register now for CCACA 2017

Featuring

Eva Kwong || Lisa Clague || Bar Shacterman
Kenjiro Kitade || John Balistreri || Dirk Staschke
CCACA 2017 brings the ultimate ceramic sculpture event to Davis, CA. In
an intimate setting, you can interact with top artists in a way not
possible at other venues. UC Davis, home to the late sculptor Robert
Arneson, was instrumental in defining a new direction for ceramic art.
Enjoy delightful downtown Davis and be inspired by nationally recognized
ceramic art talents.
Demonstrations, lectures, shows—no other event delivers more inspired
knowledge of ceramic sculpture for a better price. Meet face-to-face
with distinguished ceramic sculptors you might only read about; see and
hear from the artists what makes them top in their field.

Local gallery exhibitions and over 40 college shows bring the best work of the year within easy reach.

  • John Natsoulas Gallery’s annual 30 Ceramic Sculptors
  • The Artery’s California Clay Competition
  • The Davis Arts Center
  • The Pence Gallery
  • and more!

These shows run concurrent with CCACA 2017. See all this and over 40
amazing student shows within a short walk. This is a chance to surround
yourself with the top ceramic art of today and the ideas of the artists
of tomorrow.

Full details here: http://natsoulas.com/ccaca-2017

CALL FOR PAPERS: Canadian Craft Biennial Conference Can Craft? Craft Can!

September 15 and 16, 2017
Burlington and Toronto

The
Art Gallery of Burlington in collaboration with Craft Ontario is
organizing the first Canadian Craft Biennial Conference to be held
September 15 and 16, 2017 in Burlington and Toronto, Ontario.

There
are eleven sessions covering a variety of themes and approaches. To
submit a proposal to a session, please send an abstract (250 words) with
your contact information, a short biography (100 words) to the convener
of the session you would like to join by 30 November 2016. The full description for each session can be found at canadiancraftbiennial.ca

Regular
sessions will include four (4) presentations of twenty (20) minutes
each followed by a question period. Number of Pecha Kucha presentations
in session five is at the discretion of the conveners. All sessions are 1
hour 45 minutes in length.

1. Indigenous Craft Today: Tradition, Innovation, Action
Convener: Elizabeth Kalbfleisch, Independent Scholar
Email: [email protected]

2. Craft and Wilderness: Combatting Territorial Amnesia
Convener: Amanda Shore
Email: [email protected]

3. Somewhere Between Folklore, Modernity and Utopia: Expo’67 and the development of Fine Crafts and Métiers d’art in Canada
Convener: Bruno Andrus
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

4. Decolonizing Craft: contemporary craft, race, and decolonial practice in Canada
Conveners: Anthea Black, OCAD University & Nicole Burisch, Independent critic/curator
Email: [email protected] & [email protected]

5. The Openness of Craft: Complexity in Current Practices
Convener: Ruth Chambers, University of Regina
Email: [email protected]

6. Identity, Craft / Métiers d’art and Marketing
Convener: Susan Surette, PhD, NSCAD University and Concordia University
Email: [email protected]

Note: Bilingual Session; Propositions in French and English are welcome.

7. Round-Table Session Title: Making Sense: Exploring Creative Methodologies
Convener: Julie Hollenbach PhD Candidate, Department of Art (Art History), Queen’s University.
Email: [email protected]

8. Craft and Public Art
Conveners:
Kathy Kranias, PhD Student, Humanities Department, York University, and
Lera Kotsyuba, Research Assistant Intern, Ontario Heritage Trust
Email: [email protected] & [email protected]

9. Making Education: The Changing Nature of Teaching Craft
Convener: Dorie Millerson, Assistant Professor, Chair, Material Art & Design, OCAD University
Email: [email protected]

10. Craft’s Collaborations
Convener: Mireille Perron, Alberta College of Art + Design
Email: [email protected]

11. The digital ties that bind: Practice-lead research in craft
Convener: Stephen Bottomley, Senior lecturer, Edinburgh College of Art/ University of Edinburgh
Email: [email protected]

The full description for each session can be found at canadiancraftbiennial.ca

call for proposals – Open Engagement Conference

Open Engagement (OE) is an annual, three-day, artist-led conference
dedicated to expanding the dialogue around and creating a site of care
for the field of socially engaged art. The conference highlights the
work of transdisciplinary artists, activists, students, scholars,
community members, and organizations working within the complex social
issues and struggles of our time.

Since 2007, OE has presented seven conferences in two countries and
four cities, hosting over 1,300 presenters and over 5,000 attendees.
Annual programming is selected by committees comprised of artists,
educators, professionals, and community members from a free, open call
for proposals.

