gender identity, gender expression, or any other factor protected by anti-discrimination laws. UNLV employs only United States citizens and non-citizens lawfully authorized to work in the United States. Women, under-represented groups, individuals with disabilities, and veterans are encouraged to apply.
Founded in 1957, UNLV is a public degree-granting institution of approximately 30,000 students and 3,000 faculty and staff. UNLV is located on a 332-acre campus near the Las Vegas Strip. It is ranked #1 for diversity by US News & World Report, and designated by the federal government as a Hispanic Serving Institution. About 70% of the students are students of color. Many are the first in their families to attend College. UNLV offers one of the most affordable University educations in the US.
The Department of Art is reviewing and revising its curriculum and programming to create a model for professional development in all areas of the arts, design, and art history, to teach the diversity of culture and identity in the US and its democratic values, and to prepare graduates for success in competitive and evolving communities through access to cutting-edge fabrication equipment, new critical and creative contexts, and opportunities for exhibition, discussion, and critique linked with various progressive and interdisciplinary partners in Las Vegas and beyond.
To apply:
Please submit by November 28, 2018, as a single PDF to [email protected] with “Transformation Fellow” in the subject line:
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a cover letter;
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a project proposal for your time at UNLV that defines transformation and addresses how you will involve students, faculty, staff, and diverse members of various communities in your undertaking;
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A bio and CV with contact information for 2 references;
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A portfolio, as applicable, with 5-10 pages of work. Please embed images within pdf and link to vimeo for video. We will review up to 10 minutes of video submissions.
Email questions to Wendy Kveck at [email protected].
Successful applicants will be notified December 10, 2018.
by Carole Epp | Nov 7, 2018 | Uncategorized, workshops
Full details are found on their site, but basically it’s going to be a three-day long conference with demos by Naomi Clement, Jason Burnett and Carole Epp, alongside panel discussions, artists talks, exhibitions and social events!
Follow them on Facebook, Instagram and at their website for more details and updates leading up to the event.
Also there is a call for you to get involved with a conference studio tour and exhibitions:
Conference Tour
“One of the goals to the New Clay Conference is to strengthen our clay community and highlight all of the great clay going on already.
We are inviting local studios, galleries and artists to get involved by adding yourselves to our tour. Leading up to and during the weekend we are encouraging our participants to tour all of the great clay in Ottawa. We are partnering with a variety of galleries and studios that are going to host exhibitions in cooperation with the New Clay Conference. If you have a studio or gallery in Ottawa and surrounding area and there are ceramic artists involved we want to hear from you. You do not need to host a special exhibition, if you already have something in your gallery let us know and we can share that here. No gallery space but you have a studio that is open to the public? Let us know that too. We really want to create the ultimate list of studios and galleries in Ottawa that are opening their doors to visitors during the New Clay Conference. Saturday and Sunday we are going to keep our participants pretty busy so we hope that your study/galleries are open leading up to the weekend as well.”
Please email us:
Studio/Gallery name
Address
Hours
What is going on that weekend: Do you already have scheduled exhibition we can promote? Would you like to do something special for The New Clay Conference? Perhaps this would be a great opportunity to do that ceramics show you have been thinking about for years.
Don’t have a studio or gallery but have a great idea for a themed or group exhibition? Please get in touch with us, we would love to help you find a venue to make your exhibition happen.
Don’t have an idea for an exhibition but have a space you would like to offer up for the weekend? Please contact us and we will match you up with some great art! Does not need to be a conventional gallery space, coffee shops, restaurants, retail stores and more can make the perfect exhibition space.
Full details about participating here.
by Carole Epp | Oct 26, 2018 | residency opportunity
Link to View Current and Past Projects Here
Applications are accepted on-line only – Apply Now
Application Process
Open to emerging and established visual artists in ceramic or overlapping interdisciplinary practices. Applications are accepted on-line only. Please Contact Us if you need assistance or experience any difficulties.
Please note: Staff are only available limited hours during weekdays. Winter Hours: Monday-Friday 9am-1pm.
Dates/Deadlines
Please note that dates are tentative and may change slightly
- Deadline to Apply for 2019: November 4th, 2018
- Successful applicants will be notified November 16th, 2018
- Residency: January 4th – April 5th (dates are flexible) 2019
- Solo exhibition: resident will have a show during the last week of their stay.
Apply here (Applications are accepted online only)
Download the CeramAiR_GUIDELINES_March2017
NOTE TO ALL INTERNATIONAL APPLICANTS: Please ensure that you apply far enough in advance and that you are able to travel, have visas and passports in order and are able to accept a residency for the dates specified prior to making application.
Full details here: www.caetani.org/ceramair-ceramics-residency/
by Carole Epp | Oct 22, 2018 | job posting
The Heritage Crafts Association is at an exciting time in its growth, and is now seeking an Executive Director to oversee its day-to-day operations. The postholder will be tasked with championing and promoting heritage crafts knowledge, skills and practices as a vital part of the UK’s cultural heritage, supporting the existing and future craftspeople with whom these skills reside, and fostering a favourable political, legislative and funding environment to ensure these skills are safeguarded.
Deadline: 12 noon, Tuesday 20 November 2018
Interviews will be held in London on Tuesday 27 November 2018
For more information and to apply, please download the application pack here
heritagecrafts.org.uk
by Carole Epp | Oct 2, 2018 | technical tuesday
Some of you might remember fondly laughing in the audience as Jerry Saltz (@jerrysaltz) delivered his memorable Keynote speak at NCECA a few years ago. I see him as quite the quotable man at different points in my life and was taken by the following article by Austin Kleon (@austinkleon) (author of Steal Like An Artist) on the subject of envy for creatives which references a interview with Jerry as well. It’s a different type of “technical tuesday” on the blog I guess, one that asks us to be introspective, but one we can all likely still learn from and think about in the studio today. I like to at least think i’m not the only one that feels creative jealousy and envy. If you can get through the day without feeling envious, well then I’m envious of you for that as well : )
Here’s to turning that envy into creativity.
“Nietzsche thought of envy as a confused but important signal from our deeper selves about what we really want. Everything that makes us envious is a fragment of our true potential, which we disown at our peril. We should learn to study our envy forensically, keeping a diary of envious moments, and then sift through episodes to discern the shape of a future, better self…. The envy we don’t own up to will otherwise end up emitting what Nietzsche called ‘sulfurous odours.’ Bitterness is envy that doesn’t understand itself.” (source)
Here’s the link to the full article by Austin Kleon: austinkleon.com/2018/09/27/an-enemy-of-envy/