by Carole Epp | Sep 27, 2012 | Uncategorized
She knew she could do better –Noreen Lehfeldt.
2012, 33 x 39 cm, ink, gouache, acrylic, digital, collection of the artist
My parenting is a chain reaction of generations –Ruthie Burritt.
2012, 20 x 30 cm, porcelain, underglazes, collection of the artist
And
she asked me over the fence, “have you ever met his wife? Is she still
alive?”
“Yes,” I said, “to both questions” –Susan Penrose.
2012, 33 x 45 cm, ink, gouache, acrylic, digital, collection of the artist
Sweetened Condensed is a series of illustrations and illustrated
ceramics by Elizabeth Burritt based on a selection of one-line stories, each by
a different writer. The project explores narratives that are restricted in
length and convey only the most basic information, thereby leaving space for interpretation
and exploration.
The stories were solicited from friends and strangers with the promise
that those who penned the selections for the final project would receive prints
of the illustrations in return for their efforts. The project created unique collaborations
between writers and artists who used blogs to track progress and to allow
viewers to witness developments.
Elizabeth Burritt is an artist and designer whose practice includes
ceramics, illustration, jewellery and graphic design. Her illustration work is
line-based and incorporates gouache, collage and digital mark-making while her
ceramics are primarily unglazed porcelain pieces that feature decorations
rendered in ceramic pigment and permanently high-fired onto the surfaces.
Burritt’s education includes a diploma in editorial illustration from Sheridan
College and a bachelor’s degree in fine arts from Emily Carr University of Art
and Design. Originally from Ontario, she now lives in Medicine Hat with her
husband and two daughters.
Exhibition Information
18 framed works and 5 objects in Plexiglas cases
1 artist
2 crates
50 running feet
The reception is this Saturday during Alberta Culture Day’s at the Yuill Family Gallery at Medalta 1-3pm.
Curator
Xanthe Isbister, Esplanade Arts and Heritage Centre, for the Alberta Foundation
for the Arts Travelling Exhibition Program
About TREX
Each year over
300,000 Albertans experience a Travelling Art exhibition, known as TREX.
These professionally organized exhibitions travel all over the province
to schools, libraries, health centres and small rural museums
or galleries. The program is unique, the only one of its kind in
western Canada, and runs 12 months of the year, with an average of 7
exhibitions travelling per month. This year 112 exhibitions are
scheduled to be on display at over 30 venues from as far south
as Milk River to as far north as Stettler, and everywhere in-between.
Since 1981, the
Alberta Foundation for the Arts has supported the Travelling Exhibition
program, and it has been organized in our region by the Esplanade Arts
and Heritage Centre (formally the Medicine Hat Museum and
Art Gallery) for the past 17 years. The program’s mandate is to provide
every Albertan with the opportunity to enjoy visual art exhibitions in
their community, supporting and promoting Alberta-made art, with each
exhibition travelling for 2 years.
by Carole Epp | Sep 26, 2012 | Uncategorized
Two artists working with silica-based
materials – one clay (Reid Flock), the other glass (David Thai). Both
artists are pushing the boundaries of the media making it lighter and
thinner while working with highly demanding surface treatments. This
exhibition explores the similarities of contemporary design aesthetics
arising from advanced production methods, while contrasting the
characteristic of these two related silica materials. Flock (Hamilton,
Ontario) brings his experience of working in Hitachi, Japan to his
designs, while Thai (Toronto, Ontario) has made a name for himself in
Canada.
David Thai and Reid Flock
What: Neomodernism
When: until Oct. 21
Where: Burlington Art Centre, 1333 Lakeshore Rd., Burlington
Phone: 905-632-7796
Curator:
Jonathan Smith
Reception:
September 30, 2012 2 – 4pm
Artist Talk:
September 30, 2012 2:30pm
BAC Website
by Carole Epp | Sep 26, 2012 | Uncategorized
BRENDAN TANG: MANGA ORMOLU SERIES
opening reception: Thursday, October 4th, 6pm
exhibition dates: October 3 – 27

 |
OCTOBER
BRENDAN TANG
Brendan
Tang has exploded onto the contemporary Canadian art scene with his
ceramic work; hybrids of traditional Asian vessels and current pop
cultural sensibilities. Tang represented Western Canada as a
finalist for the prestigious Sobey Art Award and has been exhibited
extensively across the North America, including at the Vancouver Art
Gallery, The Mendel Gallery, the Seattle Art Museum, the Denver Art
Museum and early in 2013 his work will be included in an exhibition at
the Museum of Fine Arts in Boston.
Manga Ormolu Version 4.0b,
ceramic,
16″ x 8″ x 12″
|


by Carole Epp | Sep 25, 2012 | Uncategorized
The
Canadian Crafts Federation / Fédération canadienne des métiers d’art is
proud to present Hindsight/Foresight, our first annual Contemporary
Craft Symposium. The Symposium brings together professional voices
from across the country for a discussion on their past, present and
future, and the influences that have affected their careers.
As the title suggests, speakers will
explore their own personal histories and their plans for the future.
They will explore the effect national recognition and other milestones
have had on their practice, and their impressions of contemporary Craft
in general.
Hindsight/Foresight
is intended to fuel interest in Contemporary Craft practice and
showcase the broad range within the field. Each speaker is a recipient
of the Bronfman Award. The presentations and discussions will celebrate
the community of excellence recognized by the Saidye Bronfman
Foundation, (now one of eight Governor General’s Visual Arts Awards)
which highlights the best in Canadian visual art each year with a
$25,000 award. With this common thread, the speakers and moderator will
discuss not only the development of Craft in general, but the impact of
recognition and awards on the local, national and international
community.
Each
speaker comes from a different material practice, including ceramics,
metal and wood. Their experiences intersect and diverge across the
spectrum of Craft, with both shared and unique experiences throughout
their esteemed careers. The perspectives presented on practice and the
purpose of Craft will preface a panel discussion where audience members
have the chance to ask questions and be engaged in the debates. This is
a key focus of the Canadian Crafts Federation / Fédération canadienne
des métiers d’art, whose annual activity regularly focuses on sharing,
collaboration, awareness and appreciation of Craft with our regional
partners, the Provincial and Territorial Craft Councils across Canada.
Hindsight/Foresight
provides the opportunity to inspire people in the local and national
cultural community to talk about the potential of Craft, artistically,
economically, and conceptually. At its core, the symposium is intended
to incite debate, reflection and inspiration. We hope you will join us
for the exploration!
Project made possible with funding from the Canada Council for the Arts.
Hindsight/Foresight will take place in
the Lecture Hall at the National Gallery of Canada on October 18, from 3
– 7pm. Be sure to get your tickets in advance as seating is limited.
Book your ticket today!
Speakers: Paul Mathie, Michael C. Fortune, Kye Yeon Son, with moderator Charles Leton-Brain
Visit their
website for more details.