Curatorial Statement

“The only standard for judging socially engaged art should be how much justice it creates in the world.”  –– Rick Lowe

Justice is the theme of the 2017 Open
Engagement Conference. The weight of historical injustice interrupts
daily life nationally and internationally. There is no better time than
now, and no better city than Chicago, for examining pathways to create
justice and exploring the manifold artistic strategies that demand and
enact fairness, and equality. Chicago is a city that is under the
spotlight and in the news for horrific gun violence, devastating public
school closures, and police brutality that is carried out with impunity.
These are conditions, of course, that have been a part of black and
working class peoples’ lives in our city and across this nation for a
long time, but only most recently with the rapt attention of the media.

As the co-curators for OE 2017, we
are committed to an exhilarating and expansive exploration of this
year’s theme. We are equally committed to OE’s mission of creating a
site of critical care and
critical inquiry for the vast, complex and diverse field of individuals
and organizations working at the intersections of art and activism.

There is a fierce urgency of now
for artists and cultural workers who audaciously believe in the immense
capacity of art to help shift our sense of what is possible, to unleash
our radical imaginations, to model and experiment with new ways of
being in the world, to enact social change.

We believe socially engaged art and artists challenge us and one
another to ask trenchant questions, to reflect, to seek creative
solutions, to hold nations and institutions and each other accountable.
Some of the questions we encourage participants to grapple with,
formally and informally, during the conference include the following:

  • What does it mean to work in
    solidarity with communities that are marginalized and the most
    challenged by racial, economic, and gender injustice around issues that
    impact them?
  • As artists, curators, and cultural
    producers, how are we implicated in the particular conditions we are
    working in, all the while engaged in challenging and changing these
    conditions?
  • The radical power of social practice
    has come in many respects from its inclusivity. But this promise has
    not yet been experienced in the lived realities of most people who make
    up the field. How do we push for more fair and equitable distribution of
    resources?
  • Is it possible to advance solutions
    and encourage actions in a social movement for justice while preserving
    one’s individual artistic practice?
  • What is the unique contribution that
    art and artists can make to the efforts to create a more just society?
    In what ways do we want to continue to insist on the differences between
    artistic practices committed to social justice and the organizing that
    is taking place in grassroots communities?

In solidarity with the organizers of
Open Engagement, we will relentlessly push to ensure that the diversity
of people who make up the ecology of social practice can be present at
this year’s OE. Arundhati Roy has provocatively suggested the following:
“There’s really no such thing as the ‘voiceless’. There are only the
deliberately silenced, or the preferably unheard.” We want to hear from
the widest possible range of stakeholders.

No justice, no peace,
Romi Crawford & Lisa Lee

Find out more on the website: http://openengagement.info/

Woodfire Conference at Waubonsee Community College

October 6-8, 2016
Waubonsee’s Sugar Grove Campus 

Waubonsee Community College will host the next International Wood
Fire Conference October 6  – 8, 2016 in Sugar Grove, Illinois. The focus
of this conference is to continue the ongoing dialogue about the wood
fire process that began at the conferences in Iowa and Northern Arizona
as it relates to the ceramic arts.  The registration fee for the
three-day conference is $175.00 per person and is limited to 400
participants.  Registration includes a welcome packet, conference
programming materials, continental breakfast, lunch (Friday and
Saturday), and hors d’oeuvres at the Welcome Reception Thursday and
Exhibition Opening Reception Friday.  Please be advised that per the
Board of Trustees, Waubonsee Community College is an alcohol free
campus, and all participants are required to abide by this policy.
 Failure to follow this guideline will result in dismissal from the
event without a refund.

No Refunds will be issued for registration after August 1, 2016

A more detailed conference schedule is available here.

Learn more about transportation and accommodation options.

More info here.

Cultivating Craft: Pathways to Practice

The CCF/FCMA’s 11th Annual National
Craft Conference, “Cultivating Craft: Pathways to Practice”, is taking
place October 13th to the 16th at the Alberta College of Art + Design in
Calgary, Alberta.

In partnership with our co-hosts, the Alberta Craft Council and the Alberta College of Art + Design, the conference will foster
professional development across Canada and beyond, bringing together
key players in the craft field, encouraging attendees to expand their
professional networks at a national level.

In the coming weeks, we will release
more information on speakers, events, and registration. There are many
exciting announcements to come! If you would like to receive more
information regarding this conference, please email us at [email protected].

http://canadiancraftsfederation.ca/conference/