by Carole Epp | Apr 7, 2017 | emerging artist, workshops
Each year, the Metchosin International Summer School of the Arts is proud to be able to offer a number of full and partial bursaries to practicing Canadian artists. Financial assistance is available through the MISSA Bursary Program, for artists working in any medium, and the Betty Burroughs Memorial Fund for ceramic artists. MISSA also awards a number of Emerging Artist Bursaries to emerging artists 19-29 years old. Bursaries are available on a one-time basis and are applicable to any course offered at MISSA.
Bursary Application Process
Please email the scanned completed application form, 4-5 images and a brief bio combined as one PDF document which is under 4MB in size (please use low res images in your file) , to the Executive Director : [email protected] Applications due April 15, 2017. Only those applications which comply with the single PDF file format will be considered. Thank you.
MISSA BURSARY application 2017 [pdf]
MISSA BURSARY application 2017 [Word document]
Selection is undertaken by the Board of Directors and is based on artistic merit, financial need and commitment to art. Partial bursaries typically cover the workshop tuition. Full bursaries cover both tuition and accommodation & meals. Bursaries do not include required course supplies or travel expenses. Recipients are required to contribute a minimum of four hours volunteer time per week and to write a brief report outlining their MISSA experience.
The Vancouver Island Potters Guild offers a Betty Burroughs Memorial Bursary to members of their guild. APPLICATION DEADLINE HAS BEEN EXTENDED UNTIL THE END OF APRIL. Please contact the Guild directly for further details.
by Carole Epp | Mar 28, 2017 | Uncategorized
Writer and researcher Mary Ann Steggles is reaching out for assistance in collecting names of Ceramic Artists for a project.The project is as outlined below. Please assist if you can.
“The impact of Vietnam Era Resistors, Dodgers, COs, and social and political activists on Canadian ceramics: Can you help?
My name is Mary Ann Steggles and I arrived in Canada on June 4, 1969, as a social and political activist from Oklahoma due to the Vietnam Conflict. I have been awarded a small Canada Council Jean A Chalmers grant to research the impact of the Vietnam era resistors, dodgers, COs, and/or social and political activists on Canadian ceramics. I need help in locating individuals who set up studios and who might have taught or exhibited – women or men – if they still reside in Canada or not. Many have died but they will still be of interest. If you know of someone, please have them contact me: [email protected]
This research will be presented in its early stages at a conference in Dublin in late April 2017 celebrating Canada’s 150th anniversary and her ‘lost’ history. Eventually, all will form a book and an exhibition of the work of these marvelous individuals. Please see below for a summary of the project.
It has now been more than five decades since the United States escalated its war in Vietnam. From the assassination of President Kennedy in 1963 to the fall of Saigon in 1975, between 40,000 and 100,000 Americans came to Canada as an act of resistance. These men and women, mostly white, urban, middle class and educated, whose average age was twenty-five, were leaving a country that was engulfed in political and social unrest with no promise to be able to return. They settled across Canada from British Columbia’s Vancouver and Gulf Islands to Cape Breton, Nova Scotia. The Resisters, as many called them, consciously embraced new life styles, ways of earning a living, while, at the same time, being environmentally and politically pro-active. These countercultural youth recycled decades before it became mainstream. The mantra was always to cause as little damage to the environment as possible. They planted organic gardens and began food coops and day care centers. Some managed to live entirely off the proceeds of their food production while others found that they needed part time work to survive. A number learned how to make ceramics, if they had not had previous training, while others turned to glass blowing, textiles, or wood and leather working. The purpose was to create not only something useful and beautiful but also to acquire a source of income, which was not controlled by a large corporation. Indeed, it is now more than four decades since the first of the youth migrated to Canada. Most of them are now in their 70s and 80s. In the Foreword to Hell NO, We Won’t GO. Vietnam Draft Resisters in Canada, Pierre Berton states: “It is to the credit of this country that we accepted the American draft resisters in spite of pressure from the United States and in spite of efforts by some of our own authorities to send them back. That they have enriched our culture goes without saying” (Haig-Brown, 1996, p. ix-x).”
Please contact Mary Ann Steggles at [email protected]
by Carole Epp | Mar 20, 2017 | Uncategorized
Medalta +
Make and Do
are hosting a Canadian pub night at NCECA Portland! Thursday, March
23rd, 9pm till late at Rogue distillery and public house in the
Historic Pearl District. We can't wait to see you there! .. & to all
of our Medalta alumni and international pals... well you're welcome to be honorary Canadians for the night too!
?
Click this link to find a handy map to get you to all of the exhibition
openings and the pub! Clickable locations with all of the exhibition
info and location hours. For all you Canadians with no data available
we'll have analogue printed maps at the Medalta booth.