by Carole Epp | Feb 4, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
CALL FOR APPLICATIONS | Deadline: April 1, 2010
http://www.core.mfah.org The Core Program awards artist and critical studies residencies to highly motivated, emerging visual artists and critical writers who have completed their academic training but have not yet fully developed a professional career. About the program
Established in 1982 within the Glassell School of Art of the Museum of Fine Arts, Houston, the Core artist residencies encourage intensive and innovative studio practice as well as the elaboration of an intellectual framework to understand that practice. In 1998, the Core critical studies residencies were established to provide an opportunity for writers to pursue independent curatorial and writing projects and to promote the discourse necessary for both artists and critics to sustain their practices. Throughout the year, residents engage in ongoing dialogue with each other and meet with pre-eminent artists, critics, curators, and art historians. How to apply
For application instructions, please visit http://www.core.mfah.org
by Carole Epp | Feb 3, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
NEW DEADLINE: received by June 30, 2010 by 5pm
SEND TO: Robert Achtemichuk,
Director Winifred Shantz Award for Ceramics
Canadian Clay & Glass Gallery
25 Caroline Street North
Waterloo, ON N2L 2Y5
519.746.1882, ext. 231 AWARD GALA: September 16, 2010 The Winifred Shantz Award for Ceramics is a national award for ceramic artists and potters. Thanks to the ongoing partnership with Mrs. Winifred Shantz and the Canadian Clay & Glass Gallery, the award is presented to a practicing early career artist who has been working professionally for between 5 to 10 years. The Award is intended to allow the artist to undertake a period of independent research or other activities with the capacity to advance their artistic and professional practice at a key moment in the artist’s career. The winner of the Winifred Shantz Award for Ceramics receives $10,000. The selection panel is comprised of experienced contemporary ceramic artists, potters and curators. This jury will choose one winner and the results will be announced at a gala event on September 16, 2010. This award will be presented and announced at the same time as the winner for the RBC Award for Glass.
All of the Winifred Shantz Award winners to date have represented the remarkable practices that make up contemporary ceramic art. Previous winners include: Jasna Sokolovic (2009), Kasia Piech (2008), Rory MacDonald (2007), Ying-Yueh Chuang (2006), Kate Hyde (2005), Joan Bruneau (2004), Marc Vincent Egan (2003), Laurent Craste (2002), Susan Collett (2001) ELIGIBILITY CRITERIA
To apply to the Winifred Shantz Award, you must be a Canadian citizen or have Permanent Resident status, as defined by Citizenship and Immigration Canada. You must also meet the definition of a professional artist, which is an artist who:
-has developed skills through training and/or practice in the field (not necessarily in academic institutions)
-is recognized as such by artists working in the same artistic tradition
-has a history of public presentation or publication, and
-seeks payment for her or his work and actively practises his or her art (short breaks in artistic work history are allowed).
Applicants must have maintained an independent professional practice for at least five to a maximum of ten years prior to the date of application. -Students are not eligible
The Canadian Clay & Glass Gallery and the Winifred Shantz Award for Ceramics is accessible to Aboriginal artists and artists of diverse cultural and regional communities of Canada. ELIGIBLE PROJECTS (Activities may be combined, and are to take place within a period of one year. Project duration is dependent on applicant’s needs and proposal.)
-travelling for career development
-connecting with mentors
-visiting other studios
-studying museum collections
-investigating kiln sites
-liaising with industry to perform research that will further in-studio production
-participating in national/international residencies or symposia
Not Eligible: tuition fees SUPPORT MATERIAL (include one hard copy of all requested texts with your application and include a copy of all texts in digital format with the images on the CD-ROM)
1. PROJECT PROPOSAL (maximum 1 page) A single page outlining how the award will be used: a proposal of the research program and its intended relevance to the applicant’s future work.
2. CURRICULUM VITAE (maximum 2 pages) Please include the following information: -professional training (educational background, mentors, workshops, etc.)
-exhibition or public presentation history (including the dates, titles, names and locations of galleries or place of presentation, whether solo or group shows)
-collections: public, corporate and private
-bibliography of critical reviews of your work
-prizes, awards and other grants
-other activities related to your practice.
3. IMAGE LIST -List must follow titles of each image as identified in the CD-ROM
4. IMAGES -Fifteen (15) digital still images on one CD-ROM (35 mm slides are no longer accepted)
-present your works chronologically, from the oldest to the most recent work -some of the digital images can provide an installation or exhibition view, giving an idea of the dimensions of the work relative to the space (if applicable)
-title each file (image) with a number, your initials, the year and title of your work. Ensure that the numbers for the first nine images begin with a zero (for example: 01initialsyeartitle.jpg, 02initialsyeartitle.jpg) SPECIFICATIONS Submit jpg files only Submit files at a resolution of 72 dpi only
Submit files of a maximum of 1024 x 768 pixels (height must not exceed 768 pixels)
Submit files of 1 MB maximum
Don’t submit any type of presentation (such as PowerPoint)
Don’t submit compressed files (WinZip, Stuffit, etc.)
Don’t include hyperlinks to Internet sites with your images
Don’t submit material that requires software, plug-ins, extensions or other executables that need to be downloaded or installed Don’t submit any files by email Test your material before submission to ensure that it is formatted correctly. It is your responsibility to ensure that all material reaches the Gallery in a readable format.
