emerging artist: Kathleen McGiveron

Artist’s Statement: I am a ceramicist and I am openly addicted to clay. I
produce work that has a strong connection to popular culture and
embrace traditions in ceramics. The sculptures I create are inspired by
kitsch figurines, especially Red Rose’s Wade figurines and miniatures,
and include cultural icons and reference popular movements to create a
narrative within my work. It is important to me that I include humor in
my work and it is often impish or sarcastic and is sometimes politically
charged. I also like to make things creepy and disturbing. Each series I
do is very different from the previous and each explores a topic which
is influenced by my passions or movements in contemporary culture which I
feel I need to make a comment on.

www.kmcgiveron-art.com

emerging artist: Rachael Kroeker

Form and aesthetics are the founding elements in my slip cast functional ware, and for the last several years I have been committed to achieving a harmonious balance between function, comfort and beauty. This style of modern elegance honours both the essence of utilitarian objects, and the idea of beauty in function. The supple surface of raw, unglazed porcelain engages the viewer to become the user, with a new relationship created through the sense of touch. My pieces are both a visual and tactile experience. My marbling series explores the fluid and organic line movement which evokes an ever changing landscape unique to itself, much as the interpretation by each individual. 

True North: Contemporary Canadian Ceramics

Brendan Tang
Alwyn O’Brien

True North:
Contemporary Canadian Ceramics

Sept 26 – Nov 9, 2014
Gallery M, Northern Clay Center
Opening Reception: Friday, Sept 26, 2014, 6
– 8 pm
True North: Contemporary Canadian Ceramics
Artists Lecture with Alwyn O’Brien and Robert Archambeau: Thursday, September
25, 2014, 6-8 pm
Additional Artist Lecture with Artist Rory
MacDonald: Tuesday, October 21, 2014, 6:00 pm
Admission: Admission is Free. Advanced registration for the
lecture is encouraged.

2014 Regis
Master: Walter Ostrom
Sept 26 – Nov 9, 2014
Emily Galusha Gallery, Northern Clay Center

Ostrom
will give a free public lecture at the Minneapolis Institute of Arts, in the
Pillsbury Auditorium, September 27 at 2pm.

Bruce Cochrane
Leopold Foulem
Amelie Proulx
Michael Flaherty

Robert Archambeau
Rory MacDonald
Xanthe Isbister

True North – the phrase comes from the Canadian National Anthem – will survey contemporary Canadian Studio ceramics. The border with Canada is, artistically, an open one: important Canadian Artists live and tech in the United States and some of the most important figures in Canadian ceramics were born in the United States. Representing such a large and diverse country and ceramic culture is not easy. True North brings together established figures and emerging artists. They represent the full geographical sweep of Canada from coast to coast, as well as the full spectrum of ceramic expression  – from uitilitarian pottery to abstract sculptures to mixed media creations. True North: Contemporary Canadian Ceramics is the first of two exhibitions highlighting hte countries that share borders with the United States. The second exhibition, in September of 2015, will feature the work of contemporary Mexican artists.

Walter Ostrom

2014 Regis Master: Walter Ostrom
September 26 – November 9, 2014, Emily Galusha Gallery

Walter Ostrom is Northern Clay Center’s 27th Regis Master; he is one of two ceramic artists bestowed with the title in 2014.  The other, Adrian Saxe, was featured in an exhibition in spring of 2014.  The Regis Masters Series began in 1997, and honors senior artists who have had a major impact on the development of 20th and 21st century ceramics.  The Regis Masters Series was originally supported by Regis and Friends and continues today through generous support from Anita Kunin and the Kunin Family, in honor of the late Myron Kunin, a philanthropist and former owner of the Regis Corporation.

Ostrom will add his story to a limited oral history of a senior generation of ceramic artists on Saturday, September 27, at 2 pm, with a free public lecture at the Minneapolis Institute of Arts, in the Pillsbury Auditorium.

Related Events

We are excited to welcome Alwyn O’Brien to Northern Clay Center as a resident artist for the month of September. Stop by to visit her during daytime hours as she creates new work for the exhibition.

