by Carole Epp | Jan 27, 2014 | Uncategorized
Elégantes, harmonieuses, épurées,…
Les
œuvres céramiques de Daniela Schlagenhauf et Nathalie Jover surprennent.
Défiant
la matière et les lois de la gravité, elles
tracent le vide et chorégraphient
l’espace.
Tout
simplement beau, à voir absolument.
Epure
Vernissage
20.02 de 18 :00 à 20 :00
Exposition 20.02 au 20.03.2014
Ouvert du jeudi au samedi de
14 :00 à 18 :00
Les Ateliers galerie
de L’Ô asbl
Rue de L’Eau, 56a _1190 Forest Belgique
Tel: +32.495.28.71.74
Mail: [email protected]
Site: http://www.galeriedelo.be
by Carole Epp | Jan 24, 2014 | Uncategorized
|
Resurrection of Gemini 2013
Porcelain, wood
51”H x 60’W x 24”D |
Runs from January 26th through May 4th, with an
opening reception and artist talk from 2-4pm on January 26th.
Where are the Wild Things?, investigates the integration of non-human
animals into our own built environments, specifically the home and its
surroundings. The home can be seen as a place that functions to hold
nature at bay, keeping everything wild and unpredictable outside its
walls. However, there are always creatures that find their way in and
take up residence whether unwanted or invited. Although humans take
great measures to separate themselves from nature, and to keep the
“pests” away, we also cannot resist the need to be connected to that
which we came from ourselves. In and around our homes the evidence of
both our unease and our desire to be connected to the natural world is
everywhere, however contrived and controlled it may be.
|
Embedded 2013
Porcelain, wood, synthetic grass
7”H x 13”W x 9”D
|
|
Embedded 2013
Porcelain, wood, synthetic grass
7”H x 13”W x 9”D
|
|
Resurrection of Fluffy 2013
Porcelain, wood, string
24”H x 20”W x 10”D |
|
Resurrection of Fluffy 2013
Porcelain, wood, string
24”H x 20”W x 10”D |
www.castellaniartmuseum.org
Address: Castellani Art Museum | PO Box 1938 | Niagara University, NY 14109-1938
bethanykrull.com
by Carole Epp | Jan 21, 2014 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
The
UNF
Potter’s Guild is pleased to host The UNF National Juried Ceramics
Exhibition.
This show will highlight ceramic excellence, according to juror Bede
Clarke. Participation is open to all artists 18 years of age or
older living in the United States. Work submitted must be original, must
use
clay as the primary material, and must have been completed within the
last 3
years.
Awards:
Purchase
Award
Best of
Show
Honorable
Mention
Calendar:
Exhibition Dates: March 4th 2014 – April 18th 2014
Application Deadline: Sunday, February 2nd by
Midnight Pacific Time
Email Notification Begins: February 10th
Accepted Works Due: February 26th
Juror:
Bede Clarke is currently a Professor of Art at the University
of Missouri. He received his BFA from Eckerd College, St. Petersburg, Florida, and
his MFA from the University of Iowa, Iowa City, Iowa.
He holds many awards for his wood
fired ceramic work and has exhibited, lectured and taught workshops
internationally.
http://unfceramics.webs.com/
Gallery:
UNF Gallery of Art
Founders Hall
Building 2 • Room 1001
1
UNF Drive
Jacksonville, FL 32224
by Carole Epp | Jan 18, 2014 | Uncategorized
From Wednesday 27 November 2013 until Friday 14 February 2014 the
Officine Saffi Ceramic Arts Gallery will be presenting the first solo
show in Italy by Robert Cooper (Sheffield, UK, 1949).
The exhibition
presents a wide range of themes by this ceramic artist of consolidated
renown: he has been dedicated many international exhibitions, both solo
and group shows, and his works are present in important collections all
over the world.
