Tammie Rubin: Neverwhere & Nowhere April 8 – May 4, 2014
17701 Williamsport, PA
and Nowhere” is an assemblage of collected objects; the primary
interest is transforming the familiar, disposable, and trivial into the
mythic and fantastical. Rubin explores the wonderment of magical
thinking and the charm of constructed forms and ornate contraptions. The
conical shapes of her ceramics allude to a function of channeling,
transmitting, or filtering, and reference conical forms that imply
communication: voice pipes, megaphones, dunce caps, gramophones,
steeples, and satellite dishes. Through process, she tries to satisfy
her curiosity for sumptuous fluid surfaces, and ideas of accumulation
and myth. Utilizing the amorphous properties of clay and exploring its
inherent materiality, she creates fanciful objects that feel both
familiar and alien.
completed her MFA in Ceramics at the University of Washington, and
received a BFA in Ceramics and Art History from the University of
Illinois, Urbana-Champaign, where she is now an Assistant Professor of
Ceramics & Foundations. Her work has appeared in Ceramics: Art &
Perception and Ceramics Monthly.
Reception on Thursday, April 10, from 4:30 – 6:30 p.m. with a gallery
talk at 5:30 p.m. The gallery will be closed from April 18 to 20.
http://craftcouncil.org/event/tammie-rubin-neverwhere-nowhere
Sunshine Cobb “Jeans and a T-shirt” @ The Plinth Gallery
Join us on First Friday April 4th, 6-9pm for a reception with the artist. Exhibition runs through April 26th.
Sunshine Cobb‘s
show title “Jeans and a T-Shirt” is drawn from a conversation with a
friend and references the, “…everyday, comfortable, and ultimately
utilitarian type of pots…” that she makes.
She received her BA from Cal State Sacramento, and MFA from Utah State
University. Sunshine has been recognized as an “Emerging Artist” by
Ceramics Monthly in 2012, and the National Council for Education in Ceramic Arts (NCECA) in 2013.
Sunshine
uses a red clay body and hand builds most of her pieces using soft
slabs, coil and pinch techniques. She is known for her distinctive
shapes and finished surfaces, which she creates by sanding, or often
sandblasting, to show decay, “…wear and tear, a kind of broken-in look”.
The combination of how the surface looks as well as feels is important
in her work, it is the relationship between the visual and tactile.
Sunshine says, “I always use the favorite T-shirt idea, I want my work
to have the worn in feel to it, loved and used to the point it has your
own personal history embedded in its surface.” Enthusiasm and fun are
major parts of her studio practice and we
are excited to have Sunshine and her work at Plinth. We look forward to
this casual and fun exhibition and we hope you will join us, wear your
comfortable jeans!
This hands-on workshop will encourage experimentation with new forms
and methods of construction. Geared toward creative expansion,
beginners, intermediate and advanced students will use hand-building
techniques such as coil and pinch methods and soft slab construction to
generate a variety of vessel forms. Collaboration and fun is the goal.
for the workshop is $250 per student which includes most materials and
lunch both days. College credit is available through Adams State
University. Space is limited so early registration is encouraged. For
more information and to register, contact Plinth Gallery or call 303-295-0717.
Coalescence by Brenda Danbrook
by ceramic artist Brenda Danbrook
March 29 – May 3, 2014
Opening Reception: 2-4 pm, Saturday, March 29
body of work developed out of a passion for functional ceramics and
interest in work that explores the ceramic narrative. The imagery and
pattern used as an embellishment not only fits decoratively, but is
placed intentionally to increase the sense of vitality.
a domestic setting a ceramic vessel has the opportunity to express a
visual experience beyond the very useful and tactile qualities. This
series honours the individual user and embraces the family by evocating
groupings intended to be used to serve a specific function and to
enhance a special event such as Sunday breakfast.
“In my daily practice, I strive to find a balance between form,
function and imagery that come together in unity to heighten an object’s
utility, which placed in the hands of the user, brings an experience or
connection to their daily life.”
with support from the Alberta Foundation for the Arts, Brenda began to
pursue an education in visual art as a means of expanding and deepening
her existing artistic practice in clay. She studied in Jingdehzen, China
with the Australian National University, where she received a Diploma
of Art (with high distinction). Brenda also received a Diploma in Visual
Art from Red Deer College (2010), and a BFA (with distinction) from the
Alberta College of Art + Design (2013). She has exhibited ceramics both
nationally and internationally.
has travelled to the Yuill Gallery, Medicine Hat, and will be at Red
Deer College during SERIES this summer. Brenda’s work is represented in
various private and corporate collections including the Institutions she
attended, the Canadian Consulate (Australia) and the AFA (2010). Brenda
has also been the recipient of numerous awards, scholarships and
grants, including the Illingworth Kerr and Louise McKinney Scholarships.
Coalescence runs
in the Alberta Craft Council’s Discovery Gallery, 10186 – 106 Street
from March 29 – May 3, 2014 with an opening reception on Saturday, March
29 from 2-4pm.
For more information on this exhibition contact Joanne Hamel
(780) 488-6611 ext 221 | [email protected] or visit www.albertacraft.ab.ca
ACC Discovery Gallery | 10186 – 106 Street, Edmonton, AB T5J 1H4