Upcoming workshop: “Smoke, Fire and Fumes”

Riggs Raku Pot April 28th & 29th, 2012
9am to 5pm daily
Registration Fee: $235.00
Class Limit: 15 Participants
Soup and Bread Lunch Provided Two ways to register…
Mail-In Registration Information [PDF]
Online Registration with PayPal ™ Pre-workshop Instructions [PDF] This two-day, hands-on workshop with Linda and Charlie Riggs will focus on ferric chloride fuming, 2 types of naked raku and horsehair firing. A special emphasis is on the use of pots polished with white terra sigillata. Students’ pots will be fired in or placed into atmospheres where the smoke and/or chemicals produce the final surface color. These colors range from the deep reds and oranges of saggar and ferric chloride firings to the stark black and white designs of naked raku. Riggs Saggar Pot
Charles Riggs
Charles has a Fine Arts Degree in Pottery. He has been featured in Clay Times, Ceramics Monthly, and Studio Potter as well as in the books, “Alternative Firing Methods” by Watkins/ Wandless and “Raku, The Practical Approach”, and “Mastering Raku” by Steven Branfman. Charlie has exhibited extensively in the US, and as far away as Canada and Norway. He also teaches workshops throughout the US and Canada in a variety of subjects including, Raku Methods, Saggar-firing, Pit-Firing, Raku Kiln Building, and Throwing Techniques. Riggs Raku Pot
Linda Riggs
Linda has Masters in Anthropology. She collaborates with Charlie to create some of the unique surfaces on their pottery including saggar-firing, naked raku, and carvings and slip designs. Linda has written a number of articles on pottery for Ceramics Monthly and Clay Times. She is also featured in magazine articles on saggar firing, and in the books by Watkins/Wandless and Steven Branfman. She co-teaches workshops with her husband Charlie.
More info here. White Oak Pottery
3915 Rivermont Road
Durham, NC 27712
(919) 309-4747

Andrew Martin Workshop @ Lillstreet Art Center

ANDREW MARTIN WORKSHOP: MOLD MAKING AND SLIP CASTING -DISCOVERING NEW WORK (5 DAYS)

Monday, March 19, 2012 to Friday, March 23, 2012Level: Visiting Artist WorkshopsPrice: LAC Members $600.00 / Non-Members $600.00Lab Fee: $30.00

CLASS DESCRIPTION

Students should come ready to try something new, or with a latent idea that is yet to manifest. Dinnerware, teapots, vases, platters, and cups and saucers are but a few possibilities to explore. This five-day workshop will give participants the opportunity to explore and expand their knowledge of form and utility through the use of molds and slip casting. Andrew will discuss different approaches for designing prototypes and making molds, how to formulate slip specific to your needs, and explore how the workshop can initiate new directions in your work. Students should come with questions and ready to stretch their skill, knowledge, and experience.It will be possible to accomplish making one complex mold and/or several small molds. Because of the brevity of the workshop we will cast the molds but the pieces will not be fired.
For more info and to register please visit their website.

Lillstreet Art Center
4401 North Ravenswood Avenue
Chicago, IL 60640
(773) 769-4226

Upcoming workshops at Santa Fe Clay

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Friday Afternoon Workshops

1:00 – 4:00 pm
Space is Limited. Pre-registration is required

Call to register 505-984-1122
Tuition: $50 per workshop

January 27
Studio Glazing Basics with Birdie Boone

Birdie Boone, SFC’s Studio Manager, leads this short workshop about how to use Santa Fe Clay’s studio glazes for cone 10 reduction. Wax resist? 3 count dip? Glaze tongs? If any of these sound foreign, then you will benefit from this informative workshop. Glazing demonstrations and discussions will be geared toward developing simple, successful glazing practices. Birdie will also provide information about the properties of each studio glaze that will help inform your glazing decisions and improve glaze fired results.

February 3

Tin Foil Saggar Firing with Lee AkinsLee Akins

Tin foil sagger is a low-fire process for achieving a mottled decorative finish. It is similar to pit firing and sagger firing with more predictable results. We will prepare and load our bisque pieces for firing in the gas kiln. Bring 4-5 bisque fired pieces. Applying terra sigillata before bisque helps in color development.
February 10
Speed Coiling with Avra Leodas
Avra Leodas
Come learn quick building methods for making large, asymmetrical, or even double-walled pieces. Coiling can be used in conjunction with other construction methods like slab building, or used on its own to increase scale and create interesting forms.
February 17

Laser Print Decals with Maggie Beyeler

This workshop will demonstrate easy decal application to any glazed surface. Students will learn how to choose images that work well, and how to print these images onto decal paper utilizing a laser printer. Maggie will show how to best to apply decals, how to fire them, plus lots of tips and tricks. Students will need to bring finished, glazed pieces to work with. Flat surfaces work best, such as open bowls, plates or tiles, but any glazed surface can be used.

