emerging artist: Sarah McNutt

 
Artist Statement:

As
individuals we endeavor to assert our uniqueness, but in the same
breath ask if our experiences are shared by others. The contact of two
hands, the pull of gravity on sinking form, the small indent of a hidden
smile, I observe the subtle movements in life and through my work, ask
you to do the same.

Just
as we only pick up on tiny gestures when speaking face to face, the
conscious mind has the amazing ability to find meaning in the minuet.
The brevity and physicality of these interactions laden with
significance is fascinating to me and through my choice of format and
material I try to draw attention to the details we often overlook.
In
my most recent work I’ve been exploring the intricacies of human
interaction and our perceptions of each other through the use of the
body. Though the strategies I use to convey ideas vary greatly, there is
always a connecting thread tying human presence to the content.

I
have great interest in studying people from objective point of view and
in turn, make work that allows me to create a platform in which to
observe and engage others. I strive to create work that is likes a
conversation, rich in information, fluid, and fleeting.

Here is the info for the images. The concepts for the works are explained further on her site.

Untitled (image 1-2)
Year: 2013
Method: Handbuilt
Materials: raw clay, muslin, video projection
Measurements: 7’x3’x3′

The Pygmalion Project (image 3-4) http://www.sarahmcnutt.com/#!pygmalion-project-sarah-mcnutt/cyb8

Year: 2013
Method: Handbuilt and electric fired to cone 04
Materials: Low fire clay, video projection, wood
Measurements: 36″x15″x15″Inches (H x W x D)


Temperament Study (image 5) http://www.sarahmcnutt.com/#!gesture-study-sarah-mcnutt/cecj
Year: 2012
Method: Slab and electric fired to cone 04
Materials: Low fire clay, underglazes, wood
Measurements: 6.50 X 6.50 X 1.50 Inches


Uncomfortable Parts (image 6-7) http://www.sarahmcnutt.com/#!uncomfortable-parts/c1v3z
Year: 2013
Method: Body parts casted from a variety of volunteers mounted on a raw clay base
Materials: Cone 04 Clay, pigment wash, raw clay, armature 

Measurements: 6’x3’x3′

Verbiage (image 8-9) http://www.sarahmcnutt.com/#!verbaige/c1k1 

Year: 2013
Method: Handbuilt and electric fired to cone 04
Materials: Low fire clay, video projection, joint compound 
Measurements: Varies according to space installed

Opening tonight! Ian Johnston: Reinventing Consumption @ the Dunlop Art Gallery

Image: Ian Johnston, Between the Lines (Light) (detail), 2010. silkscreened stoneware. Photo: Serge Hagemeier.

Ian Johnston: Reinventing Consumption
Organized by Dunlop Art Gallery in partnership with Access Gallery,
Art Gallery of Swift Current, Esplanade Art Gallery, McMaster University
Art Gallery, and The Robert McLaughlin Gallery.

January 31 to April 3, 2014
Curated by Wendy Peart

Artist Talk: Friday, January 31, 6:00 pm, RPL Film Theatre 
Opening Reception: Friday, January 31, 7:00 pm, Central Gallery

Reinventing Consumption is a three-room installation by
sculptor Ian Johnston, whose work investigates object production while
questioning the cycles that eventually see the castoffs of the material
world enter sensitive biological ecospheres. The first space, The Inventor’s Room, provides a glimpse into the glorious creative process of making. The Antechamber enlists the tropes of mass production and considers the scale at which we create and consume. The Chamber provides a space to contemplate the environmental impact of mass production through the forces of breath, fire, and water.

Ian Johnston is an architect-turned-sculptor based in Nelson, BC. He
has exhibited his sculptural ceramic work internationally since the
mid-nineties. Johnston studied architecture at Algonquin College and
Carleton University in Ottawa, and with the University of Toronto at
Paris, France. Prior to opening his Nelson studio in 1996, he spent five
years working at the Bauhaus Academy in post-Berlin Wall East Germany.
At the Bauhaus, together with two architects, he developed and
facilitated a series of semester-long international, interdisciplinary
workshops around themes of urban renewal and public intervention in a
tumultuous time of cultural transformation. His current work examines
our relationship with the environment in installations that use ceramic
and mixed media and appeal to multiple senses of the viewer.

Dunlop Art Gallery
Regina Public Library
2311 12th Avenue
Regina SK
Canada S4P 3Z5  

www.dunlopartgallery.org/exhibitions/upcoming.html
www.ianjohnstonstudio.com/work/2010-2013-reinventing-consumption/


PATCHWORKED IN CANADA by Dear Human

Funded by Canada Council for the Arts, Dear Human’s “Patchworked In Canada” is
a two stage project: First, as a mural made from 1200 reworked vintage
Portuguese tiles, exhibited this month at the Toronto Design Offsite Festival’s
hub. Then it takes to the streets as an interactive urban art project. Throughout
select areas of Toronto, Montreal, and Vancouver, the tiles will be tagged as
individual installations, to be found and taken home by lucky and observant
finders. 
Dear Human <www.dearhuman.ca> is the creative studio of ceramic, architect, sculpture, design duo Jasna Sokolovic and Noel O’Connell. 
A
flower growing in a crack of the concrete. This project is like that;
finding unanticipated beauty in the urban landscape, inviting a moment
of pause and response. The search for these small offerings is an open invitation to explore and play. 
Press Releases in French and English: http://www.dearhuman.ca/?page_id=2315&preview_id=2315
High Res Images: Email [email protected]
EVENT
DETAILS
Inline image 2 Inline image 4
Exhibition
Hosted at the hub of Toronto Design
Offsite Festival at:
Bosley Real
Estate Ltd.
1108 Queen
Street West
Toronto,
Ontario
M6J 1H9
January 20th
to the 26th
Hours of
Operation: Mon-Fri: 3-7pm, Sat: 12-7pm, Sun: 12-5pm
Tagging
Toronto: Queen West area, January 27th-28th
Montreal: Le Plateau – Laurier area,
January 30th-31st 
Vancouver: Mount Pleasant – Main Street
area, February 7th-8th

Greg Payce @ the Alberta Craft Council