Contained: Keiko Matsui
Exposition Plein de Jarres: Eric Soule et Quercy Golsse
Cette
exposition s’inspire d’une région du nord du Laos étendue sur environ 1
000 km2 et habitée par d’imposantes jarres de pierre, la Plaine des
Jarres, dont la signification et l’origine, pourtant étudiée dès 1930
par Madeleine Colani, une archéologue française, demeurent une énigme.
Sur les trois sites ouverts au public se trouvent environ 250 jarres,
certaines pesant plusieurs tonnes.
exposition s’inspire d’une région du nord du Laos étendue sur environ 1
000 km2 et habitée par d’imposantes jarres de pierre, la Plaine des
Jarres, dont la signification et l’origine, pourtant étudiée dès 1930
par Madeleine Colani, une archéologue française, demeurent une énigme.
Sur les trois sites ouverts au public se trouvent environ 250 jarres,
certaines pesant plusieurs tonnes.
Lors de la guerre du Viêt Nam, le Rolling Thunder (tonnerre ininterrompu) de l’aviation américaine (plus de 500 attaques aériennes par mois) a laissé une myriade de bombes inexplosées. Malgré
tout les jarres partiellement enterrées ont survécu aux pilleurs, et en
grande partie aux bombardements.
Les habitants de la région se
servent encore des énormes douilles de bombes comme piliers pour bâtir
des habitations ou greniers.
servent encore des énormes douilles de bombes comme piliers pour bâtir
des habitations ou greniers.
C’est la terre à la fois protectrice et désormais mortifère que nous avons choisi comme matériau pour notre exposition.
La cuisson a été réalisée en four a bois anagama, four tunnel à flamme
directe, ainsi les cendres volantes se déposant sur les pièces brutes,
fondent en leur donnant couleurs et matières. Parfois la rudesse de
la cuisson au bois fissure les pièces, élargissant ainsi la frontière
entre l’utilitaire et le sculptural, espace où les jarres fendues
côtoient les bombes utilitaires.
directe, ainsi les cendres volantes se déposant sur les pièces brutes,
fondent en leur donnant couleurs et matières. Parfois la rudesse de
la cuisson au bois fissure les pièces, élargissant ainsi la frontière
entre l’utilitaire et le sculptural, espace où les jarres fendues
côtoient les bombes utilitaires.
Sweetened Condensed: Tiny Tales of Wit, Wisdom and Wonder
She knew she could do better –Noreen Lehfeldt.
2012, 33 x 39 cm, ink, gouache, acrylic, digital, collection of the artist
My parenting is a chain reaction of generations –Ruthie Burritt.
2012, 20 x 30 cm, porcelain, underglazes, collection of the artist
And
she asked me over the fence, “have you ever met his wife? Is she still
alive?”
she asked me over the fence, “have you ever met his wife? Is she still
alive?”
“Yes,” I said, “to both questions” –Susan Penrose.
2012, 33 x 45 cm, ink, gouache, acrylic, digital, collection of the artist
Sweetened Condensed is a series of illustrations and illustrated
ceramics by Elizabeth Burritt based on a selection of one-line stories, each by
a different writer. The project explores narratives that are restricted in
length and convey only the most basic information, thereby leaving space for interpretation
and exploration.
ceramics by Elizabeth Burritt based on a selection of one-line stories, each by
a different writer. The project explores narratives that are restricted in
length and convey only the most basic information, thereby leaving space for interpretation
and exploration.
The stories were solicited from friends and strangers with the promise
that those who penned the selections for the final project would receive prints
of the illustrations in return for their efforts. The project created unique collaborations
between writers and artists who used blogs to track progress and to allow
viewers to witness developments.
that those who penned the selections for the final project would receive prints
of the illustrations in return for their efforts. The project created unique collaborations
between writers and artists who used blogs to track progress and to allow
viewers to witness developments.
Elizabeth Burritt is an artist and designer whose practice includes
ceramics, illustration, jewellery and graphic design. Her illustration work is
line-based and incorporates gouache, collage and digital mark-making while her
ceramics are primarily unglazed porcelain pieces that feature decorations
rendered in ceramic pigment and permanently high-fired onto the surfaces.
Burritt’s education includes a diploma in editorial illustration from Sheridan
College and a bachelor’s degree in fine arts from Emily Carr University of Art
and Design. Originally from Ontario, she now lives in Medicine Hat with her
husband and two daughters.
ceramics, illustration, jewellery and graphic design. Her illustration work is
line-based and incorporates gouache, collage and digital mark-making while her
ceramics are primarily unglazed porcelain pieces that feature decorations
rendered in ceramic pigment and permanently high-fired onto the surfaces.
