job posting – Retail manager @ the Canadian Clay and Glass Gallery

back [+]

logo

Retail Manager
Canadian Clay and Glass Gallery
25 Caroline Street North
Waterloo, ON N2L 2Y5
www.theclayandglass.ca

Date Posted: August 20, 2014
Status: Regular Full-Time
Reports to: Executive Director
Application Deadline: September 15, 2014
Start Date: November 3, 2014

Job Description:
The
Canadian Clay and Glass Gallery is seeking an experienced retail
professional to assume full responsibility for the management of all
aspects of the Gallery Shop including budgeting and financial controls.
The Retail Manager ensures that the daily operation of the Gallery Shop
is carried out in an ethical, amiable and professional manner that
serves visitors’ needs. This includes sourcing, displaying and promoting
quality contemporary work by Canadian glass, ceramic and enamel artists
as well as hiring, training and overseeing staff. The Retail Manager is
one of five members of senior staff reporting to the Executive
Director.

Requirements:
A
background that includes retail management experience, knowledge of
contemporary Canadian art and craft and hands-on experience in clay
and/or glass is desirable. The Retail Manager must be self-motivated and
well organized and have demonstrated supervisory skills. Excellent
interpersonal and communication skills (both written and oral) are
required. The position requires some lifting, bending and carrying
stock. The successful candidate will be able to work independently and
as part of a team in a fast-paced environment. Bilingualism would be an
asset.

Additional information:
This
position will be posted until the competition closes on September 15.
Interviews will be scheduled following that date in the hopes that the
successful candidate will be able to start work on or about November 3,
2014. This position offers a salary of $28,000 to $30,000 per annum and a
benefits package. Canadians, permanent residents and/or foreign
nationals with a valid work permit will be given priority consideration.
Please submit a single PDF including a one-page cover letter, résumé
and three references to:

  William D. Poole
Executive Director
Canadian Clay and Glass Gallery
[email protected]

Organization Description:
With
an emphasis on supporting the work of Canadian ceramic and glass
artists, the Canadian Clay and Glass Gallery presents exhibitions that
challenge ideas and perceptions of the definitions of art, craft and
design today. The Gallery’s public programs offer multiple pathways for
engagement with contemporary artworks and art-making practices. The
Gallery Shop is recognized on its own merits as a fine craft gallery,
showing the best of Canadian ceramic and glass work. Housing a
collection of historical and contemporary Canadian ceramic, glass and
enamel art, the Gallery is proud to conserve and promote an active
component of Canada’s rich cultural heritage.

emerging artist: Jessica Hodgson

JESSICA
HODGSON
ARTIST
STATEMENT
Growing up on a conventional family
farm in Southwestern Manitoba, I was raised with a fundamental respect and
understanding of the environment and our food.  After moving to Winnipeg
in 2006, I was surprised by how quickly I lost this sense of respect.  No
longer getting my food straight from the garden or neighboring farms, I lost
touch with the understanding I once took for granted, as
it became easier and more acceptable to drive to the supermarket and fill a cart
with convenience.
At a point where the public is
becoming more aware and more alarmed by what is being labeled as food, I often
find myself disturbed and confused by the information we are surrounded
by.  Coming from a farming
background surrounded by companies like Monsanto, paired with a concern for how
safe many of the foods we are eating actually are, I find myself on a slippery
seesaw of what is right and what is safe.
Frustrated by the topic, I designed
the Stratum line in reference to the
mysterious layer of chemicals, control and deception that seems to be veiling
our food system today.  Typically the white surface of sterility that
covers functional dinnerware is comforting and customary, providing us with a
smooth, safe surface to present our food. 
In Stratum however, this white
surface is only superficial, draping over dark, organic sections, masking them
in uniformity and perceived appeal.
 

guest post – “show us your influences” with Andrew Tarrant

 My work is heavily influenced by historical and mythological examples, in form,
use and decoration. I wouldn’t class myself as a production potter, nor a

sculptor, if pressed I usually say I’m a vessel maker, or a maker of things.


I do not generally attribute any artists as a direct influence but rather the (almost) faceless artisans of the past. I have a simple Roman bowl that I
purchased in London when I was a student at ACA back in the late 80’s. It sits on my kitchen table, I’ve put nuts in it during parties. I like that it was made in the first century (AD) and it is still in use in the twenty-first century. I like the longevity of clay.

I have major geek cred, I collect and have sold collectable sculptural toys,
comics and such. In the past we never knew the names of the toy sculptors but these days they are proudly printed on most of the packaging. As potters we are
known only by our marks, sometimes by our names, but always by the look of our art. I can usually tell if two different toys were sculpted by the same person.

Back to the late 80’s again, where I met a jewelery student who practiced
martial arts like I did. We practiced together, exchanging styles, and became
close friends. Jeff deBoer is not so much an influence as a brother in design.
Once or twice we have even come up with the same designs at the same time. We
share a similar design sensibility, snobbery of single-malt, and sarcastic
humor.

website – http://www.trespasser.ca
Facebook – http://www.facebook.com/TrespasserCeramics
Instagram – http://instagram.com/the_trespasser
Twitter – https://twitter.com/The_Trespasser