CALL FOR ENTRIES: Fired, A View of Ceramics, Manifest Gallery, Ohio due Mar 2

DEADLINE: MARCH 2, 2011

Exhibit Dates: April 15 to May 13, 2011

For millennia people have made things out of burnt earth. From bowls and jars essential for preserving foods to ensure survival, to written documents and official seals, to talismans of devotion for various deities and other ritualistic purposes. Ancient kilns were one of humanity’s earliest forms of factory-based mass-production. Today the role of fired earth persists in both old and new ways. FIRED is an invitation for artists to submit works that in some way represent the use of the medium of ceramics. There is no other thematic restriction, and our jury fully expects to consider a range of types of work, from the very traditional to highly unexpected ‘contemporary’ interpretations of the medium. Manifest’s goal is to assemble a diverse array of works of ceramics for an exhibit spanning our Drawing Room and Parallel Space galleries that will be unified by virtue of its exploration of the medium, but intriguing and insightful due to the wide variety of approaches taken by artists working in ceramics. Eligibility: FIRED is open to everyone. Professionals as well as students are encouraged to enter. The only limitation is that entries must represent original works of art and represent the incorporation of ceramics as an essential part of the work. Media: Open to all traditional and non-traditional genre and media, including mixed media, which incorporate ceramics in some significant way. Jury and Curator: Manifest’s selection process involves a complex two-part system. This exhibit will be juried by a 5-9 member panel of professional and academic advisors with a broad range of expertise. The jury will then pass along their recommendations to the exhibit curator who will make the final selections from the jury-approved pool. Catalog: Manifest will produce a full-color catalog documenting the work selected for exhibit. Each exhibiting artist will receive one free copy of the catalog. Manifest is unique among galleries and museums around the world for designing and producing a high-quality full-color book for every exhibit produced. By offering one complimentary copy of the catalog to exhibitors, Manifest continues to expand how it serves its non-profit mission and the artists who make it all possible. Artists will receive their copy either in person when picking up work after the exhbit, or with the return shipment of their artwork. Additional copies can be purchased via the online bookstore. For examples of past catalogs visit Manifest Press. Delivery and Return of Work: All work accepted for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the entry images or suffers from poor presentation, will be disqualified. Please note that professional-level presentation is a must. Work may be hand delivered or shipped. Shipped works must be sent in an easily reusable container/packaging with return shipping prepaid. Works will be returned in the same manner as delivered or via UPS/USPS. All work must arrive at Manifest by the specified date (see calendar below). Accepted work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of Manifest. The artists are responsible for all shipping costs. Calendar:

March 2 March 14 March 21 April 9 April 15 May 13 May 14-20 Deadline for receipt of entries Notifications sent by email Hi-res images needed for catalog and PR Artwork due to Manifest by this date Opening reception Final Day of Exhibition Pick-up/ship artwork

Insurance: Works will be insured while on gallery premises. Insurance covers theft, vandalism, damage caused by gallery patrons or staff (in accordance with insurance policy). PLEASE NOTE: Insurance does not cover damage caused during shipping due to any reason, including mishandling by carrier or failure of packaging to protect works in transit. Also not covered is damage caused to work by failure of the work itself, its mounting systems installed by the artist, or disintegration/degradation due to the nature/quality of materials or craftsmanship. Entry Fee: Each work submitted must be accompanied by a $10 non-refundable entry fee. Number of entries is unlimited. Entry fee must be paid by U.S. check or U.S. or International money order made payable to MANIFEST, or by credit card via PayPal. (If paying by PayPal PLEASE use the paypal link provided on the page that follows the submission of the online entry form.) Detail images may be included at no additional cost, but should only be included if necessary for understanding the nature or quality of the artwork. How many works should I submit?
The average number of works submitted to typical Manifest calls is 3. Some artists like to submit several more, especially if they have a couple different bodies of work which they’d like our jury to consider, or if they have a suite of works that are interrelated. While we have absolutely no minimum number required (other than one), nor do we give an advantage to those who submit more, it is helpful to have a few options to select from. Our jury often gains insight into one work by seeing it in context with a few others by the same artist. And we do routinely accept pairs or sets of work by artists once they are determined to be a finalist. Sale of Work: All work, unless indicated as not for sale (NFS), will be available for sale during exhibit. Manifest Gallery will retain a commission of 30% on all artwork sold during the exhibition. Images: In an effort to conserve resources Manifest accepts only digital images/files for consideration. See specifications below. The Gallery will retain the submitted images of accepted artwork and reserves the right to use the images in publications and gallery publicity. CD’s of works not selected will only be returned if accompanied by a SASE. SUBMISSION DETAILS / TO ENTER >>
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Call for ceramic art entries


Credit –
Linnis Blanton
Canyon Wall, Linnis Blanton, 29 x 16 x16, High-fired stoneware, slab built and thrown, then altered.