Burritt’s education includes a diploma in editorial illustration from Sheridan
College and a bachelor’s degree in fine arts from Emily Carr University of Art
and Design. Originally from Ontario, she now lives in Medicine Hat with her
husband and two daughters.
Exhibition Information
18 framed works and 5 objects in Plexiglas cases
1 artist
2 crates
50 running feet
The reception is this Saturday during Alberta Culture Day’s at the Yuill Family Gallery at Medalta 1-3pm.
Curator
Xanthe Isbister, Esplanade Arts and Heritage Centre, for the Alberta Foundation
for the Arts Travelling Exhibition Program
Xanthe Isbister, Esplanade Arts and Heritage Centre, for the Alberta Foundation
for the Arts Travelling Exhibition Program
About TREX
Each year over
300,000 Albertans experience a Travelling Art exhibition, known as TREX.
These professionally organized exhibitions travel all over the province
to schools, libraries, health centres and small rural museums
or galleries. The program is unique, the only one of its kind in
western Canada, and runs 12 months of the year, with an average of 7
exhibitions travelling per month. This year 112 exhibitions are
scheduled to be on display at over 30 venues from as far south
as Milk River to as far north as Stettler, and everywhere in-between.
300,000 Albertans experience a Travelling Art exhibition, known as TREX.
These professionally organized exhibitions travel all over the province
to schools, libraries, health centres and small rural museums
or galleries. The program is unique, the only one of its kind in
western Canada, and runs 12 months of the year, with an average of 7
exhibitions travelling per month. This year 112 exhibitions are
scheduled to be on display at over 30 venues from as far south
as Milk River to as far north as Stettler, and everywhere in-between.
Since 1981, the
Alberta Foundation for the Arts has supported the Travelling Exhibition
program, and it has been organized in our region by the Esplanade Arts
and Heritage Centre (formally the Medicine Hat Museum and
Art Gallery) for the past 17 years. The program’s mandate is to provide
every Albertan with the opportunity to enjoy visual art exhibitions in
their community, supporting and promoting Alberta-made art, with each
exhibition travelling for 2 years.
Alberta Foundation for the Arts has supported the Travelling Exhibition
program, and it has been organized in our region by the Esplanade Arts
and Heritage Centre (formally the Medicine Hat Museum and
Art Gallery) for the past 17 years. The program’s mandate is to provide
every Albertan with the opportunity to enjoy visual art exhibitions in
their community, supporting and promoting Alberta-made art, with each
exhibition travelling for 2 years.
Reid Flock and David Thai: Neo-Modernism
Two artists working with silica-based
materials – one clay (Reid Flock), the other glass (David Thai). Both
artists are pushing the boundaries of the media making it lighter and
thinner while working with highly demanding surface treatments. This
exhibition explores the similarities of contemporary design aesthetics
arising from advanced production methods, while contrasting the
characteristic of these two related silica materials. Flock (Hamilton,
Ontario) brings his experience of working in Hitachi, Japan to his
designs, while Thai (Toronto, Ontario) has made a name for himself in
Canada.
David Thai and Reid Flock
What: Neomodernism
When: until Oct. 21
Where: Burlington Art Centre, 1333 Lakeshore Rd., Burlington
Phone: 905-632-7796
Curator:
Jonathan Smith
Reception:
September 30, 2012 2 – 4pm
Jonathan Smith
Reception:
September 30, 2012 2 – 4pm
Artist Talk:
September 30, 2012 2:30pm
Brendan Tang: Manga Ormolu Series
BRENDAN TANG: MANGA ORMOLU SERIES
opening reception: Thursday, October 4th, 6pm
exhibition dates: October 3 – 27
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OCTOBER
BRENDAN TANG
Brendan
Tang has exploded onto the contemporary Canadian art scene with his ceramic work; hybrids of traditional Asian vessels and current pop cultural sensibilities. Tang represented Western Canada as a finalist for the prestigious Sobey Art Award and has been exhibited extensively across the North America, including at the Vancouver Art Gallery, The Mendel Gallery, the Seattle Art Museum, the Denver Art Museum and early in 2013 his work will be included in an exhibition at the Museum of Fine Arts in Boston.
Manga Ormolu Version 4.0b,
ceramic, 16″ x 8″ x 12″ |
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1725 West 3rd Avenue, Vancouver, BC V6J 1K7 www.galleryjones.comwww.facebook.com/galleryjones 604.714.2216 |
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