2012 Invitational “Push Play” Call for Submissions

The 46th Annual NCECA Conference, “On the Edge”, will be held in Seattle, Washington at the Washington State Convention Center, March 28 – March 31, 2012. In conjunction with the conference, The Bellevue Arts Museum will host the 2012 NCECA Invitational “Push Play” from January 19 to June 17, 2012.

The NCECA Invitational is a themed, curated exhibition that features leading edge, large scale and often challenging ceramic art. Held in even-numbered years, a foundation group of works are selected by invitation; then additional artists are invited to submit images that support the theme for consideration. The submission process is open to all artists working in ceramics. This format brings established reputations and emerging talent to bear on the selected theme and adds vitality and fresh perspectives to an ongoing dialogue. A color catalogue documents the exhibition experience and contains artist statements, pertinent essays and color images of the art. The exhibition is curated and organized by NCECA Exhibitions Director, Linda Ganstrom.

Concept
The 2012 NCECA Invitational focuses on the importance of play as related to art and life.

Push Play

Want to play? Such an invitation offers the possibility of learning through pleasurable, focused activity. Associated with nature, physical interaction and props, play allows the participant the freedom to observe, respond, interact and react in ways not prescribed, although some rules still apply with consequences for those who don’t play fair. The stories that evolve from play, in their authenticity, act as triggers for personal fantasy, artistic imagining and creative problem solving. The open nature of play and playthings endows them with the power to help establish gender roles, identity, social status and career roles. Governed by a set of rules or boundaries, an outside force directs gaming or sports play. As technology interfaces with gaming, play offers virtual experience, regulated and safe, but still exciting. No longer relegated to the realm of childhood, games simulate realities ranging from war to spiritual quests while assigning players alternative identities and enhanced personalities. What are the benefits and costs of these various types of play? Is art play? Creativity lies at the heart of both art and play. When does play become art and how does skill figure into the mix? Artists often approach their work as highly focused play involving all their sentient faculties. Increasingly democratized by technology, art-making no longer requires the skills developed from material discipline. A movie can be filmed from a cell phone as evidenced by the 2010 Guggenheim and YouTube groundbreaking competition, “Play Biennial.” While everyone has potential as an artist, not all have the highly specialized skills to create artifacts with a marketable value. Where does ceramics fit in? Art making, particularly in clay, immerses the maker in sensual substance and offers an appealing alternative to technology and virtual reality play. The materials and processes of ceramics regulate the game. Whether intuitive or skillful, play in clay can be intensely engaging.
Sharing a neighborhood with the corporate offices of Nintendo and Microsoft, The Bellevue Arts Museum seems an appropriate place to investigate the question, “What is play today?” NCECA and BAM encourage artists to create works that “Push Play” up their 30 foot lobby walls to reach the gallery floors, weather the winter and spring outdoors, invite physical interaction and employ play as the subject of their art. Filling most of the second floor of the Bellevue Arts Museum, “Push Play” has room for large as well as more traditional format works. Art is serious business, so too is play. This exhibition seeks to encourage artists to move into a realm where play and its connections to art, technology, individuality and community are investigated and celebrated, while stimulating thought and provoking conversation regarding the relevance of play in contemporary life. Ceramics is the perfect medium to “Push Play.”
Linda Ganstrom, Curator Eligibility
This exhibition is open to any artist whose works incorporate primarily ceramic materials and processes. NCECA Members pay a discounted submission fee. If you are not sure whether you have a current membership in NCECA contact: [email protected]
Media & Limitations
All works must be primarily ceramic or unfired clay. Mixed media works will be accepted only if ceramic materials are the primary media, although video documentation of projects involving ceramics are encouraged. The curator will make final determinations. Large scale work can be accommodated. Floor works must be firmly stable. Wall-mounted pieces are limited to 20 lbs per section. Works may be hung from the ceiling in specific places. Work must have been produced within the last five years and not have been shown in previous NCECA exhibitions, Bellevue Arts Museum or the greater Seattle area. Calendar

Detailed information and Online Submittal form: Available Jan.12, 2011

Online Submittal deadline: July 5, 2011 (midnight EST)

Acceptance notification: August 1, 2011
Contracts and Statements due: August 15, 2011
Delivery of accepted work: Before December 19, 2011
Installation: December 20 – January 18, 2012
Exhibition dates: January 19, 2012 –June 17, 2012
Return of work: After June 17, 2012

For all the details visit their site here.

Call for entries: Cheongju International Craft Biennale


**Overseas deadline June 8th 2011**

Since its debut in 1999. Cheongju International Craft Biennale(CICB) has biennially extended the horizon of Craft from “Hands of Harmony”, “The Breath of Nature”, “Use”, “Temptation”, “Creative Evolution”, “Deeply and slowly” through “Outside the Box” as themes. through as themes. Even though CICB has brought about an innovation and change in craft world. Concerns have been expressed. One of them was the surplus of artistry.

There was a request we need to meditate on the lesson craft have two pillars: usefulness(necessity) and artistry(beauty). So we CICB will try to re-read the usefulness as an essence of craft based on the truth, ‘craft in a daily lift here and now’. That is why CICB suggests as its theme. This theme includes an aesthetic usefulness beyond the implemental usefulness.

