emerging artist (hot mud edition): Amelie Proulx
Jardin baroque |
Jardinet mécanique II |
Jardinet mécanique II |
Encyclopédie d’une orogenèse |
Glissements |
Poussières de langage |
Voilà, Vois là, Voile (a) |
Jardin baroque |
Jardinet mécanique II |
Jardinet mécanique II |
Encyclopédie d’une orogenèse |
Glissements |
Poussières de langage |
Voilà, Vois là, Voile (a) |
Retail designer
(New York NY)
High end retail designer is looking for an experienced
ceramicist to construct a ceramic or porcelain relief to be hung on the
wall.
Dimensions are roughly 3′ x 4′.
There is a very tight deadline on this piece so you must be available to start immediately.
Compensation and subject matter will be discussed upon selection.
Please send examples of work as soon as possible to [email protected].
These images are from her MFA thesis show from earlier in April
Artist statement
I am intrigued by the way shifting light in a room affects how one perceives objects in the home;
reflections and shadows cause relationships to appear between two (or more) surfaces and the
spaces in between. My intent is to illustrate and bring permanence to these fleeting moments, while
sharing with the viewer the experience of witnessing an entrancing phenomenon: light affecting
familiar spaces and objects in the home.
The forms and surfaces I create arise out of these observations. Empty and often overlooked areas
between functional and decorative objects are transformed into architectural ceramic forms and
arranged into still lifes; juxtaposing each form with adjacent, brightly colored surfaces that coat each
plane with a film of reflected light. Drawings become a record of the light and shadows that force the
eye to shift constantly, causing static objects to appear to wiggle. It is this constant movement, this lack of clarity, and this distortion, which drives my studio explorations and reveals how I perceive and create relationships between the objects in the lived space.
Jamie received her MFA in Ceramics at the University of Kansas in Spring of 2012. She received her BFA in Studio Art with and emphasis in Ceramics in 2008 at the University of Central Missouri. Her most recent work addresses the fragility of the human spirit in the midst of illness and loss in relation to her family’s history with cancer.
Jamie has shown work both locally and nationally including, shows at First Street Gallery in New York; the Clay Studio of Missoula in Missoula, MT; and at the National Student Juried Exhibition at the Jacob Lawrence Gallery in Seattle, WA; in conjunction with the 2012 National Council on the Education for the Ceramics Arts Conference.
The focus and significance of my work lies in the state of the human condition, the delicacy and fragility of the human construct in an emotional and physical sense. My experience is that of being part of an extended family that has endured a history of cancer and high mortality rate. As I have become more aware of my family’s history with illness through the examination of my memories, I have also become wary of the future and empathetic of the past. I often find myself attributing to others, my own unwanted thoughts and emotions in relation to cancer. This projection of my anxieties onto others acts as cancer does in metastasis, spreading from one location to another. My work is an examination and reflection of the memories, emotions, and anxieties caused by my family’s history with cancer with an emphasis on the relationship between human biology and human emotion.