by Carole Epp | Aug 28, 2015 | Uncategorized
 |
| A.Christianson |
“A handmade cup forever retains the
touch of its maker. The daily ritual of choosing a cup is one that many
of us enjoy. This group exhibition brings together 34 Australian, and
International ‘clay’ sisters and brothers. The participants have been
carefully matched and asked to collaborate to produce two cups together,
and one of their own, for this exciting event.”
Dates – Opening Wednesday October 7th
6-8pm RSVP 03 9895 8888
(Exhibition Closes 18th October)
Where – Box Hill Community Art Centre
470 Station Street (&corner of Combarton St)
Box Hill 3128
[email protected]
Sales –
Opening night sales from 6-8pm
Weekend sales 11am – 4pm
10,11,17,18 October
Online Store –
Opening 9am AEST Thursday October 8th –
closing October 18th ,12am AEST
www.thecupcollaboration.bigcartel.com
INSTAGRAM PAGE –
@thecupcollab
FACEBOOK PAGE –
The Cup Collaboration
Participants –
Ayumi Horie USA & Sophie Moran AUS
Katherine Wheeler AUS & Marina Pribaz AUS
Sandra Bowkett AUS & Janetta Kerr Grant AUS
Kathryn Mitchell IoM & Niharika Hukku AUS
Ana Maria Jensen AUS & Adriana Christianson AUS
Shannon Garson AUS & Vanessa Lucas AUS
Diana Fayt USA & Linda Fahey USA
Carole Epp CAD & Jenna Stanton CAD
Jane Sawyer AUS & Frida Birkic AUS
Bridget Bodenham AUS & Jo Ruchel AUS
Whitney Smith USA & Erinswindow AUS
Vicki Grima AUS & Aleida Pullar AUS
Katie Jacobs AUS & Mariko Paterson CAD
Joey Burns AUS & Zak Chalmers AUS
Yen Yen Lo AUS & Vanessa Holle AUS
Susan Frost AUS & Elaine Bradley AUS
Angela Walford AUS & Sue McFarland AUS
For all enquiries, re sales , promotion etc ,
contact –
Adriana Christianson
[email protected]
mobile 0488768137
by Carole Epp | Aug 25, 2015 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
We are pleased to be holding our eighth annual international call for entries, Beyond the Brickyard.
The selected works will be exhibited at the Archie Bray Foundation in
January 2016. This year’s exhibition will be juried by 2015 visiting
artist Peter Beasecker.
Specifications and Applying
Specifications and information about applying are listed online at http://www.archiebray.org/gallery_exhibitions/BTB_call_for_entries.html.
All submissions to Beyond the Brickyard will only be accepted online.
Submissions must be received online by September 15, 2015, midnight MST.
Entry Fee
The cost of entering Beyond the Brickyard is $35 USD for up to 3 works. All major credit cards are accepted.
Awards
From the successful entrants, three awards will be selected:
Juror’s Choice Award: $400
Director’s Choice Award: $400
People’s Choice Award: $100
Sales Commission
Artists will receive 55% commission of their work sold during exhibition, while ABF will retain 45%.
Exhibition Schedule
By applying all applicants agree to the following schedule if selected to exhibit:
► Applications due September 15, 2015
► Entrants notified of jury results by email no later than October 31, 2015
► Work to be received by Archie Bray Foundation by November 18, 2015
► Work exhibited in Beyond the Brickyard,
January–March 2016
Questions about your application?
by Carole Epp | Aug 19, 2015 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Woven Clay from robotsinarchitecture on Vimeo.
Woven Clay
by J. Friedman, H. Kim, and O. Mesa (Harvard GSD)
The Standard definitions and models of additive manufacturing, such
as those outlined by ASTM (2012), often assume a layer-by-layer
deposition of a material onto a flat surface. The research presented
looks to explore what alternative formal opportunities that may arise
when challenging these assumptions concerning additive manufacturing.
Beginning with the robotic clay coil extrusion process, the research
uses a bottom-up approach that asks what types of forms and scales can
be generated with this process. Prototypes incorporate techniques such
as weaving as a means of fabricating panels that celebrate the inherent
nature of the coil itself. The woven patterns are designed to
incorporate both assembly logics and performance qualities such as light
permeability across a façade component. Through a series of full-scale
prototypes focusing on a specific building application, this research
works to resolve the seemingly conflicting nature between the inherent
mutability of the clay material and the high level of control granted by
robotic fabrication processes.
This clip was accepted as a video submission to Rob|Arch 2014 – the
international conference on robotic fabrication in architecture, art,
and design.
