Dame Rosalind Savill, Former Director of the famed Wallace Collection in
London, UK, recently stopped by Toronto’s Gardiner Museum to talk about
some of her favourite Sèvres porcelain in the Museum’s permanent
collection.
The following is copied from the NCECA Newsletter:
It is with immeasurable sadness that we report the passing of
Victor Spinski on Monday, January 21, 2013. At the 2013 NCECA Conference
in Houston, Victor was to be made an Honorary Member of the Council.
This award will now be presented posthumously and an observance in
memory of Victor will be planned.
Victor Spinski’s work communicated through its mastery of
material and keenness of mind. His storytelling and early performances
have become part of NCECA’s folklore and also represent important
threads in the tapestry of contemporary ceramics. Victor held a patent
on the Ceramic Photo Emulsion process and distinguished himself as one
of the foremost artists working in the vein of trompe l’oeil ceramics.
Victor’s mastery of the ceramic material enabled him to render objects
with so high a level of verisimilitude as to make us question our
powers of perception. In this manner he played a pivotal role shaping
the course of contemporary clay sculpture in adapting the trompe l’oeil
style to the ceramic medium.
The subject of NCECA’s Spirit of Ceramics video: Victor Spinski: A True American Master of Fun(k),
Victor retired seven years ago from his 38-year tenure as a Professor
of Ceramics at the University of Delaware. Victor’s acute wit was often
animated through the juxtaposition of contradictory elements and
fabrication that was so highly skilled as to confound our powers of
perception. Hammers and nails made of fragile fired clay would shatter
if employed with their intended function are examples of his
mischievous approach to his use of ceramics as a material.
Victor’s creative achievement is both a tribute to and
celebration of the value of an honest day’s work. His sculptures
sometimes manifested this obsession with labor by endowing the forms of
old and used tools with earthy stoicism and otherworldly beauty.
Victor practiced his art in the tradition of the trickster, and jester,
using humor to reveal the essential and sometimes uncomfortable truths
that make us human.
Our hearts go out to his wife, Sally Van Orden and his son,
Tristan Spinski in this great moment of loss and to all those that had
the opportunity to know him. Victor will be missed by so many. His life
was a legacy that will continue to inspire and inform generations to
come.
“The
300,000th view to my Adam Field Pottery YouTube channel should happen
this weekend, just about 800 views to go!!! If you haven’t subscribed
yet, take a minute to go to my YouTube channel to click “subscribe” for a
chance to win one of 3 of my pots I will be giving away on March 1st!!
While you’re there have a look at some of my videos too. Thanks! ~Adam
I’ve subscribed, have you? I’m not missing out on a chance at one of his gorgeous pots!
*note* pots in above image are NOT a representation of the pots you could win. They are just some pots of Adam’s that I love.
the open west
is an annual open competition and exhibition inviting work from
national and international artists practising contemporary and
conceptual art. Work submitted can include painting, installation, film
and sound, textile, photography, ceramics, drawing and print,
performance, sculpture, glass, metal and plastics.
Continuing
an exploration of fine art forms, the selection of work for 2013 will
also examine the skills of the contemporary maker and include
experimental and digital technologies together with traditional
processes.
The
first exhibition will be at the National Trust’s Newark Park, an
unusual and atmospheric Tudor hunting lodge set in rural south
Gloucestershire which houses an eclectic collection of art and objects
within its architecture and is set in a dramatic landscape.
The
second exhibition will be held in Cheltenham (full venue details to be
announced shortly). This area holds a nationally important collection of
the Arts & Crafts Movement in Britain.
Two distinctly different environments will allow the open west
to curate an exhibition of two parts, exploring the crossover of
disciplines between craft and fine art; curating works in surprising
spaces to create new contextual layers. Selected work will resonate with
a different meaning at each site.
Up
to 40 artists will be included in the exhibition, each with the
possibility of showing more than one work at each venue during the three
month exhibition period.
panel – curators Lyn Cluer Coleman and Sarah Goodwin with guest selectors Dr Justin Marshall and Emma Critchley