technical tuesday: How to re-glaze your pottery with Earth Nation Pottery

This video was requested by one of you dirty potters. when re-glazing your pottery remember few things.

1. the reason glaze dries fast when at bisque is because the pores are still open. fully glazed and matured pottery will not have open pores so your really just putting glaze on top of glaze and hoping it will combine with the other glaze when it reaches temp.

2. because of reason #1 you should save a little more time to re-glaze your pots then just regular glazing them.

3. once dry it will smudge very easily , be careful

music by : dj grumble: minute maids chill vlog music.

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call for artists: Minnesota New Institute for Ceramic Education (MN NICE)

Northern Clay Center
Email: [email protected]
Northern Clay Center is excited to share the opportunity for artists to join our MN NICE program. See below for details:

Minnesota New Institute for Ceramic Education (MN NICE) Application Deadline Approaching

Now entering its fourth year, MN NICE is an advanced certificate program that provides rigorous, personalized instruction for artists who are serious about taking the next step in their ceramic education. The program is designed to respond to the changing needs of students and give non-traditional students high-level training in ceramic materials, history and theory, and professional practice. Through instruction and individual mentorship, students build skills, knowledge, and insight necessary to create a personal and cohesive body of work.

MN NICE extends beyond the classroom to include artist lectures, gallery tours, and studio visits with established artists to take advantage of the rich ceramic resources throughout the Twin Cities, including those from academic and non-traditional routes of study, artists of other media, and arts administrators. The program strives to prepare students both artistically and professionally whether they are seeking gallery representation, applying for graduate school, or selling work to the public.

ABOUT: The program consists of three 8-week blocks of instruction, beginning in September and ending in May. During each block, the group meets for weekly seminars and field trips to museums, galleries, artist studios, and lectures. Throughout the year, participants have individual critiques with leading professionals in the field, helping them to focus their research and development of work. The program culminates with the submission of a graduation portfolio and a group exhibition in NCC’s Emily Galusha Gallery.

DEADLINE: The priority deadline for MN NICE applications is June 1

. To apply, visit: https://www.northernclaycenter.org/education/minnesota-new-institute-ceramic-education/mn-nice-application-form

INFO SESSION: Thursday, May 10, 6:00 pm in the NCC Library

CONTACT: If you have questions about the history of MN NICE or joining next year’s class, please make Manager of Education and Studio Artist Programs Kyle Rudy-Kohlhepp your first point of contact at [email protected] or call him directly at 612.339.8007 x314.

For more information about the MN NICE program, visit: https://www.northernclaycenter.org/education/minnesota-new-institute-ceramic-education

call for artists: Customs House Artisan Incubator

Customs House Logo

We believe that your craft can be your business.

We are offering a life-changing experience for emerging artists. The Customs House is a craft incubator in Port Hawkesbury, Nova Scotia. We’re looking for seven artists to become our first artists in residence.

Are you a textile, clay or jewellery artist?

As our artists in residence, you’ll have access to:

  • Fully equipped studios
  • Subsidized studio rent
  • Craft business development support
  • Technical mentorship
  • Opportunities to take your craft to market

Want to learn more? Contact Tamsin Sloots, Craft Incubator Coordinator, at [email protected] or 902 539 7491 ext 116.

Be bold. Take your chance today. Apply now.


Download the application form today!

capebretoncraft.com/learn/customs-house/

movie day: Sonja

Sonja is a poetic portrayal of the story of the sightless artist Sona Zeliskova, who despite adverse fate found her life journey in art and ceramics

The film experiments with audio-visual components to recount Sona’s unique story. Combining a documentary, narrative and poetic approach, this short film attempts to depict the real-life story via poetic language.

We used special infrared technology, in order to achieve a surrealistic black-and-white visual. The unique picture thus emerged purely in-camera without the use of post-production.

Sona carries a one-of-a-kind story of a lifetime struggle, overcoming obstacles while flourishing her love for art. At the age of 13, she was diagnosed with diabetes. At 26, right by the birth of her son, she completely lost her sight. At age of 39, nevertheless, she has found her life purpose and passion for ceramics and became a successful artist. Today, Sona runs ceramics courses, lectures at conferences and has become a life inspiration for many others.

Web: sonja.revers.sk
Email: [email protected]

CREDITS:

Directed by Maroš Milčík
Cinematography by Gašper Šnuderl
Original Score by Matúš široký
Sound Design by Defacto Sound
Color by Toby Tomkins, CHEAT
Text supervisor: Juraj Vozár
Edited by Miroslav Gerbel, Maroš Milčík

Full credits in film.