Master of Arts in Critical Craft Studies
The MA in Critical Craft Studies is a low-residency graduate program in craft history and theory. This full-time, four-semester/ five-residency program is the first of its kind in the US. Students and faculty meet for two weeks of lectures, workshops, seminars, readings, project work, and individual conferences each July and January. The two-year continuous program begins in July; all July residencies are held on the Warren Wilson campus, and January residencies are held in downtown Asheville with classes at The Center for Craft. Students return to campus for a fifth and final residency to present their final projects in a public colloquium, co-organized by Warren Wilson College and The Center for Craft. Students work individually and collaboratively during residencies the following semester terms. Each student spends 20-25 hours per week on readings, writing and research assignments, meetings with mentors in their place of residence or online, online faculty sessions, and group meetings. Coursework builds critical thinking, research methods, and experience with formats ranging from writing and podcasts to exhibitions and curriculum development. Final projects demonstrate applied knowledge in craft histories and theories, and may include: a journal-article length thesis; an exhibition with essays, programs and texts; curricular development with lectures; a scholarly conference with publication; a podcast series; Object Library development; or a series of short critical essays.
Faculty include leading theorists, historians, scholars and artists in the field of craft studies, art history, art, material culture, anthropology and other connected disciplines from the US and abroad; faculty work with students during residencies and online during the semester. Mentors offer additional connections to the field; mentors meet in person or online with students each semester to connect curriculum and communities. Residency faculty present their work in evening programs and paired conversations; these are free and open to the public.
Undergraduates at Warren Wilson College connect with graduate students and visiting faculty through Work Crews, visitors during the academic year, development of the Object Library, exhibition development, and craft history courses.
The Residency
Residency instruction includes a combination of lectures, discussions, readings, field trips, workshops, hands-on material labs, studio visits, as well as a mixture of individual and group work. Students will explore craft histories and theories from around the globe and a range of disciplines through readings and interaction with experts within and outside of craft studies. Coursework, concepts and research methods for each semester are introduced in the residencies and further explored through independent study, project assignments, online group discussions, and monthly meetings with individual mentors.
Research and Material Labs are designed to engage the Swannanoa/Asheville area as case studies. To complete Labs, students apply methods and approaches learned in their own hometowns. While the program includes a Material Lab, the emphasis is not on the acquisition and development of skills. Instead, students work on understanding materials and processes to improve their understanding of how things are made and to cultivate direct ways of investigating craft that brings process together with theory, history, and finished work.
All research findings are shared and engaged collectively to expand the field through collective exchange and knowledge building.
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job posting: Assistant Professor of Art – Ceramics Full-Time – Tenure-Track, University of Minnesota
The University of Minnesota’s Department of Art in the College of Liberal Arts invites applications for an Assistant Professor of Art – Ceramics – Full-Time Tenure-Track (Job ID 332969) faculty position to begin fall semester 2020 (08/31/2020). The Department of Art seeks an artist with contemporary ceramic arts expertise to join our renowned Sculpture and Ceramics practice area. We welcome artists open to cross-disciplinary practices that will offer students a dynamic learning environment and a significant depth of competencies in traditional and non-traditional approaches to ceramic arts. To learn more and apply, visit: University of Minnesota’s Find a Job site: https://hr.myu.umn.edu/jobs/
The Department of Art is committed to building an intellectually vibrant, culturally inclusive, and academically diverse community of exceptional faculty. The teaching load is two courses each semester and salary and benefits are highly competitive. Finalists will be eligible for travel-related expense reimbursement. Appointment at the rank of tenure-track assistant professor will depend on qualifications and experience consistent with collegiate and University policy. This is a 100% appointment distributed over the nine-month academic year (late-August to late-May).
Northern Clay Center Grants Information Session
Thursday, January 9, 6 pm, NCC Library
2424 Franklin Ave E, Minneapolis, MN 55406
Join Director of Learning & Artist Services, Kyle Rudy-Kohlhepp from 6 pm to learn more about Artist Grants, Fellowships, and Residencies at NCC AND the MN NICE Program!
If you are interested in having a presentation at your organization (in Minnesota or almost anywhere in the country), we are always happy to take our show on the road (whether in-person or electronically) to share these opportunities. Request a session here: https://www.
More information: https://www.
Learn more about Artist Services at NCC: https://www.
call for submissions: Creative Adventures in Clay: Ceramics by Uppercase
As I mentioned in a previous post, I’ve partnered with Janine Vangool of Uppercase and Julia Krueger to publish a book on Ceramics in 2020. We’ve been working away on the themes for the book and compiling a list of potential artists to include – but we also want to here from YOU!
Yes, YOU!
Part of this book is going to be curated via submissions that you send in to us. So here’s your chance to get your work seen internationally in one of Uppercase’s exquisite publications. They are eye candy and compelling content overload!
“You do not need to be a professional potter to apply. If you’re an entrepreneur who utilizes ceramics in your business in a unique way, please apply. We are looking for a variety of abilities, techniques and perspectives. Our preference through this audition process is to discover previously unpublished artists, makers and entrepreneurs. Thank you for your understanding.
This is an “audition” only. Your submission will be reviewed by publisher Janine Vangool and co-authors Carole Epp and Julia Krueger. Please do not contact us individually; we will review everything and will let you know in early 2020 on the status of your audition.
Should you be selected for inclusion in Volume C: Ceramics, we will have additional questions for you in January that will be due by the end of February 2020 along with high-resolution photographs. Thank you!”
PRE-ORDER YOUR COPY TODAY!
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