Aaron Nelson – Connectivity @ the Esplanade in Medicine Hat

OCTOBER 26, 2013 – DECEMBER 7, 2013

Esplanade Arts and Heritage Centre. Medicine Hat, Alberta

As a craftsman, a clay expert and the Artistic Director of the Shaw
International Artist Residency program at Medalta Historical Clay
District, Aaron Nelson has a very broad and deep view of making craft
today. To create the art in this surprising, smart and fun exhibition he
investigated how to mesh sophisticated digital technology with
traditional ceramics, and explore ideas about networking and
connectivity.

In Connectivity, Aaron’s handmade traditional tea cups, platters,
vases and porcelain chandeliers are connected, sometimes by way of their
decorative gold luster, with electrical and electronic circuitry,
telephones, iPods, generators, light bulbs and audio speakers. The
gilded decoration works as a simple circuit board – the surfaces of the
ceramics become energized with flowing electrons as they transmit
electrical current and data. Visitors are invited to ‘turn on’ and
interact with the pieces physically or through their electronic devices.

Elegant and innovative, serious and playful, Nelson’s new work in
Connectivity links the richness of craft objects and craft practice to
our lives today, through which both digital and communication
technologies flow – exploring the connections, both literal and metaphorical, between electronics, communication and craft.

***Public Reception with the Artist – Thursday November 21, 7-10pm***

 www.aaronnelson.ca 
www.esplanade.ca/aaron-nelson-connectivity/
 

Employment opportunities @ The Clay Studio

EMPLOYMENT
Position Title – Director of Development

Contact – Jenna Savage, Executive Assistant, [email protected]

Description

The Clay Studio, a 501(c)3 nonprofit organization with a focus on the ceramic arts, seeks a dynamic and entrepreneurial Director of Development to lead our annual fundraising efforts while simultaneously conceptualizing and executing an ambitious strategy for growth. With a 40th Anniversary on the horizon, this is a great opportunity to raise your professional visibility while laying the foundation for a capital campaign within 36 months.

The Director of Development plays a leadership role in formulating strategies that support the annual fundraising goals as well as the expansion of the organization’s contributed income. S/he collaborates with the President, Senior Staff and Board members to create, communicate and implement our development activities. S/he is responsible for meeting and expanding all contributed income budget goals.

As The Clay Studio prepares for an extended period of growth, the Director of Development will play a key role in driving fundraising effectiveness, community awareness, and growth on a new scale. To be successful, the person in this position will be entrepreneurial, knowledgeable about key fundraising methods, adaptive, highly energetic, and eager to take on new challenges. Superior people skills will serve you well in this position! Organizational Background

The Clay Studio was founded in 1974 as an artist collective. As we approach our 40th Anniversary in 2014, we have a proud legacy of presenting international programs, hosting three national clay conferences, and serving local artists, students, children, and adults. The organization has worked to attain a strong local, national, and international reputation in the field of ceramic arts programming.

The Clay Studio has a budget of $1.7 million, of which 50% is contributed income. We are organized in the following six business units: Consignment Shop, Gallery, Studio Rental Program, Ceramics School, Claymobile, and Artist Residency. In the coming two to three years, the organization anticipates the need for a capital campaign in the range of five to ten million dollars.

Qualifications

The successful candidate will posses a broad understanding of philanthropic practice, have a track record of meeting annual fundraising expectations, and demonstrate a proven history of increasing contributed income. S/he will be a strategic thinker with an entrepreneurial approach to fundraising. Outgoing personalities are encouraged! CFRE is preferred and/or a track record of fundraising results.

Essential Skills
The Clay Studio is seeking a strategic thinker who also knows how to put the wheels in motion. The successful candidate will have experience and strengths in the following areas of fundraising:
Leadership, Management and People Skills Supervise a Development Assistant, volunteers, and interns as needed Engage the full Board, Committee members, and colleagues in development strategies & implementation.
Maintain a strong network of community contacts
Development Strategy
Continue Annual Fundraising schedule of approximately $900,000
Utilize existing programming to attract and retain members; going to classes, workshops, First Friday events, and public networking
Exercise your people skills to expand our giving program: devise new membership attraction & retention strategies, increase major donors, and increase corporate sponsorships giving
Develop and implement a planned giving program
Special Events Planning and Management
Devise and implement special events that range in size from intimate cocktail receptions to major galas
Create development opportunities within existing outlets such as workshops, First Fridays, lectures, newsletters, etc.
Conceptualize and execute events as a member of a team that consists of colleagues, donors, board members, volunteers, and contractors.
Grants Management
Identify and cultivate granting agencies (private, public, government)
Guide a Development Assistant who has strength in grant writing
Manage internal metrics for grant reporting

To Apply

In order to be considered, please submit the following information
Cover letter outlining qualifications and salary expectations
Professional resume
Three relevant references
Relevant writing samples of a successful grant and donor solicitation letter

Submit to Jenna Savage, [email protected]. No phone calls, please.
Deadline – Review of applications will begin immediately with deadline of December 13 or until filled.

INTERNSHIP
The Clay Studio Intern Program

Become an active member in The Clay Studio’s community by participating in an internship. The Intern Program is geared towards ceramic enthusiast and those interested in the non-profit sector who want to further their experience and be part of a supportive educational community. Interns perform a wide variety of functions throughout the organization and can be required to do physical labor and heavy lifting.