This spring, the Museum of the Gulf Coast invites high school students to submit ceramic or clay sculptures for the annual High School Art Contest. The competition is inspired by Earth Songs, an upcoming exhibition of clay vessels created by ceramic artist Linnis Blanton which will be on view at the Museum March 27 through May 30.

Student entries are limited to 18” x 18” and may be painted, glazed, fired, or plain. The submission deadline is March 18, 2011 and entries can be dropped off at the Museum of the Gulf Coast located at 700 Procter St. in Port Arthur or at The Art Studio, Inc. located at 720 Franklin St. in Beaumont. All works must be accompanied by an official entry form to be considered for display. Entry forms may be obtained at the Museum of the Gulf Coast or on the Museum’s website at www.museumofthegulfcosat.org under the Education and Outreach link.

Entries will be displayed at the Museum of the Gulf Coast from March 27-April 26 in association with Earth Songs. Blanton will judge student works and an awards ceremony will be held March 27 at 2 p.m. during the opening reception for Earth Songs.

The Museum of the Gulf Coast is owned and operated by the Port Arthur Historical Society in partnership with Lamar State College – Port Arthur and the City of Port Arthur. It is open daily from 9 a.m. to 5 p.m., Monday through Saturday and 1 to 5 p.m. on Sunday. For more information about the Museum call 409-982-7000.

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Artist of the Day: Sue Roberts

Here we go folks – a month of daily doses of eye candy.

What a treat to start off the month with the amazing work of Sue Roberts. Enjoy!


Artist’s Statement:

From a young age I have been inspired by the human figure, so sculpting the figure just seemed to come naturally to me. I especially enjoy the challenge of capturing in clay the range of our inner psyches, manifesting through the figure’s gesture, posture and expression.

Humor and social commentary play a large part in my work, especially that of family and relationships. culturally, we generalize the concept of family and relationships, turning them into more of an ideal than reality.

Having fun with those generalizations underscores the importance of not taking ourselves too seriously, or becoming stuck within our own thoughts and perceptions. For me, there is a powerful inner strength that arises in being playful and open to new and different ideas and experiences. as an artist, that strength inspires and excites me to keep thinking differently about the human world and, at the same time, push myself creatively.

Find out more about Sue and her work here on her website. There is much much more to look at.

Emerging Artists 2011 – call for entry

In May 2011, Ceramics Monthly will feature the works of emerging clay artists. Those actively pursuing a career in ceramics for less than ten years are eligible.

To be considered submit the following:
• Up to five professional-quality digital images (300 ppi resolution on CD, plus a full-size color print of each image), with complete descriptions of works.
• Full contact information including e-mail, artist’s statement and résumé.
Mail to:
Emerging Artist, Ceramics Monthly, 600 N. Cleveland Ave., Suite 210, Westerville, OH 43082.
Do not submit materials in binders or folders. Emailed submissions and submissions of more than five images will not be considered. Submitted materials will not be returned. Due to the volume of entries, no phone calls, please.
Arrival deadline: February 25, 2011
Do you know an emerging artist? Do they need a nudge? Pass this along and help them get the recognition they deserve.

Potclays Emerging Makers International Ceramics Festival Award 2011

What is it?: The Emerging Makers Award is an opportunity for new potters and artists working with clay who have graduated from college within the past five years, to present a Powerpoint slideshow about their practice at the 2011 International Ceramics Festival. 
Six makers will be selected to make presentations on their work each lasting 15 minutes (including a Q7A session) at the Festival. The presentations will take place in the lecture rooms. From the six selected, one will be chosen by festival audience to receive an award kindly donated by Potclays. Each of the six makers will receive a ticket to the Festival weekend. What to do next: Applicants are asked to submit a simple 10 minute PowerPoint presentation of images on a CD along with one side of A4 information about themselves, their practice to date and plans for the future, as well as 3 reasons why they should be selected.
Send applications to: Sophie Bennett, ICF2011, Aberystwyth Arts Centre, Aberystwyth University, Aberystwyth Ceredigion SY23 3DE. The Potclays Emerging Makers presentations will be selected based on the following criteria: 1) Design element of slides (out of 5), 
2) Delivery element (out of 5), 
3) Visual element (out of 5)
, 4) Time element (out of 5) The Potclays Emerging Makers Award will be selected during the weekend by the festival customers and will be presented during the closing Ceremony of the Festival.
All six selected applicants will received free entry to the festival (excluding accommodation and subsistence). Successful applicants will be notified prior to the event by email. The deadline for applications is April 29th, 2011. For more information: http://www.internationalceramicsfestival.org/history/emerging_makers_award/via SJSU Art Blog