movie day: Woven Clay

by | Aug 19, 2015 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday

Woven Clay from robotsinarchitecture on Vimeo.

Woven Clay
by J. Friedman, H. Kim, and O. Mesa (Harvard GSD)

The Standard definitions and models of additive manufacturing, such
as those outlined by ASTM (2012), often assume a layer-by-layer
deposition of a material onto a flat surface. The research presented
looks to explore what alternative formal opportunities that may arise
when challenging these assumptions concerning additive manufacturing.
Beginning with the robotic clay coil extrusion process, the research
uses a bottom-up approach that asks what types of forms and scales can
be generated with this process. Prototypes incorporate techniques such
as weaving as a means of fabricating panels that celebrate the inherent
nature of the coil itself. The woven patterns are designed to
incorporate both assembly logics and performance qualities such as light
permeability across a façade component. Through a series of full-scale
prototypes focusing on a specific building application, this research
works to resolve the seemingly conflicting nature between the inherent
mutability of the clay material and the high level of control granted by
robotic fabrication processes.

This clip was accepted as a video submission to Rob|Arch 2014 – the
international conference on robotic fabrication in architecture, art,
and design.

Marianne Huhn Masterclass @ Northcote Pottery Supplies

by | Aug 17, 2015 | Uncategorized

Marianne Huhn Masterclass
Saturday 12 September 10am-3pm
Cost $150

Location
Northcote Pottery Supplies
142-144 Weston Street
Brunswick East 3057
Victoria, Australia
www.northcotepotterysupplies.com.au
[email protected]

Masterclass Description

Join
accomplished ceramic artist Marianne Huhn in this one-day masterclass
at Northcote Pottery Supplies as she shares her making techniques and
inspirations underpinning her extraordinary porcelain works. In a
digital presentation Marianne will outline the development of her work
and ideas, discussing her early work to the work she is currently
creating. Marianne will demonstrate her method of throwing off the hump
during the morning session. In the afternoon she will discuss her ideas,
how she uses her sketch book and demonstrate her skills and materials
for creating her unique drawings. This is a rare opportunity to get
insight into how an accomplished artist has interpreted the ceramic
vessel in her own signature style, whilst gathering knowledge and
practical tips that could be used in your own studio practice. Lunch and
coffee/tea will be provided for all participants.

Marianne Huhn Artist Statement

For
some time now, I have been making functional ceramics with distinct
narrative surfaces. The drawn line and text have combined to create
themes and images ranging from architecture to political
commentary. Initially, I drew historical architecture to refer to the
similarities houses, castles, town walls, forts and dwellings have with
functional ceramics. The fact that they both contain space within their
walls was a visual clue to the narrative/conversation I was attempting
to establish. However, in 2012 I embarked on a PhD at RMIT Melbourne –
porcelain and politics in the 21st century. I began researching the
Russian revolutionary ceramics which was produced as propaganda from
1917-1927. I use a European porcelain body and throw formson the wheel. 
As a counterpoint to the industrialization of everyday shapes, I throw
to encourage a thoughtful relationship to form. Through making
individual objects of clay by hand, the sense of touch is recognized.
Slight differences in variations of a shape, a thick or thin rim, the
size and movement of a handle, encourage personal connections. My hand
has the learned ability to judge thickness of walls when throwing and
depth of line when etching on the surface. Often leaving a throwing line
or a mark that establishes my touch is important in the creation of
porcelain forms that often appear smooth and cold.

Marianne Huhn Profile

Marianne
Huhn was born in 1969, Melbourne, Australia. She began her studies in
1988 at RMIT University and finished her Master of Ceramics in 1998. She
has lectured and taught Ceramics at Universities and schools throughout
Australia. Marianne has held several solo shows in Australia and
exhibited in more than 30 group exhibitions in Australia, America, and
Hong Kong. She has been acquired by the Powerhouse Museum in Sydney and
several Regional Galleries in Australia. Marianne is represented in
Australia in New South Wales and the ACT. Marianne lives in Melbourne,
Australia with her partner and two children. www.mariannehuhn.com