Figurative ceramics – call for entries

Deadline Jan 15 2011
A&C Black and artist Edith Garcia will be publishing Ceramics and the Human Figure. This publication will feature works by key ceramic artists that work within the realm of the human form, whilst each of their works offers a unique sensibility and approach within there practice this publication will be exploring clay and the figure within the field of installation and sculpture as well as those incorporating new technologies, creating works that strike a deep resonance with viewers.

This book will provide an in-depth look at global culture of clay, appealling to professional artists, emerging artists, students and teachers, opening out the world of new ceramics to a wider audience. It will be published in 2011-2012 with European and North American Distribution

For more information please download the flyer from the link below. You can find the full application details here

Download documents

  • Call for applications

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Contact details

Edith GarciaEmail:
[email protected]

Job Posting – Baltimore Clayworks

Executive Director
Baltimore Clayworks
(Baltimore MD)
Baltimore Clayworks is seeking a visionary, entrepreneurial individual to serve as the next executive director for our lively, vital and respected ceramic art center. The right candidate will be knowledgeable about the field of ceramics both nationally and internationally, and will possess a genuine understanding of the technical and artistic concerns of studio practice in clay. He/ she will also enjoy being a part of a growing, dynamic and energetic cultural scene in the city of Baltimore.
Our executive director will have the demonstrated ability to lead, motivate and communicate as well as have excellent and persuasive writing ability. He/she will possess an eagerness to communicate the organization’s priorities with multiple communities and be passionate about Clayworks’ mission and about community-based education. The executive director has the mandate for managing the artistic, educational and operational functions of the entire organization, and reports to the Board of Trustees.
We are looking for someone with demonstrated management ability,preferably in the non-profit sector, administrative skills, and a positive, outgoing personality. He/she will be able to manage nine full-time and four part-time paid staff, resident and visiting artists, a contractual teaching pool and will work in partnership with the founding director in the areas of major gift fundraising and strategic planning.
Qualifications: Baltimore Clayworks requires an executive director with a minimum of a bachelor’s degree (master’s preferred) and substantial experience in ceramic arts program and non-profit leadership roles. Candidates should have a solid background in artistic issues, confident public speaking abilities, excellent writing skills, good computer skills and creative approaches to fundraising and programmatic strategies. He/she should understand the challenges and opportunities of an urban environment and its impact on individuals, families, and institutions.
Compensation: Salary is competitive and commensurate with experience, in the range of $50,000 – $75,000. Health care benefits and paid vacation are provided as is access to a ceramic studio environment with kilns, etc. Professional development, conferences, and other opportunities are possible.
Organization Background: Baltimore Clayworks was founded in 1980 by a collective of nine ceramic artists. Today Baltimore Clayworks is viewed as one of the nation’s premiere ceramic art centers with an outstanding national and an international reputation for its state of the art facilities and professional support for ceramic artists. It has been recognized by numerous sources for its leadership in community arts programming in the mid-Atlantic region. Its primary campus is in the Mt. Washington neighborhood of northwest Baltimore; its community programs take place primarily in its two west side satellite locations. Clayworks’ mission, to develop, promote and sustain an artist-centered community, which provides exceptional artistic, educational and collaborative programs in the ceramic arts, is realized through the four program areas: Artists’ residencies, classes, exhibitions and community arts. Clayworks’ main campus is comprised of 17,000 square feet in two renovated historic buildings. It has a projected $1.2M operating budget for 2010.
To apply, please email resume, cover letter, three references with contact information, and two writing samples to: [email protected]. Baltimore Clayworks is an equal opportunity employer. No phone calls please.
Website: http://www.baltimoreclayworks.org

Call for Entry – Two by Two: Small-Scale Ceramic Sculpture Biennial

The Two by Two: Small-Scale Ceramic Sculpture Biennial is open to all artists eighteen years of age and older. Artworks must be original, completed within the last three years, and not have been previously exhibited at Eastern Washington University. Entry fee. Media: Small-scale ceramic sculptures. The height, width and depth of a work may not exceed two feet in any direction, and the weight may not exceed 100 pounds. All work must be received ready to install. Wall hung sculpture must have proper hanging devices attached. If you have any questions regarding your entry, contact the gallery. Juror
: Rain Harris received a Bachelor of Fine Arts in Ceramics from Rhode Island School of Design and a Master of Fine Arts from Ohio State University. Harris has exhibited in numerous national and international exhibitions including eleven solo exhibitions. For more details on the call, information on entry and entry form, see prospectus: prospectus Deadline: December 10th, 2010 http://www.ewu.edu/CALE/Programs/Art/Gallery/Prospectus.xml

Portage Ceramic Awards


8 October 2010 – 5 December 2010

Multi-award winning ceramicist, teacher, writer, reviewer and ex-director of the JamFactory, Stephen Bowers is thrilled to be judging the Portage Ceramic Awards this year, he brings an experienced and practiced eye to the role.