Kindly expected deep and diverse craft-interpretations on the theme will be shown through this “The 7th CHEONGJU International Craft Competition”.

Genre: All craft artwork projects demonstrating a creative and original vision Qulifications for Entry: All nationalities and genders are welcomed to apply. We accept both individual and group projects of 3 artists or fewer.

For all the details and dates to remember please visit their website here.

Taiwan Ceramics Biennale – call for entries

Closing date: 15 April 2011

Applications are now open for the 2012 Taiwan Ceramic Biennale. International entries are invited from ceramic artists and works must consist of one – half or more of clay and no single side of the work must exceed 150cm and height after installation may not exceed 250cm.

For full competition details please visit their website.

The Clay Studio – The Resident Artist Program

THE DEADLINE DATE FOR THE RECIEPT OF APPLICATIONS FOR BOTH THE RESIDENT ARTIST PROGRAM AND THE EVELYN SHAPIRO FOUNDATION FELLOWSHIP HAS BEEN EXTENDED: APPLICATIONS MUST BE POSTMARKED ON OR BEFORE APRIL 1, 2011

Applications accepted after January 1, 2011. FROM SEPTEMBER 1, 2009 THROUGH AUGUST 31, 2011 RESIDENT ARTISTS WILL PAY ONLY FOR THEIR MATERIAL AND FIRING FEES. THE MONTHLY RENT OF $250.00 HAS BEEN WAIVED THROUGH THE GENEROSITY OF AN ANONYMOUS DONOR. The Resident Artist Program offers individuals the opportunity to further develop their work, to establish professional contacts and standards, and to work within a community of like-minded individuals in an urban environment. Once chosen as a resident artist, one is entitled to retain their residency for up to five years. A residency at The Clay Studio includes:

  • studio space (approximately 185-195 sq. ft.)
  • use of four electric and two gas kilns
  • collective buying of materials
  • a glaze mixing area
  • teaching opportunities and the right to exhibit in our galleries

The monthly rent of $250.00 is waived through August of 2011. There is a $250.00 refundable security deposit and a yearly Clay Studio membership fee of $50.00. Firing costs are based on individual usage. Residents share common housekeeping work and contribute time to The Clay Studio as well.

Application Process

PLEASE INCLUDE NOTHING OTHER THAN WHAT IS REQUESTED BELOW The current body of eleven resident artists, the current Shapiro Fellow, the Artistic Director and one invited guest juror select new residents. The selection process is based upon the strength of your application. A complete application must include the following :

  • a completed application form [PDF, 94K] in hardcopy
  • a resume in hard copy and saved as a word document on disc
  • artist statement in hard copy and saved as a word document on disc
  • a personal statement (tell us everything you want us to know about yourself including your reasons for applying for a residency) in hard copy and saved as a word document on disc.
  • On the word document disc, include 10 digital image .jpeg files at 72 dpi, with the image’s longest dimension not exceeding 700 pixels. Each image file should be labeled as follows: imagenumberyourfirstinitialandlastname.jpeg, Example: 1jdoe.jpeg, 2jdoe.jpeg, ect.
  • a corresponding image list in hard copy and saved to disc that includes the following: image number, title, medium, size, and date. Please take note that images are projected in twos, 1.jpg and 2.jpg viewed side by side, 3.jpg and 4.jpg viewed side by side, etc. Match detail images with full images accordingly.
  • PLEASE USE NO STAPLES OR BINDERS.

No discs will be returned and notification will be made via email. There is no application fee. All interested individuals are strongly encouraged to visit The Clay Studio prior to applying. All applicants will be notified by May 7, 2011. Selected artists must accept or decline residency by May 14, 2011. The residency will begin on September 1, 2011. Please call Artistic Director Jeff Guido at 215.925.3453 x18 or email [email protected] if you have any further questions about a residency at The Clay Studio.
Website

Identify Yourself A National Invitational and Juried Exhibition

May 20 – July 3, 2011 Craft Alliance’s Delmar Loop Gallery Duane Reed, Curator/Juror

In this exhibition, selected artists explore the concept of identity through their art. The questions asked are, “Who are you? What is your history and what makes you, you?” The curator/juror, Duane Reed, will be choosing work that explores ideas pertaining to cultural identity, psychological identity or personal narrative. Some of the invited artists include Sonya Clark, Gregory Grennon, Elizabeth Lo, Mark Newport and Joyce J. Scott. All featured works must be made of clay, glass, metal fiber or wood.

CALENDAR Entry Postmark Deadline Notifications emailed Artwork Delivery Exhibition Reception Return of Artwork

CRITERIA
March 25, 2011 April 15, 2011 April 24-April 29, 2011 May 20 – July 3, 2011 May 20, 6-8pm Week of July 4th
All work, whether functional or non-functional, must portray an aspect of the artist’s personal identity. We are accepting work made from clay, fiber, metal, glass or wood and created within the last 3 years.

ELIGIBILITY
Artists must be 21 years of age and reside in the United States.

SUBMISSIONS
A non-refundable entry fee for one or two entries is $35, checks made payable to Craft Alliance.
Include completed entry form on page 3.
An e-mail address must be provided for notification.

Send entries to:
Craft Alliance
6640 Delmar Blvd
St. Louis, MO 63130
Attn: Identify Yourself
http://craftalliance.org/