ADDITIONAL REQUIRED SUPPORT MATERIAL You will need to submit a letter of confirmation and profile of host institution, documents outlining itinerary, as well as confirmation from mentors or industrial partners and disclosure of the terms of agreement between partners and the recipient.
FINAL REPORT A final illustrated report is to be submitted summarizing the benefits received from the award, no later than 18 months after the award is granted.
You must send all required support material in one package. An application that does not include all required support material will be considered incomplete, and will be withdrawn from the competition. All submissions will be kept on file at the Canadian Clay & Glass Gallery’s Artists’ Registry for archival purposes and cannot be returned.
Canadian Clay & Glass Gallery
www.canadianclayandglass.ca
25 Caroline Street North,
Waterloo, ON
N2L 2Y5 519.746.1882
Fax 519.746.6396
by Carole Epp | Jan 30, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
Deadline: April 16, 2010
Exhibition Dates: June 9 – July 9, 2010
Jurors: TBA Applications may be obtained at colleges /universities with Fine / Visual Arts Programmes across Canada Feb 2010. Students are responsible for return shipping of works. Canadian residents only. For application / info: please call 647.435.5858 or email
[email protected].
by Carole Epp | Jan 29, 2010 | Uncategorized
October 27-30, 2010, Santa Fe, New Mexico A Symposium on Developing Criticism in Ceramics International Speakers, Panels and Discussion
Developing Criticism for Contemporary Ceramics Investigations into Critical Interpretations and Critical Judgment This symposium will explore current perspectives on critical interpretation and judgment in contemporary art, using the model of ceramic art as a focal point. Invited speakers include: Ted Adler, Terry Barrett, Glen Brown, Garth Clark, Moyra Elliot, Tanya Harrod, Elaine Henry, Dave Hickey, Janet Koplos, Donald Kuspit, Elizabeth Leach, Paul Mathieu, Hunt Prothro, Jim Romberg, Raphael Rubinstein, and Adam Welch. This event is sponsored by the National Council on Education for the Ceramic Arts (NCECA). Submissions specific to ceramic art are encouraged, but considerations of critical practices in any form of studio art production, exhibition, history, pedagogy, or theory will be reviewed. Suggested topics of inquiry are as follows: Lecture Topics (20 minute presentation) •Critical Interpretation •Critical Judgment •Building Criticism Panels (15 minute presentation and panel response) •Looking Closely •Considering the Ceramic Object •The Shape of Judgment •Curation as Interpretation and Judgment •Publications and Criticism To be considered please submit an abstract (no longer than 300 words) to [email protected] by March 24, 2010. Authors of accepted abstracts will be asked to provide a full paper of approximately 1500 (panel) or 2500 (lecture) words by July 1, 2010. Proposals will be juried by the CRITICAL Santa Fe Advisory Board through a blind jury process. Previously published or off-topic papers will not be considered. All decisions of the Advisory Board are final; there is neither a rebuttal period nor an appeals process. March 24: Deadline for submissions. March 24-April 15: Review of Abstracts and deliberation period. May 1: Notification of acceptance. July 1: Final papers due for editorial review. August 1: Final, edited, camera-ready papers due. Oct 27-30: CRITICAL Santa Fe Symposium 2010.
CLICK HERE to go to the Critical Santa Fe Symposium page
by Carole Epp | Jan 28, 2010 | call for entry, emerging artist, job posting, monday morning eye candy, movie day, residency opportunity, show us your influences, technical tuesday
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28 January 2010 DESIGN FOR EVERYONE EXPRESSION OF INTEREST OPEN The Victorian Government’s State of Design Festival is a key element of the Design Victoria Strategy developed to increase the awareness of the value of design and showcase how design generates innovation, promotes sustainability and adds value to business and society. For 2010, Design for Everyone, the Festival’s public program, will explore and communicate the importance of design to a broad public audience. Participation in Design for Everyone is an opportunity for individuals, organisations and businesses to demonstrate how design is improving living conditions, creating sustainable development opportunities, increasing commercial advantages and generating new and innovative products and services. The 2010 State of Design Festival theme of ‘Change by Design’ promotes the value of design as a practical tool for the creation of sustainable communities and competitive industries. The theme is communicated via the Design for Everyone program to a broad business, design industry and general public audience. The Festival is seeking Design for Everyone content that showcases design and the Victorian design industry, and falls within the category of eco-design aimed at the general public. Past public events and exhibitions that respond to the 2010 theme include:
- Native furniture launch at Format Furniture
- Shelter Stories exhibition presented by Architecture without Frontiers
- My Patch, My Future-City: Children’s sustainable workshop presented by Artillery Interior Architecture
- Design of the Times: eco-design talk by Liane Rossler, Australian Centre for Contemporary Art
- Lightcycle: Sustainable Lighting Exhibition presented by Electrolight
- The Garbage Warrior: Michael Reynolds, eco-design talks in Melbourne and Bendigo
- 6 Star building tours with Bendigo Bank, Bendigo
The State of Design Festival is now seeking expressions of interest for public exhibitions, projects, installations, seminars, workshops and creative events to be included in the 2010 Design for Everyone program. Download the Expression of Interest PDF Design for Everyone FAQs Apply online
Deadline for application is Monday 15 February 2010. |