February 24
Introduction to Electric Kiln with Birdie Boone

This workshop is an introduction to how to load and fire a computerized electric kiln for both bisque and glaze firings. Most kilns come with a manual, but there is a lot more to know than which buttons to push. Birdie will demonstrate and discuss how to load and fire bisqueware and also how to load and fire glazeware for low, mid-range and high fire temperatures. This is a great workshop for anyone who has a kiln in a home studio or for anyone who wants to know more about the process. No actual firings will occur.

The raku workshops are designed to be taken individually or as a series.
Bring 4-5 bisque pieces for each week. Groggy stoneware (Soldate, Laguna Sculpture or Big White) works best.

March 23

Lee AkinsRaku Mini Marathon 1 with Lee Akins
This class will cover the basics of glazing and firing raku.
April 20
Raku Mini-Marathon 2 with Lee Akins
This class will explore slip resist and halo stain.
May 18

Raku Mini-Marathon 3 with Lee Akins
This class will learn about reducing with alcohol for copper matte glazes and spraying iron chloride with horsehair smoking.

April 6

Elements of Design with Cindy Gutierrez

Like words, pots have the ability to communicate; the trick is to understand what we want them to say, and then to figure out how we will have them reveal this. As we create, every design choice we make affects the finished piece. In this workshop we will explore what these choices may be, when to make them, and why. We will touch upon the practice of looking at pots with an eye not only for function, but also toward personal styles and goals. All this in an effort to better understand our process, and to challenge our way of seeing and deciding on what is in this pot.
April 13
Studio Glazing Basics with Birdie Boone

Birdie BooneThis short workshop will address how to use Santa Fe Clay’s studio glazes for cone 10 reduction. Glazing demonstrations and discussions will be geared toward developing simple, successful glazing practices. Birdie will also provide information about the properties of each studio glaze that will help inform your glazing decisions and improve glaze fired results.

WeekendWeekend Workshops
EXTRUDERMANIA!
Nathan Craven

Saturday, February 25
9:30 am – 4:30 pm
class description>
FREAKS, GEEKS, MISCREANTS and Kevin SnipesSUPERHEROES: PUTTING A LITTLE ALTER – EGO INTO CLAY Kevin Snipes Saturday & Sunday, March 10 & 11
9:30 am – 4:30 pm class description>
CERAMIC MOLDS for SLUMPING GLASS Shel Neymark Shel Neymark Saturday & Sunday, May 19 & 20 9:30 am – 4:30 pm class description>

545 Camino de la Familia

Santa Fe, NM 87501

505-984-1122

Odyssey Ceramic Arts Summer 2012 Workshop Schedule

Registration begins January 9, 2012

LCR72 Linda & Charlie Riggs

Naked Surfaces And Alternative Firing, May 30- June 1

Join us for three exciting days of smoke, fire and fumes! Charlie and Linda will lead sessions in naked & horsehair raku, smoke and saggar firings and iron fuming. Enjoy the process of decorating pots with polished white and red terra sigillata, then firing them in atmospheres where the smoke and chemicals produce the final surface color. Achieve colors ranging from deep reds and oranges to stark black and white.

Intermediate/ Advanced
Wednesday- Friday, 9am-4pm
$325 Tuition ($50 Lab)

Constantinoweb Cynthia Constentino

Interpreting The Figure, June 4- 8

Work from a live model and sculpt your interpretation of the figure. Utilize the figure to explore issues such as gender, social roles, culture and personal experience. Discussion topics will include 3-D design, proportions of the body, methods of developing content and tips for professional development. Cynthia will demonstrate a variety of construction techniques for sculpting including building armatures, cold joining and surface treatments. Come with your ideas and imagination, source images and personal stories. Leave with a wide range of techniques to apply to your own studio practice.