The exhibition offers an ideal opportunity to
learn more about Robert Cooper’s artistic approach, in particular by
means of the “Tea Caddies” series, with printed motifs and other forms
of decoration.
Robert Cooper’s collage-type style that he applies to
the production of his ceramics, with layers of screen-printed images and
surfaces onto which other motifs are pressed, inspired the gallery’s
decision to present Cooper’s tea caddies together with designer
textiles. The spaces of the gallery will be hosting some of the finest
examples of artistic textiles from the Alberto Levi Gallery, creating an
attractive series of references and harmonies, suggesting new
narratives and intriguing visual scenarios. The Alberto Levi Gallery,
Milan, is specialized in tapestries and carpets, in particular creations
by Jurgen Dahlmanns and carpets in the Acquasilk series.
This combination is described by the title of the exhibition, Tea Boxes and Textile Design – Ibridazioni Narrative.
For
Robert Cooper, stories are almost his “raw materials:” he is fascinated
by the life of objects and the tales that they incorporate, and he has
made then the focal point of his artistic approach. Every object or
fragment, in his view, is permeated by a preceding life and function.
Therefore, as a starting-point for his work, he used found objects of
varying origin, such as clays, oxides and glazes left over from his
lessons (and for which he has developed a specific method of firing),
mass-media printed images, pieces of preceding works, and fragments of
pottery found on the banks of the River Thames.
Robert Cooper
assembles and blends these found materials using a slow, meticulous
process, creating a new object capable of telling new stories. He
interacts with these small treasures from everyday life, which often
suggest and determine the theme of his work. His pieces are the result
of many superimposed layers of life, created by a procedure by means of
which he takes possession of the objects and reinterprets them. Cooper
applies screen-printed images to his works, as well as other printing
techniques and discarded packaging materials. The found object is
rescued from a destiny of oblivion and is given a place in the realm of
art.
The artist often reworks his pieces several times, even when
they could be considered as complete, firing them over and over again. On
the surfaces of his ceramic pieces, he applies glazes and slips, and
continues working on the decoration with a spontaneous technique,
applying layers of glaze, screen-printing, or transferring photographic
images to the clay.
The artist desires to have complete control
over his work, but at the same time he accepts the possibility of chance
events, and actually encourages them within his creative procedure. The
introduction of unpredictable effects in the final pieces – the objects
that he uses are old and fragile, and so they are subject to unexpected
changes – is an essential part of his artistic process. His works are
forever suspended between a feeling of power and fragility; delicate,
but with a physical presence that has a powerful effect on the
surrounding space.
Officine
Saffi is an organization that includes the Officine Saffi Ceramic Arts
Gallery, the OS Lab workshop, Milan, and the magazine La Ceramica in
Italia e nel Mondo. Officine Saffi is dedicated to promoting ceramic
arts and design, by providing and publishing information for this
sector, and encouraging the use, collection and production of ceramic
objects in all their various forms.
www.officinesaffi.com
Via A.Saffi, 7 | 20123 Milano
Tel. +39 02 36 68 56 96
Fax +39 02 36 59 74 44
e-mail:
[email protected]
by Carole Epp | Jan 10, 2014 | Uncategorized
|
Lea Georg
Septett
2013, Porzellan, h 38 cm, l 120 cm |
Thomas Bohle, Sandy Brown, Daphne Corregan, Pippin Drysdale, Erika Fankhauser Schürch, Lea Georg, Gabriele Koch, Brigitte Pénicaud, Elke Sada, Akio Takamori, Masamichi Yoshikawa
14. Dezember 2013 – 8. Februar 2014 (22.12. 2013 – 7.1. 2014 geschlossen)
Hanspeter Dähler
Schaalgasse 9
CH-4500 Solothurn
tel/fax +41 (0)32 621 38 58
Öffnungszeiten
Do/Fr 15.00-19.00
Sa 14.00-17.00
und nach Vereinbarung
e-mail: info(at)kunstforum.cc
http://www.kunstforum.cc