Interns work 5 hours per week, one day a week during the Fall, Winter, Spring or Summer term. In exchange for this work, participants will receive a free class, access to open studio hours, and other class benefits such as shelf space, glazes and firings.

It is important to both the educational value of your experience as well as the stability of the program that applicants are prepared for a commitment of one full 120-week term, or 60 hours, to The Clay Studio’s Intern Program.

Internships are available in the following areas: Studio (School and/or Summer Clay Camps), Outreach/Education (Claymobile), Gallery/Shop, and Administration/Development.
To Apply

Application can be downloaded HERE. E-mail application and resume to [email protected] with Intern Application in the subject heading. For more information please contact Vice President, Jennifer Martin at [email protected].

VOLUNTEER OPPORTUNITIES

The Clay Studio offers a variety of volunteer opportunities in the School and Gallery. Volunteer duties include assisting in classes and workshops, performing administrative work, staffing the School Store, helping in the Gallery & Shop, and assisting at Clay Studio special events and First Friday openings. Dates and hours vary. We are looking for friendly volunteers with an interest in ceramics.
To Apply

Application can be downloaded HERE. E-mail application and resume to [email protected] with Volunteer in the subject heading. For more information please contact Jennifer Martin at [email protected].

About The Clay Studio

The Clay Studio is Philadelphia’s only nonprofit solely dedicated to the education and promotion of the ceramic arts, and is one of the world’s leading institutions in the field. Founded in 1974, The Clay Studio supports the ceramic arts through its artist residencies, gallery, studio space, and school, educational & outreach programs. The programs of the Clay Studio reflect the dual character of the organization: as a community centered institution involved with the life of the city and region, and as a national and international focal point for ceramic arts. The Clay Studio believes in promoting broad access to the ceramic arts, therefore programs are geared to all levels of interest and proficiency.

The Clay Studio is an equal opportunity employer regardless of race, color, religion, creed, sex, marital status, national origin, disability, age, veteran status, sexual orientation, political affiliation or belief. Employment decisions are made without consideration of these or any other factors that are prohibited by law.

137-139 North Second Street · Philadelphia PA 19106 · 215.925.3453 · T-Sa 11am-6pm, Su 12p-6p · [email protected]

– See more at: http://theclaystudio.org/about/employment.php#sthash.w1g1mwLw.dpuf

a site 2 see friday: Studio Break podcast with Grace Sheese

“Studio Break
is a creation of David Linneweh; the podcast and blog is meant to
showcase and highlight the work of Contemporary Artists by providing
casual in depth discussions which explore how they maintain a
professional studio practice.  Each conversation reveals the technical
and formal approaches necessary to create their work as well as the
concepts being presented to the audience or viewer.  In addition,
interviews provide a background of each of the artists including
highlighting their biography as discussing the research and ideas that
support and inform their creative process.

The impetus behind Studio Break is to shed light on the creative
process through the podcast in a way that parallels the types of
conversations artists share within each other’s studio.   This format
allows for a variety of listeners to engage the visual and conceptual
ideas of the artwork in a way that is accessible to fellow artists and
teachers, students, and anyone who would like to learn more about this
process.

I hope that you take the time to explore all the artists who’ve
participated in Studio Break and encourage you to reach out and leave
comments through the blog, Facebook, and Twitter.  Anyone can visit the iTunes
store to subscribe to the podcast and it’s very appreciated when you
leave feedback or consider a small monetary donation to the efforts of
Studio Break.” – David Linneweh

www.gracesheese.tumblr.com
www.gracesheese.etsy.com

movie day: Vanitas

Vanitas from charlotte cornaton on Vimeo.
charlottecornaton.com
Juin 2009///
Terra est vanitas, casts, cracks, vanities and voids//
Thèse Vanitas.
Master Art graphique ESAG Penninghen, major mention excellente.

Vanitas is a state of emptiness.Vanitas is a parallel between ceramics and graphic design through a triptych of contemporary vanities : body, knowledge, morality. A ceramic skull divided in 13 pictogrammes is the starting point of this thesis project. A stop motion video with ceramics confront new technology and tradition. Each pictogramm of the skull is “destroy” in order to show time flying.
A book and the volumes are another part of the thesis project, which you can see on my website.
Earth is memory, permanence, roots.
Earth is matter, ephemera, transition.
Earth is strehgth and fragility, belief and uncertainty.
Earth is vanity.

SCREENINGS
Biennale d’Issy, Paris. 2011
Magmart CAM, Naples. 2011
Cooper Design Space, Los Angeles. 2009
Illustrative Award, Berlin. 2009

LYRICS
luchini :
The truth of this world, dear Élifore, is death.
Life is a drunkenness, a lie. It is delicate and indispensable.
sir alice :
Psychophase.
Nothing,
being nothing,
return to origins,
not even being someone who does nothing.
Be nothing.
That is a noble ambition.
I want to be everywhere
I want to be everyone
and I want to know everything.

CREDITS
Director – Charlotte Cornaton
Performer – Charlotte Cornaton
Music – Prefuse 73, Sir Alice
Voice – Luchini