All Levels
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

Chooweb Fong Choo

Diminutive Teapots, June 11- 15

Master teapot maker, Fong Choo, will be your guide in the exploration of the teapot from large to small and from whimsical to utilitarian with strong emphasis on proportion. Push the boundaries of form, design and color. Discussion topics and demonstrations will include altering thrown forms, creating surface textures and attaching aesthetically pleasing cane and reed handles. Fong will share his unique approach for layering glazes to achieve the jeweled toned surfaces of his signature teapots. If you want to improve your teapot making, you must attend this class.

Intermediate/ Advanced
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

robersonweb Sang Roberson

Soft & Shiny Slabs, June 18- 22

If you have been close to one of Sang’s pots you understand the meaning of ‘quiet beauty’. They exude a feeling that is hard to put into words. Join Sang for this class and discover new possibilities for your own work while constructing open and closed forms with soft slabs. Investigate a broad range of surface treatments including terra sigillata, burnishing, slip-trailing, sgrafitto, mishima and sprigging. Learn to pit-fire, polish and seal the pieces to enrich the skins. Bring low-fire bisque ware and practice application techniques. Demonstrations will include wall vessels, closed geometric forms, basketry designs and capturing air as armature.

All Levels
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

Satakeweb Akira Satake

Imperfect Beauty, June 25- 29

Akira will present his distinctive Kohiki slip technique by brushing white porcelain slip onto a dark clay slab, then stretching to create a unique surface. Experiment with soft and hard slabs, while learning new ways to make teapots, teacups, pitchers, vases and boxes. Gain insight into, the meaning of “wabi-sabi” (finding beauty in imperfection) and the importance of “ma” the space in between. Akira will demonstrate his style of making tea ceremony bowls, water jars, and ikebana vases, all influenced by Japanese pottery from the Momoyama Period (1568-1615).

All Levels
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

Suzeweb Suze Lindsay

Going Vertical, July 9- 13

Just when you thought you knew everything about altering soft and leather-hard functional clay forms, along comes Suze with lots more tricks.
Always pushing the boundaries herself, Suze will teach you all she knows about her unique ways of altering and stacking thrown and hand-built parts to create vases, pitchers, covered jars and more. And she will demonstrate the slip trailing technique she uses to achieve her distinctive look. Also expect exercises that will stretch and expand your notions of imagery and surface enhancement. Daily demonstrations, sketchbook exercises, and discussions on contemporary and historical pottery will be springboards for experimentation and play.

Intermediate
Monday-Friday
9am-4pm
$495 ($55 Lab)

Curtweb Curt LaCross

Sculpting The Human Psyche, July 16- 20

The focus of this workshop will be construction techniques, anatomy and conceptual development in order to create psychologically weighed figures. WOW! Sounds heavy. Don’t worry, you will have fun and learn a bunch from a great teacher. Using coils, slabs and a variety of armatures you will build a life sized human bust. Considerable attention will be placed on the facial features, skin texture and hands. Curt will implement his gestural approach to sculpting and manipulating texture in order to create the realistic human expressions he achieves in his work.

Beginner/ Intermediate
Monday-Friday
9am-4pm
$495 Tuition ($55 Lab)

Burnettweb Jason Burnett

Graphic Clay: Cut, Copy And Paste, July 23- 27

Using two simple materials: slip and newsprint paper, we will introduce layers of information and texture onto our clay surfaces. Through silkscreen printing, cutting, copying and pasting we will dissect, transform, and manipulate our drawings, patterns, and images while creating exciting new exteriors. But there’s no stopping us there! We’ll use simple digital techniques to make decals and photocopy transfers. Computers NOT required, but one can come in handy! Jason is a very generous teacher who will guide and inspire you to carry your work to new levels you have not imagined.

Intermediate/ Advanced
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

filleyweb

Susan Filley Porcelain: Form And Finesse, July 30- August 3 Prepare to be entertained as you learn new ways of working with porcelain. Susan is a master potter whose workshops are packed with practical information, interesting stories and ‘tricks’ for making good pots with finesse. Acquire new techniques for working in porcelain, beginning with basic forms and moving on to more complex altered shapes. Throwing off the hump, pulled and hand-built handles, cups, bowls and trays. Cut, alter and assemble. Susan will help you improve skills, throw larger, and make interesting forms with personality. She will also lead discussions on glazing and firing.

Intermediate/ Advanced
Monday-Friday, 9am-4pm
$495 Tuition ($55 Lab)

For more info please visit their website.