As in previous years, the selection of finalist works was a two-stage process. Stephen has made his final selection from submitted works. The following works have been selected for the exhibition and awards. Brendan Adams, The Higgs Ocean
Greg Barron, Fertility Vessel
Renee Boyd, Life and Time 1
Carol Brent, Light Switch Series
Annette Bull, 2 milk and 1 cream
Georgina Caulton, Meet the Family
Peter Collis, 23 Ovoids
Julie & Peter Collis, Headrest
Ann Crane, Fragile, handle with Care #1, Fragile, handle with Care #2
Anna Crichton, Mr & Mrs Kahu & Ms Falconer
Todd Douglas, Sea Secret, Solar Storm
Phillipa Durkin, Sons of the Sea who dragged wealth to the land
Kate Fitzharris, Some things for the making
Melissa Ford, Re(collection)
Darryl Frost, Dazagama Big vase
Grancy Fu, The Song of Life, White Landscape
Kirsty Gardiner, Secrets A Jar
Rhonda Jameson, Kai Time
Chuck Joseph, After the Goldrush
Sang Sool Shim & Keum Sun Lee, One Spring Day
Meiling Lee, S.A.M.E. S.A.M.E.
Simon Leong, co-operation & compromise
Paul Maseyk, Pottery is a mug’s game
Ann McIver, Untitled (skull & Void)
Nicola McLaren, My Little Pony
Michael Michaels, Look I
Judy Newton, Willow Pattern tea-set
Elise O’Neill, Eat Your Colours; Natures Candy
Kristy Palleson, Boxes
Cate Pates, Lucent spirit vessels
Robin Ranga, CC:BP/BP Catastrophic Consequences: (on Behalf of People to Birdlife I voice my Protest)
Robert Rapson, Around the World on Southern cross
Elena Renker, 3 Shino Tea Bowls
Louise Rive, Sisters in the Park
Darryl Robertson, Anzac Southern Cross
Charlie Seakins, Readymade 25
Rebecca Shawyer, Occupational Hazard
Duncan Shearer, Albarelli
Fiona Sutherland, Black Sheep Dreaming
Fiona Tunnicliffe, Alice and the Red Queen
Ann Verdcourt, Group with a Morandi Bottle
Helen Yau, Andante T Premier Award Kirsty Gardiner, Secrets a Jar http://podcast.radionz.co.nz/art/art-20101010-1240-Kirsty_Gardiner-048.mp3
Merit Award Greg Barron, Fertility Vessel Georgina Caulton, Meet the Family Kate Fitzharris, Some things for the making Melissa Ford, Re(collection) Rhonda Jameson, Kai Time Duncan Shearer, Albarelli Peoples Choice Award Open to all finalists, will be drawn at the close of the exhibition. Make your nomination in the Gallery. Peter Gregory has blogged this event: http://opopots.blogspot.com/2010/10/more-from-portage.html

via Lopdell House Gallery

Call for Exhibition Proposals – Anderson Ranch Arts Center

Call for Entries/Exhibition Opportunities at Anderson Ranch – deadline November 15, 2010
Anderson Ranch is accepting applications for exhibition proposals for artists to show their work in our Gideon Gartner and Hansen Galleries. The Gideon Gartner Gallery showcases experimental and site-specific artwork. The Hansen Gallery, located on our first floor, is open to a wide range of exhibition possibilities. Each exhibition will feature a single artist or artist collaborative and will showcase the Ranch’s long history of creating dynamic and ground-breaking work.

Exhibition Dates:
December 6, 2010 – February 25, 2011 and March 14 – May 15, 2011

Deadline for submitting work:
The deadline for submitting a proposal for any of these opportunities is November 15, 2010

Exhibition Guidelines:
All artists, individuals or collaborations are welcome and invited to submit a proposal. We encourage proposals from across the diverse spectrum of the visual arts.

Gideon Gartner Gallery is located on the third floor of the Dows Barn administration building directly above the Patton-Malott Gallery. The space is 308 inches long x 210 inches wide (minus a 62” x 52” stairwell opening). The gallery has one wall 308 inches long x 94 inches high that is used to display artwork. Please see attached gallery floor plan for more detailed description of the space.

The Julia and Edward Hansen Gallery is located on the first floor of the Dows Barn administration building in our primary circulation area. The gallery has one wall 144 inches long x 90 inches high that is used to display artwork.

If selected, artists will be responsible for the installation and de-installation of their exhibition during the scheduled dates listed above and must return the exhibition space to the condition in which they found it. The artist is responsible for the cost of shipping the artwork to and from Anderson Ranch Arts Center.

Artists are allowed to make their work available for sale, and the commission split is 60% artist/ 40% Anderson Ranch Arts Center. Anderson Ranch will process all sales and payment and will send the artist their commission share.

Visit the Artists’ Opportunities page on the Ranch website for submission details and more information.

Or contact Paul Collins with any questions at [email protected] or by phone at 970-923-3181 ext 236.

Anderson Ranch Arts Center
www.andersonranch.org
[email protected]