O’Brien will join Robert Archambeau for a free lecture on Thursday, October 25, from 6 to 8 pm in NCC’s Library. No pre-registration is required, but seating is limited.

Exhibition artist Rory MacDonald will join us in October for another special event. In addition to visiting with University of Minnesota students during his trip, please mark your calendar for Tuesday, October 21 at 6:00 pm when MacDonald will give a special free presentation at NCC.

ABOUT NORTHERN CLAY CENTER
Northern Clay Center’s mission is the advancement of the ceramic arts.  Ongoing programs include exhibitions of sculpture and pottery by regional, national, and international artists; classes and workshops for children and adults; studio space and grants for artists; and a sales gallery representing many top ceramic artists from the region and elsewhere.  Guided tours, hands-on events and artist demos are available.  The facility is handicapped-accessible.  Additional information about all programs can be found at our website at www.northernclaycenter.org

The Center is located at 2424 Franklin Avenue East, Minneapolis, MN 55406. It is one block south of Interstate 94, between 24th and 25th Avenues, just off the Riverside/25th exit.  Gallery hours are Tuesday, Wednesday, Friday and Saturday, 10 am to 6 pm; Thursday 10 am to 7pm; Sunday noon to 4 pm; closed Monday.

Coast to Coast to Coast @ the Art Gallery of Burlington

 
 
The Art Gallery of Burlington is excited to kick
off the Fall 2014 exhibition schedule with a celebration of contemporary
Canadian ceramics.
Coast to Coast to Coast will feature ceramic works from the AGB’s
permanent collection to tell of the development of contemporary
ceramics in Canada, and how the art form has developed through time.
Portrait of a Collector explores the influences of Herbert Bunt
on the growth of the AGB collection, and his role as the first major
donor to the Gallery.
Coast to Coast to Coast
September 27, 2014 – November 9, 2014
Location: Lee-Chin Family Gallery
                 
Artists: Various artists from the AGB Collection
Curator: Jonathan Smith
Reception: September 28, 2-4pm
Related Lectures:
Coast to Coast to Coast by Jonathan Smith, October 8 at 10am
Unique and universal – Quebec ceramics by Denis Longchamps, November 12 at 10am
 

The Exhibition:

The growth of the collection over the years has enabled us to recognize not only the breadth of expression that the ceramic medium encompasses, but also the regional, national and international influences that are expressed in the work. Regional differences that were influenced by historic developments and nurtured by the craftspeople and institutions, bump up against international art movements that helped to create artists with highly personal viewpoints. Canada with its multicultural background has welcomed these influences and grown with them. The idea of ceramics as an art form is a relatively new development in the history of the country, only arising in the late fifties and early sixties. Before then the medium had only existed in the mass production of functional pieces. The movement began with the influx of artists working in the tradition of Leach and Hamada, and the young generation of Canadians that arose in the sixties. The new energy that arose in the sixties was at first focused on expressive functional work. Over the ensuing decades, this has broadened out with ever increasing emphasis on the sculptural aspect of the medium, in particular with the rise of artists who investigate the intersection of the functional with ever increasing sculptural intentions. This in turn is bringing the medium to multi-disciplinary intersections such as installation and video. This exhibition looks at the roots of the movement, the regional origins of trends and the growing maturity of Canadian ceramics in the wider world.
 
 


emerging artist: Jason Desnoyers


 

Artist Statement

I look to make work that creates an effect on the individual person rather than, at first, the community at large. For me, attracting the individual is about finding a passion and creating a bond between maker and user. Original work, purposeful ceramics and creating conversations are the main points that I look to answer within my ceramic medium.

I describe the process I have investigated as “cut and paste”. Utilizing technical aspects of ceramics, related to throwing on the wheel, hand building and mold work. My aim is to create forms that are different but that also relate to my own self. This comes from explorations of design and personal preference, but also from outside sources such as graffiti, geometry, sociology and mass media (Tumblr).

jasondesnoyers.com